Showing posts with label nebyu yohannes. Show all posts
Showing posts with label nebyu yohannes. Show all posts

Tuesday, July 12, 2022

Recording: Naomi McCarroll-Butler

Artist: Naomi McCarroll-Butler

Songs: Chrysalis [two sections]*

Recorded at Toronto Jazz Festival, [corporate brand name] Main Stage – [corporate brand name] Grove, July 2, 2022.

Naomi McCarroll-Butler - Chrysalis [section 4]

Naomi McCarroll-Butler - Chrysalis [section 10]

The local jazz festival doesn't tend to get a tonne of favourable glances from this direction, but they should be praised when they do something cool and ambitious. Named as the inaugural "Jazz Festival Immersive Artist-in-Residence", Naomi McCarroll-Butler was given some resources to put together a programme of new work to present at the festival, which emerged as Chrysalis, "a project born out of my first years of transitioning: songs of hope for holding on, cries of joy and grief for the love of a suffering community, trance tapestries of woven sound accompanying the alignment of the physical body with the luminant body."

This live presentation (played in the pleasant Festival zone in the Victoria College quad) saw McCarroll-Butler backed by a dozen musicians, segueing from spiritual jazz blastoffs to modern compositional latticeworks — and including some sounds on DIY microtonal pipes along the way, as well as plenty individual spotlights for the members of the group. The band sounded lush and lively (despite playing with a fairly minimal soundcheck) and one can hope that this music gets a chance to live on beyond this performance.

The ensemble at this show was:

  • Anh Phung: flutes
  • Kae Murphy: trumpet, sousaphone
  • Nebyu Yohannes: trombone
  • Colin Fisher: tenor saxophone, drums
  • Naomi McCarroll-Butler: alto saxophone, bass clarinet
  • Aysel Taghi-Zada: violin
  • Aline Homzy: violin
  • Amahl Arulanandam: cello
  • Adrian Russouw: double bass
  • Roa Lee: gayageum
  • Yang Chen: percussion, tubulum
  • Racha Moukalled: piano
  • Stefan Hegerat: drums, percussion

* I'm not sure if the individual pieces within the suite have separate titles or noy; please leave a comment if you have info!

Tuesday, April 24, 2018

Recording: Somewhere There Festival Trombone Quartet

Artist: Somewhere There Festival Trombone Quartet

Songs: Mobile [composer: Susanna Hood] + Fork [edit] [composer: Logan Mills] + 4 for 8 [version 2] [composer: Scott Thomson] + Untitled [composer: Doug Tielli]

Recorded at The Tranzac's Main Hall (Somewhere There Creative Music Festival – Show 4), February 25, 2018.

Somewhere There Festival Trombone Quartet - Mobile

Somewhere There Festival Trombone Quartet - Fork [edit]

Somewhere There Festival Trombone Quartet - 4 for 8 [version 2]

Somewhere There Festival Trombone Quartet - Untitled

Building on the tradition established with last year's saxophone quartet, the Somewhere There Festival once more showed its commitment to new music with a call for compositions — this time for trombone quartet. And once more the ensemble — consisting of Tom Richards, Heather Saumer, Doug Tielli and Nebyu Yohannes — preceded a concert of the commissioned works with an open rehearsal, giving non-players a window into the process of how a group and composer navigate the mutual discovery of how a new piece "works".

Of the three pieces chosen, Logan Mills' "Fork" was the most conventionally scored, although there was a lot of mathematically-intricate trickiness in a piece based on harmonic interrelationships he had been musing upon while working as a piano tuner. Susanna Hood's "Mobile", on the other hand, offered a procedurally-intricate text-based score that had the players spacialized (and spinning around) like the parts of a wind-tossed mobile. Scott Thomson's "4 for 8" was even more open ended with two sets of variables on a numbered line leading to a "rehearsal" that was as more of a negotiation over how to interpret the piece than a musical struggle. (Thomson, who was present, saw no need to impose any authorial wisdom on the players, who ultimately decided to play the piece following two separate rule-sets, leading to two rather different results.) The concert was closed out by this untitled miniature from Doug Tielli, which sounded not unlike street-corner Salavation Army band lullaby.

Saturday, March 12, 2016

Recording: The Humber Composers' Collective

Artist: The Humber Composers' Collective

Song: As One

Recorded at The Tranzac's Main Hall (Somewhere There Creative Music Festival – Show 4), February 28, 2016.

The Humber Composers' Collective - As One

Through its occasional "Slow Burning Torch" series and other efforts, Somewhere There makes continuing efforts to connect with younger musicians. At the festival, that manifested in one more big group on the stage, with several members of this collection of Humber students1 providing new compositions. Their half-dozen selections showed that they've got a good grip on their forms and techniques — so some immersion in Somewhere There's milieu (especially the set with Christine Duncan that followed right after them) can help them get to thinking about how they want to break and disregard all those rules as they find their own voices.


1 The full lineup for this ensemble was:

  • Ben McCarroll-Butler (woodwinds)
  • Jessica Chen (voice)
  • Abby David (bass)
  • Julian Di Vito (drums)
  • Ewen Farncombe (piano)
  • Trevor Peverley (guitar)
  • Tom Upjohn (trumpet)
  • Nebyu Yohannes (trombone)