Recording: Eyeballs

Artist: Eyeballs

Songs: two unknown songs^*

Recorded at MOCA (Not Dead Yet Presents), June 29, 2019.

Eyeballs - unknown #1

Eyeballs - unknown #2

There was a bit of physical/emotional dislocation and relocation at this show, sorting through the realities and ironies of our gentrifying city. Recently a sort of semi-abandoned zone where off-the-grid culture flourished (and just over from where some cool DIY loft spaces used to be) and in a formerly-abandoned building (where audiences and musicians like the ones at hand used to sneak in and explore and smoke a joint, looking out over the city) this show took place in the new Museum of Contemporary Art, now refinished with a sort of austere/pricey minimalism and filled with Expensive Things. From the back of the long, rectangular space, held up by large circular concrete pillars, it looked not unlike a show taking place underneath a highway overpass — and by virtue of the space, it sounded more than a little like one too. Is this a simulacrum of independent culture, selling us back our nostalgia for a recently-departed past at a bespoke markup? Or is it just a matter of trying to find any sort of space in a city where space for the DIY spirit is getting crowded out?

Even a fire alarm couldn't derail the make-our-own-fun clamour of this disco-punk duo. Loud-as-all-get-out and with the vox buried a bit, this felt like a giant basement party filled with thrumming dirges and square wave dance tracks.

^* Does anyone know the title to these? Please leave a comment!

Recording: Tatsuya Nakatani

Artist: Tatsuya Nakatani / Tatsuya Nakatani Gong Orchestra

Songs: [two excerpts] / [excerpt, in two parts]

Recorded at The Music Gallery @ 918 Bathurst, May 26, 2018.

Tatsuya Nakatani - [excerpt 1]

Tatsuya Nakatani - [excerpt 2]

Tatsuya Nakatani Gong Orchestra - [excerpt, part 1]

Tatsuya Nakatani Gong Orchestra - [excerpt, part 2]

The past couple years have seen a series of visits from master percussionist Tatsuya Nakatani, each of which has seen him welcomed by an increasing crowd of astonished admirers. It was therefore fitting for the Music Gallery to provide the resources to take things up to the next level and host a manifestation of Nakatani's Gong Orchestra. Providing the beautiful percussive hardware, Nakatani relies on local programmers to create an ensemble, which then spends the day together learning his vocabulary before performing for the public. The instructions specify that the musicians can be at different levels of experience (and, in fact, do not even need a background in percussion) so it's no surprise that the MG was able to use its many connections into many different scenes to come up with a diverse ensemble. Members included: Brenda Joy Lem, Katie Jensen, Debashis Sinha, Charlotte Cornfield, Rupert Ojiji Harvey, Kristyn Gelfand, HanHan, Alex Punzalan, W. A. Davison, Tréson Alman, Jenn Kitagawa, Bryan W. Bray, Laura C. Bates and Raphael Roter.

Before starting the concert with a captivating solo set, Nakatani reminded the crowd that this isn't so much a musical undertaking as a "vibration project" so that should be kept in mind in listening to these artifacts here — it's nowhere near as wonderful as feeling the vibrations live and in person, where the listener gets to lean in closer to hear the tiniest bowed overtones before being bowled over by mallet-clanging thunderstorms. That feeling of vibration-over-sound was even more intense with the ensemble playing together, while Nakatani conducted the group to create intense phasing and other effects across the length of the churchlike hall.

Recording: Eyeballs

Artist: Eyeballs

Song: Eyeballs [Thee Cryptomaniacs cover]

Recorded at Double Double Land (NASA – Noise Against Sexual Assault), July 10, 2016.

Eyeballs - Eyeballs

Envisioned as "a night of noise, dark electronic, and doom rock in support of sexual assault survivors and in solidarity with Larkin Grimm", this event was programmed as a counter-gig to Swans' local appearance. It was also an attempt for DIY spaces to face up to the problems of taking responsibility for what happens within their walls and to begin a discussion of some "best practices" to create safer spaces.

This self-proclaimed noise/dance duo comes across as a sort of amiably-shaggy Lightning Bolt, a synth-punk attack that sometimes gets ridiculous (in the best way possible).