Showing posts with label simeon abbott. Show all posts
Showing posts with label simeon abbott. Show all posts

Wednesday, February 3, 2016

Recording: Adam Rudolph & Go: Organic Toronto Orchestra

Artist: Adam Rudolph & Go: Organic Toronto Orchestra

Songs: [two excerpts]

Recorded at The Music Gallery, January 23, 2016.

Adam Rudolph & Go: Organic Toronto Orchestra - [set 1, 1st piece] [excerpt]

Adam Rudolph & Go: Organic Toronto Orchestra - [set 2, 3rd piece] [excerpt]

Adam Rudolph is a master percussionist who has worked with many luminaries, including Yusef Lateef. But this visit to the Music Gallery saw him working as teacher and conductor to a large-format ensemble1 brought together to get an intensive grounding in his musical philosophy and methods. Speaking to Nilan Perera before the show, he described the project as "a 21st century idea of what an orchestra could be", designed to create room for "mi", a word of the Dogon people of Mali that expresses how the inner voice of a musician can be brought forth in the music they play — very much the contrary of the image of the ensemble player in European "classical" music whose function is to remove themselves to express the composer's ideas. (He also spoke of African-American call-and-response as one of his foundational musical experiences, which was a revealing lens on the night's music.)

Conducting solves what's often the biggest problem of large-group improvisation: finding a shape and knowing when to stop. The most visible aspect of several days' work with the crew of local musicians was his use of elaborate hand signals and vivid body language — he was the most animated conductor I've seen leading an ensemble since Gergiev. Obviously, there was a lot more going on under the surface in terms of how his compositions created a structure but left lots of room for indeterminacy. The upshot of all of this was a group whose textures ranged widely — from the more formally-arranged sounds of the short first extract here that wouldn't sound out of place at a typical "New Music" concert to the free-spirited blaxploitaion big-band improv of the second, which showed how this large group could nimbly stop-and-start on a dime. Really quite wonderful stuff. This played to a full house at the Music Gallery, where it looked like many people were attracted by Rudolph's involvement. Here's hoping some in the crowd will be inspired to seek out some more from the local participants who can be found joyfully improvising in the city's creative music scenes.


1 The ensemble was as follows:

  • Vocals : Tova Kardonne, Zoe Alexis-Abrams
  • Horns: Lina Allemano, Heather Segger, Jay Hay, Karen Ng
  • Strings: Ilana Walniuk, Aline Homzy, Araz Salek, Rob Clutton
  • Drumkit/percussion: Joe Sorbara
  • Hand percussion Raphael Roter, Rakesh Tewari
  • Keys: Simeon Abbott
  • Turntables/Electronics: SlowPitchSound
  • Guitar: Luan Phung

Tuesday, March 17, 2015

Recording: Sounds of Saba

Artist: Sounds of Saba

Songs: Zelesegna (feat. Fantahun Shewankochew) / Yells Doju (feat. Netsanet Mellesse)

Recorded at Alliance Française, March 7, 2015.

Sounds of Saba feat. Fantahun Shewankochew - Zelesegna

Sounds of Saba feat. Netsanet Mellesse - Yells Doju

Some of Batuki Music's efforts have involved fostering pan-African sonic links and exploring the range of Ethiopian music, but this new band — formed of veterans of the city's jazz and afrobeat scenes1 — was largely convened to accompany Fantahun Shewankochew. Shewankochew released a number of albums and worked as the music department coordinator of the Ethiopian National Theatre in Addis Ababa before coming to Toronto — which is to say he's definitely a top-tier talent as a singer, krar player and bandleader. Word is that he's working on a new album with this band, showing off several of these songs at this show.

The night also featured the phenomenal vocalist Netsanet Mellesse, who rose to fame in Ethiopia as a singer with The Wallias Band (which was founded by Mulatu Astatke). She has released albums both in Ethiopia and internationally (and even toured with the great Aster Aweke), but isn't very well known in what is now her home town. That's too bad — hopefully Toronto will get more chances to hear her in performance. In fact, while I was quite pleased at the chance to take in this show from one of the comfy chairs in the cozy theatre at the Alliance Française, I also realized this would be just about perfect outside on a summer night where everyone could dance to the ample grooves. Stay tuned — hopefully such a chance will be coming up and you won't want to miss this a second time.


1 The band was composed of Daniel Barnes (drums), Tom Juhas (guitar), Simeon Abbott (keybs), Tyler Emond (bass), John Maclean (saxophone), Steve Dyte (trumpet), and Paul Turosov (trombone)

Tuesday, March 4, 2014

Recording: Simeon Abbott & Mike Gennaro

Artist: Simeon Abbott & Mike Gennaro

Song: [excerpt from an improvization]

Recorded at The Tranzac - Main Hall ("The Second Annual Somewhere There Creative Music Festival" - Show 4), February 23, 2014.

Simeon Abbott & Mike Gennaro - [excerpt]

Full review to follow. Mike Gennaro brings a strong physicality to his work behind the kit, eyes squeezed tightly shut as if he were causing the clatter around him by telekinesis. For this set, he was matched blow-for-blow by Simeon Abbott's piano work. This was aggressive stuff, sometimes sounding more like a tug-of-war than a dance, and an interesting counter to some of the festival's more genteel improvisations.