Showing posts with label ken park. Show all posts
Showing posts with label ken park. Show all posts

Tuesday, February 2, 2016

Recording: Scott Hardware

Artist: Scott Hardware

Song: New Money Walk

Recorded at The Silver Dollar Room (Wavelength 690 – Class of 2016 #5), January 22, 2016.

Scott Hardware - New Money Walk

Presenting as part of Dan Burke's annual next-big-thing "Class of" series, this night saw Wavelength at its most Silent Shout-y, presenting projects whose sounds skewed towards various points on the electronic/dance continuum. The mix at the Dollar tended to de-emphasize Chris Chami's piano sounds, but it did reinforce how dance-worthy Scott Harwood's post-Ken Park songs are, even if they are less-superficially drawing their sound from "dance music".

Friday, December 11, 2015

Recording: Scott Hardware

Artist: Scott Hardware

Song: Gertrude

Recorded at Smiling Buddha (Silent Shout Festival – Night 2), December 5, 2014.

Scott Hardware - Gertrude

Although they'd stepped away from presenting live music, Silent Shout returned for a two-night celebration to mark their fifth anniversary. Taking over the Smiling Buddha for two nights gave the site's designer Roxanne Ignatius a chance to re-imagine the space, with a deconstructed disco ball twirling above clouds and webby fabric tendrils. Plus, downstairs there was a gallery of her consistently-excellent show posters, going right back to the series' beginning when it had to spell out its mandate of "EVIL DISCO / GLOOMY ELECTRO / DEATHLY SYNTHPOP". And though there was a retrospective element to the whole affair, the music was decisively forward-looking, including a couple bands making their debuts. The second night even upped the ante by adding lasers!

Having now closed out the cycle that brought Ken Park's You Think About It Too Much, word is that a new album is already in the can and Scott Harwood formally re-launched the project with a short tour that ended with this hometown show. Harwood's pivot includes not only new songs and a new band but also a new moniker — I don't know if the use of "hardware" was a subtle hint that his music remains software free, but his vision of no laptop dance music has expanded with the presence of sax and piano giving things an analogue edge, and shifting things from Berlin disco to early 90's British house — there's a little bit of Happy Monday's "Step On" (and/or EMF's "Unbelievable") in the sound. Still eminently danceable and still based on strong songwriting, this looks like the start of an exciting new chapter.

[Scott Hardware will be playing at Wavelength's "Class of 2016" showcase at the Silver Dollar on Friday, January 22nd.]

Sunday, March 8, 2015

Recording: Ken Park

Artist: Ken Park

Song: Taiga

Recorded at Smiling Buddha, February 26, 2015.

Ken Park - Taiga

The release show for Mimico's excellent new Incantations album saw support from three acts with close connections to the headliners. Once upon a time (that seems so far away now) Scott Harwood played guitar in Ostrich Tuning alongside Mimico's Jeremiah Knight; now he's at the end of the album cycle for this techno-inspired project. Promising/threatening that this would be the last time playing the tunes from You Think About It Too Much before retreating to produce its follow-up, Harwood packed the dancefloor with late-night revellers eager to groove to these tunes one more time. There are indications that Harwood wants to push even further into deep trance/pure dance territory, so we'll see if he can find a way again to fuse that to his strong songwriting sensibilities.

Sunday, March 1, 2015

Six years/Six pack: Andrew Pulsifer

MFS has turned six! My introductory thoughts on this landmark can be found here, but long story short: I asked some folks to pick some of their favourites to help me celebrate.

Today's list is from Andrew Pulsifer, a DJ, musician, and one of the forces behind Silent Shout — in other words, someone willing and able to challenge my (more or less perennial) rockist assumptions.


The first time I met Joe was at a sex club. The event was the first Silent Shout/Wavelength collaboration at Play, a failed attempt to turn the main floor of Wicked, a notorious swingers hang on Queen West, into a venue/club. I had been very familiar with Mechanical Forest Sound before the meeting, having in fact discovered multiple bands from the website, but Joe had never been to a Silent Shout show up until that point.

Naturally, I introduced myself to Joe and confronted him on what I thought was a grand injustice. Having a song posted on Mechanical Forest Sound was/is a seal of approval in my eyes, and I couldn't consider myself a complete part of the Toronto music community without a write-up (full review to follow) from the blog. After the conversation (in which, I distinctly remember Joe mentioning he didn’t like "laptop music"), we became good show friends. Show friends are people that you really only see at concerts, but are always a welcomed sight; a friendly face that you know you can always have a few shouted words of conversation with over glasses of beer while waiting for the next band to set up. Though, we almost ALWAYS disagree on what was the highlight of the night.

Majical Cloudz - Childhood's End

One of many times Joe and I disagreed. Though I worried about the infection I would get from sitting on the floor at Sneaky Dee's at 3 a.m. I thought it was a beautiful, fringing on transcendent performance. Joe dismissed it as "Coldplay for hipsters" outside afterwards.

Digits - Trans-Europe Express

Kinda cheating here, since I was involved in this performance (the drum solo in the middle is me!), but it was one of the most fun things I've ever done on stage, and I'm so glad that Joe was there to capture the one-time-only performance. Maybe I should have chosen a Digits song that didn't involve me, buuuuut, whatever. I'm sure he's fine with it.

Lido Pimienta - Jardines

Joe was the MVP journalist of the (Silent Shout curated) SummerWorks Music Series last year. Seeing his posts go up after what was one of the more stressful times for me in recent times was cathartic and a realization that it was a job-well-done. Also: Lido! C'mon! What a great show!

Blue Hawaii - In Two

Joe and I disagree part 2. I thought this set was one of the best raves I had been to in a long time, he was on the fence.

Ken Park - He Says I'm An Island (I Won't Try And Find Him)

Ken Park took over this slot last minute at the inaugural All Toronto's Parties, but what a set! Scott just played his last show using material from last year's phenomenal LP You Think about it Too Much at the Mimio release show. I'm so glad that Joe was able to capture one of his finest performances here.

Nature - Heater

Remember how awesome Nature were at the SECOND All Toronto’s Parties?


You can always click on the tags below to look for more stuff from these artists. Has there been a half-dozen songs posted here that made an impact on you? If you'd like to get in on the action and make a list, feel free to send me an email: mechanicalforestsound@gmail.com.

Tuesday, November 26, 2013

Recording: Ken Park

Artist: Ken Park

Song: He Says I'm An Island (I Won't Try And Find Him)

Recorded at The Garrison ("All Toronto's Parties"), November 22, 2013.

Ken Park - He Says I'm An Island (I Won't Try And Find Him)

Full review to follow. Toronto's DIY show promoters have generally been more mutual admirers than competitors, and now, this is the first flowering of a new commitment to work together. Wavelength, Weird Canada, Silent Shout, Feast in the East and Pleasence Records each picked an act for this joint show, which packed The Garrison with music and other diversions.

Scott Harwood was a last-minute injury replacement in the lineup, but his one-man laptop-free dance grooves fit right in. (Oh, and by the way: this one used to sound like this, but not any more.)

Friday, August 2, 2013

Recording: Ken Park

Artist: Ken Park

Song: Stay at Mine

Recorded at The Piston, August 1, 2013.

Ken Park - Stay at Mine

Full review to follow. I first encountered Scott Harwood when he was playing in psych-drone rockers Ostrich Tuning. After some time in Berlin, he's returned with this new solo project, exchanging his guitar for an MC-303. Playing without the safety net of a laptop, this is the sort of dance music I like to see live — a little rough around the edges and based as much in solid songcraft as techno architecture. A little tender and tentative, even while thumping its chest.