Showing posts with label 2019. Show all posts
Showing posts with label 2019. Show all posts

Friday, January 31, 2020

Recording: Cosmic Homeostasis XIII

Artist: Cosmic Homeostasis XIII

Song: I Can't Find My Phone [excerpt]

Recorded at The Tranzac (Southern Cross Lounge), December 29, 2019.

Cosmic Homeostasis XIII - I Can't Find My Phone [excerpt]

To my surprise and delight, in the midst of that muddled and busy holiday week after xmas we managed to muster a baker's dozen soundmakers to mindmeld into some electroacoustic drift. Maybe folks just needed a calm zone away from the holiday hurlyburly. In any case, an excellent bit of preparation for the collective's first formal recording session — of which, more news soon!

The group on this day consisted of:

  • Scott M2 (Animoog Borderlands)
  • Paul Newman (tenor saxophone)
  • Matt Wells (cymbal)
  • Dame Cook (electronics)
  • Patrick O'Reilly (Bliptronic 5000 and guitar)
  • strofoamNosebleedPrincess (bass guitar and objects)
  • Michael Lynn (bass guitar and things, namer-of-things)
  • Maggie Keogh (Omnichord)
  • Del Stephen (synth, piano, tape, fx)
  • NilanX (prepared guitar and fx)
  • Mira Martin-Grey (prepared/broken autoharp)
  • Stefan Powell (duochord with magnetic wheels)
  • Victor O (shakers + noisemakers)
  • Heraclitus Akimbo (tapes and electronics)

You can also listen to the full set over on Bandcamp:

Thursday, January 30, 2020

Recording: The Ryan Driver Sextet

Artist: The Ryan Driver Sextet

Song: Two Sleepy People [composer: Hoagy Carmichael/Frank Loesser]

Recorded at The Tranzac (Southern Cross Lounge), December 27, 2019.

The Ryan Driver Sextet - Two Sleepy People

The full sextet was present and in action for this holiday special, as always stretching out through a selection of standards from Ryan Driver's vast songbook. What a treasure, really, to have a longstanding group like this that knows itself so deeply and is utterly sui generis.

[You can see these local treasures for yourself tomorrow night (Friday, January 31st) at The Tranzac.]

Recording: Aurochs

Artist: Aurochs

Song: [set 1, 3rd piece]

Recorded at The Tranzac (Southern Cross Lounge), December 27, 2019.

Aurochs - [set 1, 3rd piece]

Classic four-piece Aurochs jams to close out the year, these two sets saw the members pushing apart a bit and exploring some branching paths before falling back into some mindmeld grooves.

[Aurochs promise to play very quietly tomorrow night (Friday, January 31st) at The Tranzac.]

Wednesday, January 29, 2020

Recording: Maraj/Vespaziani/O

Artist: Kieran Maraj/Bob Vespaziani/Victor O

Song: [excerpt]

Recorded at The Tranzac's Southern Cross Lounge (Karen Ng Presents: The Boxing Day Special), December 26, 2019.

Kieran Maraj/Bob Vespaziani/Victor O - [excerpt]

Karen Ng (away for her regular night at The Tranzac) left things to guest curator Victor O, who assembled a fine night of electroacoustic sounds. He also joined in with this trio, with a tableful of percussive implements being processed by Kieran Maraj's granular manipulations alongside Bob Vespaziani's wavedrum and pedals. This lead to some complicated clattering, relieved by Victor O's piano meditations.

Recording: Wiernik/Corbett/Cook

Artist: Neil Wiernik/Erin Corbett/Dame Cook

Song: [excerpt]

Recorded at The Tranzac's Southern Cross Lounge (Karen Ng Presents: The Boxing Day Special), December 26, 2019.

Neil Wiernik/Erin Corbett/Dame Cook - [excerpt]

Karen Ng (away for her regular night at The Tranzac) left things to guest curator Victor O, who assembled a fine night of electroacoustic sounds. The night started with this trio offering three flavours of electronics, mashing together into 8-bit victory fanfares, bitcrushed surfscapes and touch-type chimes.

Tuesday, January 28, 2020

Recording: Out to Lunch

Artist: Out to Lunch

Songs: Something Sweet, Something Tender [composer: Eric Dolphy] + Out to Lunch [composer: Eric Dolphy]

Recorded at Array Space (Kurt Newman Yuletide Music Party), December 20, 2019.

Out to Lunch - Something Sweet, Something Tender

Out to Lunch - Out to Lunch

This project from percussionist Mark Zurawinski is dedicated to reinterpreting the seminal Eric Dolphy album from which it takes its name. The mandate here is definitely not to be slavish to the original arrangements, as is probably indicated by the somewhat unorthodox lineup at hand: Rob Clutton (double bass), Germaine Liu (vibraphone), Brian Abbot (guitar), Kayla Milmine (soprano saxophone) and Mira Martin-Gray (no-input mixer). (The latter tune here also sees Kurt Newman guesting on pedal steel.)

The resulting stew is capable of moments of quiet clarity (especially in the small percussive gestures from Zurawinski and Liu) but also wig-out feedback bursts. That gives new flavours to these tunes, like "Something Sweet, Something Tender", which could be issued on a single with the musical tag "ballad with screech-groans".

Sunday, January 26, 2020

Sunday Playlist #47

Sunday Playlist #47: In memoriam Pete Carmichael

It was a shock this week to hear of Pete Carmichael's sudden passing. Pete was someone I knew first as a musician — The Diableros were more or less rock stars in my book, and when I started recording shows, they were the sort of local group that I thought needed to be documented. Fortunately, I had my gear by the time the group were playing around for their last EP.

I remember back in Stillepost days, Pete would often say "bootleggers welcome at our show!" when promoting his gigs, so my first contact was indeed me getting in touch to offer a recording (from the first show in this playlist) back to him. He was always gracious and thankful for that. At some point after that we met in person — we were going to the same sort of Optical Sounds psych-pop shows in that period. After Diableros ended, I was around as he built toward something new (like that rare acoustic show at St. Stephen-In-The-Fields) that ended up becoming The Whirly Birds. I saw that band several times as they built up their sound and repertoire, and I was always sad that the project seemingly fell apart in that sort of heartbreak phase where there was stuff recorded but no longer the will to put it out. To remind folks of what-might-have-been, I'm sharing a full Whirly Birds set here today. (link — in case your browser doesn't like the embed below)

There was also the relatively short-lived project The Green Ray/Green Rays which hewed to more of a Nuggets-style template, but offered some rough-and-ready fun. I have no inside info as to what happened there, but the band's existence has been mostly scrubbed (I seem to recall there were a few demos online at some point that're now long gone). Digging through the archive this week, I found a set from the group playing the Dundas West Fest in the parking lot across from The Garrison, so I'm sharing one of Pete's tunes from that set for the first time here. And closing things out, maybe it's best to end with a celebration, so I'm sharing the full set from The Diableros' 10th anniversary reunion show, where they played You Can't Break the Strings in Our Olympic Hearts in full. (link — in case your browser doesn't like the embed below)

Like so many people that I knew from the rock scenes, I can't say I knew Pete very closely — something that happens when the bulk of your interactions with a person come in loud bars. We would chat a bit out back at The Silver Dollar, and when I was having my back problems, I remember having a couple more substantial conversations with Pete about that, and about dealing with chronic pain (something I gathered that he knew far too much about).

Pete was generally kind and well spoken, often chatting with a bit of a sly smile. He showed up at his friends' gigs — sometimes even behind the mixing desk, as I recall seeing him at The Boat. He was a very careful craftsman in the way he constructed his songs, but he didn't let that search for perfection spoil the glorious imperfections of a band playing on stage. He had lately been working on some cool new songs, and it's a shame we won't hear the culmination of that project. It's a shame not to have him in our community. May his songs and his kindnesses be remembered.

Here's a few sounds from the archive to keep those memories alive:

The Diableros - Heavy Hands

  • Recorded at Sneaky Dee's (Pitter Patter Festival), May 30, 2009.

The Diableros - Push it to Monday

  • Recorded at The Boat, October 16, 2009.

Pete Carmichael - unknown

  • Recorded at St. Stephen-In-The-Fields Church, November 13, 2010.

The Whirly Birds - Here to Stay

  • Recorded at Handlebar (Crosswires), April 14, 2013.

Pete Carmichael and Co. - Dead Flowers

  • Recorded at The Great Hall (A Night of Covers: A Celebration of Chris Levoir), July 4, 2013.

The Green Ray - He Don't Care

  • Recorded at Bovine Sex Club, January 24, 2014.

Green Rays - Terror Eyes

  • Recorded at Lakeview Stage (Dundas West Fest), June 7, 2014.

Sunday Playlist is a semi-regular feature that brings back some of this blog's previously-posted original live recordings for an encore. You can always click the tags below to see what I originally wrote about the shows these songs came from.

Saturday, January 25, 2020

Recording: Allemano/Clutton/Howard/West

Artist: Lina Allemano/Rob Clutton/Blake Howard/Brodie West

Song: [set 1 excerpt]

Recorded at The Tranzac (Southern Cross Lounge), December 18, 2019.

Lina Allemano/Rob Clutton/Blake Howard/Brodie West - [set 1 excerpt]

Four conscriptees thrown together to cover an absent Josh Cole's regular slot, this leaderless quartet took a bit of time to tear themselves away from The Southern Cross' convivial atmosphere and wrangle themselves on stage. Once going, there was a similar musical scuffling as the musicians found a place together. Blake Howard, who has recently been deploying a sort of picnic blanket of broken cymbals as his main percussive weapon, was a guiding force here, offering a clatterfest of knocking and banging as a context for Alemano and West's horns. Once things settled into place, there was everything from psychedelic freakouts to stereophonic drones on offer.

Friday, January 24, 2020

Recording: No Octopus Dancing Holiday Bash Orchestra

Artist: No Octopus Dancing Holiday Bash Orchestra

Songs: [two excerpts]

Recorded at The Tranzac's Southern Cross Lounge (No Octopus Dancing Holiday Bash), December 18, 2019.

No Octopus Dancing Holiday Bash Orchestra - [set 1, excerpt 1]

No Octopus Dancing Holiday Bash Orchestra - [set 1, excerpt 2]

Allison Cameron, Mark Zurawinski and Germaine Liu used this holiday-adjacent instalment of their Tranzac residency to bring a big ol' band of friends and collaborators up on stage, seeing them joined by Kurt Newman (guit), Dan Pencer (toy saxophone + electronics), Mike Smith (bass), D. Alex Meeks (percussion), and Matti Pulkki (accordion). Scratchy warbles, walkman tootles and bell samples shared space with a variety of percussive ratataps — but this large agglomeration still managed to work mostly in quieter zones instead of just heaping sounds on top of sounds.

Thursday, January 23, 2020

Recording: Coin Operated Duo

Artist: Coin Operated Duo

Song: [first piece]

Recorded at Array Space (Audiopollination 78), December 14, 2019.

Coin Operated Duo - [first piece]

With winter weather and bugs going around, this night of self-curated trios became a series of duos — giving the performers in each set a bit more room to stretch out. This final set of the night was actually a duo by choice, with curator Mike Lynn bringing along guitarist Ryan Kinney for more explorations from their Coin Operated Duo project. Stringed instruments as percussion instruments, ping pong balls bouncing around and lemur tails as preparations were all involved.

You can also watch visual documentation of this full set over at Audiopollination's youtube channel:

[Audiopollination will be back at Array Space on Saturday, February 8th, with some more fabulous/spontaneous sounds.]

Recording: Neil Wiernik & Cayce Fischer

Artist: Neil Wiernik & Cayce Fischer

Song: [excerpt]

Recorded at Array Space (Audiopollination 78), December 14, 2019.

Neil Wiernik & Cayce Fischer - [excerpt]

With winter weather and bugs going around, this night of self-curated trios became a series of duos — giving the performers in each set a bit more room to stretch out. This pairing matched drones and modular synth sounds from Neil Wiernik (who records as naw) & Cayce Fischer (whose solo project is Autotectonic) with cameo appearances from bells and birds.

You can also watch visual documentation of this full set over at Audiopollination's youtube channel:

[Audiopollination will be back at Array Space on Saturday, February 8th, with some more fabulous/spontaneous sounds.]

Recording: Heraclitus Akimbo & Lapis Lion

Artist: Heraclitus Akimbo & Lapis Lion

Song: [excerpt]

Recorded at Array Space (Audiopollination 78), December 14, 2019.

Heraclitus Akimbo & Lapis Lion - [excerpt]

With winter weather and bugs going around, this night of self-curated trios became a series of duos — giving the performers in each set a bit more room to stretch out. This pairing matched series first-timer Lapis Lion's singing bowls with some electronic manipulations and drones from Heraclitus Akimbo.

You can also watch visual documentation of this full set over at Audiopollination's youtube channel:

[Audiopollination will be back at Array Space on Saturday, February 8th, with some more fabulous/spontaneous sounds.]

photo by ideas_dept.

Recording: Mira Martin-Gray & Brian Abbott

Artist: Mira Martin-Gray & Brian Abbott

Song: [excerpt from 1st piece]

Recorded at Array Space (Audiopollination 78), December 14, 2019.

Mira Martin-Gray & Brian Abbott - [excerpt from 1st piece]

With winter weather and bugs going around, this night of self-curated trios became a series of duos — giving the performers in each set a bit more room to stretch out. This fax machine meet-up matched Mira Martin-Gray's no-input mixer sounds with Brian Abbott's guitar — the latter also showing off his mastery of the BOSS Phase Shifter.

You can also watch visual documentation of this full set over at Audiopollination's youtube channel:

[Brian Abbott will be playing in another duo — alongside percussionist Tomasz Krakowiak — at a Faster-presented night at Gerrard Art Space on Saturday, February 1st. Audiopollination will be back at Array Space on Saturday, February 8th, with some more fabulous/spontaneous sounds.]

Wednesday, January 22, 2020

Recording: Fisher/Crosby/Cartwright

Artist: Colin Fisher/Ted Crosby/Evan Cartwright

Song: [set 2, first piece]*

Recorded at The Tranzac (Southern Cross Lounge), December 13, 2019.

Colin Fisher/Ted Crosby/Evan Cartwright - [set 2, first piece]

This trio was testing out the space and structures within some new compositions — this one, I believe, from Colin Fisher, who was on guitar for the set.

[This group will be appearing together again at The Tranzac tonight (Wednesday, January 22nd) alongside a quartet led by bassist Ben Dwyer.]

* Does anyone know the title to this one? Please leave a comment!

Tuesday, January 21, 2020

Recording: Dun-Dun Band

Artist: Dun-Dun Band

Song: No. 7 (Nilan)*

Recorded at The Tranzac (Southern Cross Lounge), December 8, 2019.

Dun Dun Band - No. 7 (Nilan)

The Dun-Dun Band ("rapidly becoming the Dun-Dun Symphonetta," commented host Nilan Perera) was rolling nine deep on this night, with composer/caller/guitarist Craig Dunsmuir being joined by a three-piece sax section (Ted Crosby, Karen Ng, and Colin Fisher) and a back-line rhythm factory composed of Mike Smith (synth), Blake Howard (percussion), Jay Anderson (synth percussion), Josh Cole (bass), and Kurt Newman (guitar). As always, the intricate pattern-pieces created a rich stereophonic soundfield and plenty deep groovin'.

* Title updated! Thanks to Craig!

Recording: Mira Martin-Gray & Kieran Maraj

Artist: Mira Martin-Gray & Kieran Maraj

Song: [excerpt]

Recorded at The Tranzac (Southern Cross Lounge), December 8, 2019.

Mira Martin-Gray & Kieran Maraj - [excerpt]

This instalment of the Nilan Perera-curated SynapticSundays opened with a rare non no-input mixer outing from Mira Martin-Gray, deploying laptop and vocal mic to complement Kieran Maraj's computer setup. The combination turned out to be something of a mini radiophonic workshop, with slurping samples and breath-sounds sliding around in wide, bouncing stereo — at times, sounding like a Carl Stalling soundtrack to a Bergman film.

Saturday, January 18, 2020

Recording: Ghostlight

Artist: Ghostlight

Song: Memories of Time #3 [excerpt]

Recorded at The Tranzac (Southern Cross Lounge), December 4, 2019.

Ghostlight - Memories of Time #3 [excerpt]

Another change-of-season gathering for psychedelic collective Ghostlight, turning a shoulder to winter's chill with another series of loosely-structured jams, poems and other observations.

Friday, January 17, 2020

Recording: Daniel Pencer

Artist: Daniel Pencer

Song: [second piece]

Recorded at Wenona Lodge (Track Could Bend #57), December 3, 2019.

Daniel Pencer - [second piece]

When I invited Daniel Pencer to play TCB, I thought that might result in some electronic midi confusion; instead, Pencer went in the other direction, performing a stripped-back set for solo sax. This turned out to be a fully-satisfying idea, and, by his own confession, rather a rarity for him. Reaching back behind him to dim the lights before playing, his thoughts in sound had plenty plaintive and lyrical zones.

[Track Could Bend is back at Wenona on Tuesday, February 4th, featuring sets from Claire Yunjin Lee, Tidal Pool and the Pete Johnston 4.]

Recording: No Angels Dancing

Artist: No Angels Dancing

Songs: [two excerpts]

Recorded at Wenona Lodge (Track Could Bend #57), December 3, 2019.

No Angels Dancing - [excerpt 1]

No Angels Dancing - [excerpt 2]

This band name might not redound through the annals of local music history, but it was important to me. Although No Angels Dancing mostly existed as a few seasons of a Sunday afternoon Tranzac residency, issued no official recordings and garnered some scattered blog coverage, watching Allison Cameron and D. Alex Meeks (later joined by Stephen Parkinson) perform taught me some things 'bout friendship and experimentalism. The project lost steam when Meeks headed out of town for school, but I was delighted when Cameron pitched this reunion when I asked her to bring something to TCB.

Always engaged with the continuous process of musical invention, it was no surprise that this set didn't look back to any sort of "core sound", offering something that was unlike any other set from the pair. Taking advantage of the venue's piano, Cameron doubled up on ukulele and also brought along a Tenori-on, while Meeks contributed his clockwork percussion as well as some cracklebox interludes. Getting the band back together was a good idea; hopefully there will be more to follow.

[Track Could Bend is back at Wenona on Tuesday, February 4th, featuring sets from Claire Yunjin Lee, Tidal Pool and the Pete Johnston 4.]

Recording: Patrick O'Reilly

Artist: Patrick O'Reilly

Songs: [two excerpts]

Recorded at Wenona Lodge (Track Could Bend #57), December 3, 2019.

Patrick O'Reilly - [excerpt 1]

Patrick O'Reilly - [excerpt 2]

Well-known as an expert guitar-wrangler (especially with his trusty 16 Second Delay at the ready), Patrick O'Reilly took an exploratory step here, presenting to the public his experiments in modular synthesis for the first time. Starting with roar-whirs and ticking sounds, increasing density collapsed into scattered bloops and the rumbling menace of a game of Centipede.

[Next Thursday (January 23rd), Patrick O'Reilly will be playing a duo set (on guitar, not synth) with Andrew Furlong. Track Could Bend is back at Wenona on Tuesday, February 4th, featuring sets from Claire Yunjin Lee, Tidal Pool and the Pete Johnston 4.]