Recording: Araz Salek & Friends

Artist: Araz Salek & Friends

Songs: Goshāyesh 11 & 15 + Chahārmezrāb

Recorded at The Tranzac (Main Hall), June 8, 2025.

Araz Salek & Friends - Goshāyesh 11 & 15

Araz Salek & Friends - Chahārmezrāb

This joyful party had a twofold purpose, not only celebrating a birthday for Araz Salek, but also serving to launch his new Peripheries of Nahavand album. To the latter end, an ensemble of friends from within and beyond the Labyrinth Ensemble played both pieces from the album as well as a couple tunes that helped inspire it. Lots of families and kids out enjoying the music and snackage, making for a charmingly casual time.

Recording: Labyrinth Ensemble with Âriâ Mohâfez

Artist: Labyrinth Ensemble with Âriâ Mohâfez

Song: Tasnif-e Parastu [composer: Habibollah Badiei]

Recorded at the Aga Khan Museum, May 3, 2025.

Labyrinth Ensemble with Âriâ Mohâfez - Tasnif-e Parastu

Another excellent night at the Aga Khan with the Labyrinth Ensemble, this time hosting Iranian santur player Âriâ Mohâfez. Although the concert followed the template that Labyrinth has been developing for the past couple years (an intensive rehearsal and teaching process leading up to the show, followed by a concert with suites of pieces punctuated by solo spots for the ensemble members) this had a different vibe than the previous shows — certainly a different sonic feel in how the strings related to the rest of the ensemble, but more strikingly, there was a shape to the presentation that saw the show's end eschew the "big finale" to instead close on a morally-resolute and solemn note with Mohâfez's pieces "Shokufan/Abloom" and "Nika", dedicated, respectively, to Iran's womens' movement and Nika Shakarami.

Recording: Labyrinth Ensemble with Maliheh Moradi

Artist: Labyrinth Ensemble with Maliheh Moradi

Song: Dar deyr-e moghan [composer: Arshad Tahmasebi]

Recorded at the Aga Khan Museum, November 2, 2024.

Labyrinth Ensemble with Maliheh Moradi - Dar deyr-e moghan

The latest in the Labyrinth Ensemble's series of group intensives/public concerts saw them working with Iranian vocalist Maliheh Moradi and exploring a mix of classic makam pieces and new sounds that emerged during the workshop process. And as usual, in between the graniose sweep of the full ensemble, some of the most striking moments came when that pulled back to duos and solos, showing off the diverse array of sounds that the ensemble contains.

[Labyrinth's Makam Nights series will not have a November edition, but will return on December 19th to the Tranzac's Living Room — and before that, some members of the ensemble (Roa Lee, Marta Solek and Sasan Salaseli) will be performing at Drom Taberna on Sunday, December 1st.]

Recording: Labyrinth Ensemble

Artist: Labyrinth Ensemble

Songs: Makam Ussak [excerpt]^* + Makam Toronto

Recorded at Aga Khan Museum, April 15, 2023.

Labyrinth Ensemble - Makam Ussak [excerpt]

Labyrinth Ensemble - Makam Toronto

It's always a delight to be able to catch the Labyrinth Ensemble in full flight. Once more, this concert was based on the principle of bringing in a world-class expert (in this case, Greek mandolinist Evgenios Voulgaris) to spend some intensive rehearsal time with the group before presenting what they've learned to the public. Voulgaris brought a selection of 17th-century works collected by Romanian prince Dimitrie Cantemir, showcasing the cultural connections being forged in the court of the Ottoman Empire. The show was presented as a pair of suites, each united by a particular makam, or mode, with the ensemble seguing from one piece to the next by honing in on individual members, giving everyone space in the foreground before showing how their sound is woven into the larger perspective. The first piece here highlights MFS fave Naomi McCarroll-Butler's saxophone work while the latter is a brand new piece (in the combiniation-of-things "Toronto mode") that Voulgaris wrote for the group while in the city.

The full ensemble for this show was: Evgenios Voulgaris – oud and yaylı tambur; Sadaf Amini – santur; Yang Chen – riqq, bendir; Burak Ekmekci – baglama; Michael K. Harrist – yayli tanbur; Pedram Khavarzamini – tombak; Roa Lee – gayageum; Naomi McCarroll-Butler – saxophone, clarinet, and bass clarinet; John McKinnon – electric bass; Scott Peterson – upright bass; Araz Salek – tar; Marta Solek – cello and greek lyra; Tev Stevig – tanbur and oud; Aysel Taghi-Zada – violin; Amely Zhou – erhu.

[Labyrinth Ontario will be hosting an instrument library at City Hall as part of Doors Open Toronto next weekend (May 27th + 28th). Visitors are welcome to come by all weekend and explore the space and hear demonstrations!]

^* As mentioned above, this is a segment of the set-long suite of ussak music. Please leave a comment in you know the name(s) of the partricular piece(s)!

Recording: Naomi McCarroll-Butler

Artist: Naomi McCarroll-Butler

Songs: Chrysalis [two sections]^*

Recorded at Toronto Jazz Festival, [corporate brand name] Main Stage – [corporate brand name] Grove, July 2, 2022.

Naomi McCarroll-Butler - Chrysalis [section 4]

Naomi McCarroll-Butler - Chrysalis [section 10]

The local jazz festival doesn't tend to get a tonne of favourable glances from this direction, but they should be praised when they do something cool and ambitious. Named as the inaugural "Jazz Festival Immersive Artist-in-Residence", Naomi McCarroll-Butler was given some resources to put together a programme of new work to present at the festival, which emerged as Chrysalis, "a project born out of my first years of transitioning: songs of hope for holding on, cries of joy and grief for the love of a suffering community, trance tapestries of woven sound accompanying the alignment of the physical body with the luminant body."

This live presentation (played in the pleasant Festival zone in the Victoria College quad) saw McCarroll-Butler backed by a dozen musicians, segueing from spiritual jazz blastoffs to modern compositional latticeworks — and including some sounds on DIY microtonal pipes along the way, as well as plenty individual spotlights for the members of the group. The band sounded lush and lively (despite playing with a fairly minimal soundcheck) and one can hope that this music gets a chance to live on beyond this performance.

The ensemble at this show was:

• Anh Phung: flutes
• Kae Murphy: trumpet, sousaphone
• Nebyu Yohannes: trombone
• Colin Fisher: tenor saxophone, drums
• Naomi McCarroll-Butler: alto saxophone, bass clarinet
• Aysel Taghi-Zada: violin
• Aline Homzy: violin
• Amahl Arulanandam: cello
• Adrian Russouw: double bass
• Roa Lee: gayageum
• Yang Chen: percussion, tubulum
• Racha Moukalled: piano
• Stefan Hegerat: drums, percussion

^* I'm not sure if the individual pieces within the suite have separate titles or noy; please leave a comment if you have info!