Showing posts with label all-set. Show all posts
Showing posts with label all-set. Show all posts

Tuesday, January 2, 2024

Recording: Molehill

Artist: Molehill

Songs: [two excerpts from the first set]

Recorded at The Tranzac's Southern Cross Lounge (All-Set! Presents), December 29, 2023.

Molehill - [set 1, excerpt 1]

Molehill - [set 1, excerpt 2]

The timing usually doesn't work out for me, so I haven't been on hand to watch the evolution of the old Aurochs timeslot in the way it deserves. Following pianist Ali Berkok's departure from town, the remaining members maintained momentum with a series of shows where they were joined by guest performers — but more recently the trio has put things on a more permanent footing with the adoption of the moniker Molehill.

That still doesn't tie the musicians down to strictly-defined roles, and I was told that this particular alignment (Jake Oelrichs, drumkit; Mike Smith, electric bass; Pete Johnston, electric guitar) was seeing its first outing. Sonically, this didn't much resemble Aurochs; nor did it atavistically revert to many Muskox modes. (Though with Michael Kaler in the crowd, there was some discussion as to whether Smith, who has generally handling electronics at these shows might be invoking his inner Phil Lesh with the bass back in his hands.) There were a lot of zones explored over two sets, from insta-ECM intricacies to thorny postrock jammage.

You can check out some sounds from the second set over on youtube:

[With Ali Berkok being back in town, Aurochs will, in fact, return at the end of the month in the All-Set! timeslot on January 26th.]

Thursday, January 12, 2023

Recording: Aurochs with special guest Kurt Newman

Artist: Aurochs with special guest Kurt Newman

Song: [2nd set excerpt]

Recorded at The Tranzac (Southern Cross Lounge), December 30, 2022.

Aurochs with special guest Kurt Newman - [2nd set excerpt]

[before start of set]

Kurt Newman: Anything I should know?

Pete Johnston: We don't play very much... also, we're not a rhythm section.

Been a fair while since I'd caught up with Aurochs, in fact not at all since their significant shift earlier this year, which saw co-founder/pianist Ali Berkok depart from regular duties with the group on moving out of town. The remaining members (Pete Johnston, bass; Jake Oelrichs, percussion; and Mike Smith, processing) have continued on, with their monthly residency slots now featuring a rotating cast of guest performers.

Kurt Newman brought out his pedal steel for this instalment, gliding along for a couple sets and giving Smith an output so he could add some extra manipulations and spacializations to his sounds. To connect with the pedal steel's vibe, Johnston swapped double bass for bass VI, so there were some moments of minimal Nashville (though not quite Nashville Minimalist) sounds. Things actually got a little frisky — if not a gallop then nudging into a drunken waltz, but the back half of both sets found the musicians zoned in to some really pleasing flows.

Speaking of which, here's some sounds/visuals from the second half of the first set:

Wednesday, July 17, 2019

Recording: Stranger Still

Artist: Stranger Still

Songs: The Drunken Poet + Looking For Nancy [based on poems by Alden Nowlan]

Recorded at The Tranzac's Southern Cross Lounge (All-Set! Editions Double Release Celebration), April 27, 2019.

Stranger Still - The Drunken Poet

Stranger Still - Looking For Nancy

This dual release celebration ran with the double-up concept, putting both bands on stage simultaneously, each taking a couple songs at a time before flipping things over. This project from Pete Johnston saw him exploring the work of Alden Nowlan — a poet who, like Johnston, emerged from Hants County, Nova Scotia. The poems are constructed from ingredients close at hand (cold Canadian weather, gossip about the neighbours, another drunken night out) and were largely set to be sung by Mim Adams and Randi Helmers, backed by Rob Clutton's bass and Johnston's guitar. (The exception was the delightful "Looking For Nancy", transformed into a slightly quavery country tune and sung by Johnston himself.)

Recording: The Mike Smith Company

Artist: The Mike Smith Company

Song: This Widowed Hoard

Recorded at The Tranzac's Southern Cross Lounge (All-Set! Editions Double Release Celebration), April 27, 2019.

The Mike Smith Company - This Widowed Hoard

This dual release celebration ran with the double-up concept, putting both bands on stage simultaneously, each taking a couple songs at a time before flipping things over. Mike Smith (on synth and backing vox) was celebrating the long-gestating Songs of The Mike Smith Company alongside Robin Dann (vox), Rebecca Hennessy (trumpet) and Jonathan Adjemian (synth). Popsongs with prog ruffles and little sonic complications throughout, the tunes addressed a number of contemporary problems, from data forms with forced false settings to concerns about "what happens to your record collection when you die", as heard on this number.

Wednesday, November 30, 2016

Recording: The Mike Smith Company

Artist: The Mike Smith Company

Song: Famous Wildlife Movies

Recorded at The Tranzac's Main Hall (All-Set! Autumn Release Show), October 28, 2016.

The Mike Smith Company - Famous Wildlife Movies [part 1]

The Mike Smith Company - Famous Wildlife Movies [part 2]

This second release spectacular from All-Set! Editions added three new albums to their catalogue, and all three of the recombinant groupings played to celebrate. The highlight of the night was seeing the tunes from Mike Smith's new album presented by what was, by his own admission, "a large band".1 That added to a history of Smith treating his compositions with a certain malleability — besides its "fixed" iteration as a recording, I've seen the album's title track take on a few different manifestations. These large group arrangements were quite lovely, going as often to smaller, quieter shadings with different subsets of instruments as veering into full-on big band wallops.

[A less-expanded version of the Mike Smith Company will be playing at the Music Gallery's Moondog 100 concert this Saturday (December 3rd), playing songs from their own book as well as some new arrangements of Moondog's pieces.]


1 If my notes are correct, the ensemble at this show was:

  • Mike Smith – composition, conductor, flute
  • Pete Johnston – bass
  • Blake Howard – percussion
  • Jamie Drake – percussion
  • Jake Oelrichs – percussion
  • Jonathan Adjemian – synth
  • Ali Berkok – piano, clavinet
  • Heather Saumer – trombone
  • Tom Richards – trombone
  • Rebecca Hennessy – trumpet
  • Mika Posen – violin
  • Jay Hay – Tenor sax, flute
  • Karen Ng – alto sax, flute
  • Jeremy Strachan – guitar, sax, flute

Recording: Aurochs with Jean Martin

Artist: Aurochs with Jean Martin

Song: [excerpt]

Recorded at The Tranzac's Main Hall (All-Set! Autumn Release Show), October 28, 2016.

Aurochs with Jean Martin - [excerpt]

This second release spectacular from All-Set! Editions added three new albums to their catalogue, and all three of the recombinant groupings played to celebrate. Since the release of their Rational Animals album a couple years ago, Aurochs have evolved from the original trio, seeing Mike Smith join the ranks as a sound manipulationist. Another Helpful Medicine sees a more warped'n'ziggzagged group with Ali Berkok's piano (and accordion), Pete Johnston's bass and Jake Oelrich's percussion building and burbling through a continuously-evolving improvisation, further filtered through Jean Martin's mixage. To give a taste of the process that created the album, the group invited Martin to join them at this release show, adding further layers of melting, ping-ponging swooning dub-drip interference to the musical interface.

Recording: See Through 5

Artist: See Through 5

Song: Piecing Together That Dream

Recorded at The Tranzac's Main Hall (All-Set! Autumn Release Show), October 28, 2016.

See Through 5 - Piecing Together That Dream

This second release spectacular from All-Set! Editions added three new albums to their catalogue, and all three of the recombinant groupings played to celebrate. Margins, the new album from Pete Johnston's malleable chamber-prog ensemble, is cut from the same cloth (and was recorded, so far as I can tell, at the same sessions) as least year's Utilities. That means listeners can expect further tuneful explorations with plenty of counterpoint and zigzag diversions. (All-Set! has also released Johnston's See Through Two album of bass duets with Rob Clutton with a bit less fanfare. Both albums are available on a name-your price basis over on bandcamp.)

Friday, March 18, 2016

Recording: See Through 5

Artist: See Through 5

Song: We Have Both Been Dissected

Recorded at Array Space (All-Set! Triple Album Launch), March 5, 2016.

See Through 5 - We Have Both Been Dissected

This show served as the launch party for All-Set! Editions and its first three releases. Masterminded by Mike Smith, these first three albums all included his beautifully-designed packaging — and all three also revolved around players from the overlapping Muskox/Aurochs axis. Utilities is the first recording from the expanded version of bassist Pete Johnston's See Through Trio, which has been exploring his compositions in a shifting variety of ensembles. The constant musical foil is pianist Tania Gill, joined frequently by saxophonist Karen Ng — and in this incarnation filled out by Johnston's Aurochs bandmates Jake Oelrichs (percussion) and Mike Smith (synth). The quintet adds some meat to the occasionally off-kilter compositions, pushing things into a more "band"-like chamber-prog zone. All the pieces (save for closing ballad "More Faults Than California") were presented for this show, and are excellently realized on the album.

Recording: Mike Smith & Jonathan Adjemian

Artist: Mike Smith & Jonathan Adjemian

Songs: Fifth Transcombobulation + Sixth Transcombobulation

Recorded at Array Space (All-Set! Triple Album Launch), March 5, 2016.

Mike Smith & Jonathan Adjemian - Fifth Transcombobulation

Mike Smith & Jonathan Adjemian - Sixth Transcombobulation

This show served as the launch party for All-Set! Editions and its first three releases. Masterminded by Mike Smith, these first three albums all included his beautifully-designed packaging — and all three also revolved around players from the overlapping Muskox/Aurochs axis. One point of origin that lead to this night would be Mike Smith's month-long Tranzac residency back in August 2014, which featured the debut of his transcombobulatin' duo with Jonathan Adjemian while exploring a whole new book of compositions in a variety of musical contexts. This would be an ongoing process — I've also seen "Sixth" performed in a "luxury" version that included a double rhythm section, but it's worth putting up here again, as this variant with Adjemian on Array's grand piano also has a different feel than the one that closes out the pair's album. Word on the street is that the next batch of All-Set! releases, due in September, will include some more Mike Smith compositions in his "company" formation.

Recording: Ali Berkok

Artist: Ali Berkok

Songs: All-Set! + Prerhythmia/Arrhythmia

Recorded at Array Space (All-Set! Triple Album Launch), March 5, 2016.

Ali Berkok - All-Set!

Ali Berkok - Prerhythmia/Arrhythmia

This show served as the launch party for All-Set! Editions and its first three releases. Masterminded by Mike Smith, these first three albums all included his beautifully-designed packaging — and all three also revolved around players from the overlapping Muskox/Aurochs axis. Aurochs mainman Ali Berkok started the evening with a set of solo piano, as explored on his Never Get Lost For Long album. He lead off with this aptly-named improvisation, and contrasted that spontaneity with some of the album's composed pieces, such as the intellectually-considered series of exclamation points in the second piece's rhythmic variations.