Showing posts with label alex fournier. Show all posts
Showing posts with label alex fournier. Show all posts

Thursday, December 19, 2024

Recording: Dan Pitt Quintet

Artist: Dan Pitt Quintet

Song: 27 Hours

Recorded at The Tranzac's Southern Cross Lounge (Nick Fraser Presents), November 25, 2024.

Dan Pitt Quintet - 27 Hours

Back from tour and in fine form after fighting the elements across Western Canada, guitarist Dan Pitt and company (Alex Fournier on bass, Nick Fraser on drums plus Patrick Smith and Naomi McCarroll-Butler on woodwinds) tore it out in this homecoming romp. Celebrating the rease of Horizontal Depths, the group's second album, the ensemble moved through most of the album's pieces, exploring moody zones and blistering rockers like this set-opener.

You can check out some more from this show over on youtube:

Wednesday, November 15, 2023

Recording: The Nilan Perera Trio

Artist: The Nilan Perera Trio

Song: [set 2, 2nd piece]

Recorded at The Tranzac (Southern Cross Lounge), October 8, 2023.

The Nilan Perera Trio - [set 2, 2nd piece]

Another evening of conversations from this grouping, with guitarist Nilan Perera getting some structures from Alex Fournier (double bass) and Rick Saks (drumkit). Nice textures and interplay throughout, sizzling even when not playing at a breakneck pace.

You can check out some more from this set over on youtube:

Saturday, July 15, 2023

Recording: Unbleak Trio

Artist: Unbleak Trio

Songs: [two excerpts]

Recorded at The Tranzac (Living Room), June 20, 2023.

Unbleak Trio - [1st set, 1st piece excerpt]

Unbleak Trio - [1st set, 2nd piece excerpt]

Another example of pianist Ananya Ganesh's quick establishment of community connections, this trio managed to present a couple performances and even do some recording to hopefully document this coming-together. Mixing Ganesh's piano and vocals with Alex Fournier's double bass (here leaning more on his pedalboard to set some moods), and Raph Roter's drumkit and water percussion, there were several unbleak zones surveyed over two sets.

Thursday, October 6, 2022

Recording: Buckley/Hay/Fournier/Perera

Artist: Robin Buckley/Jay Hay/Alex Fournier/Nilan Perera

Song:

Recorded at The Tranzac's Southern Cross Lounge (SynCirSundays), September 11, 2022.

Robin Buckley/Jay Hay/Alex Fournier/Nilan Perera - [1st section]

Switching over to baritone guitar, Nilan Perera was joined for this set by Robin Buckley (percussion) and Jay Hay (sax) who pushed things into some hard funk territory.

You can check out a bigger chunk of this set (and some others in the SynCirSundays playlist!) over on youtube:

[SynCirSundays is back this Sunday (October 9th) with Mike Hansen and Gary Barwin celebrating the release of where the angels once were: live sessions, plus Rob Clutton and Nilan Perera playing the Music of Jimmy Page.]

Recording: Fournier/Perera/Sacks

Artist: Alex Fournier/Nilan Perera/Rick Sacks

Songs: [excerpts from two improvisations]

Recorded at The Tranzac's Southern Cross Lounge (SynCirSundays), September 11, 2022.

Alex Fournier/Nilan Perera/Rick Sacks - [excerpt from 1st piece]

Alex Fournier/Nilan Perera/Rick Sacks - [excerpt from 3rd piece]

Nilan Perera only brought along his Boomerang looper, but also had the skills of a couple reliable collaborators in Alex Fournier (double bass) and Rick Sacks (drumkit) to create some additional textures in a propulsive set.

You can check out a bigger chunk of this set (and some others in the SynCirSundays playlist!) over on youtube:

[SynCirSundays is back this Sunday (October 9th) with Mike Hansen and Gary Barwin celebrating the release of where the angels once were: live sessions, plus Rob Clutton and Nilan Perera playing the Music of Jimmy Page.]

Saturday, June 18, 2022

Recording: Perera/Fournier/Sacks

Artist: Nilan Perera/Alex Fournier/Rick Sacks

Songs: [second piece] + Spiritual [composer: John Coltrane]

Recorded at The Tranzac's Southern Cross Lounge (SynCirSundays), June 12, 2022.

Nilan Perera/Alex Fournier/Rick Sacks - [second piece]

Nilan Perera/Alex Fournier/Rick Sacks - Spiritual

With two guitar/bass/drum trios playing, this was a real chophouse of an evening. After lamenting that he had to follow Laun Phung's complex grooves, series host Nilan Perera took up his electric axe and proved he was no slouch, guiding his rhythm section through some gliding inquiries that pulled inspriations ranging from nimble West African licks to 'Tranes's laments.

You can also check out some video documentation from this set over on youtube:

Sunday, April 17, 2022

Reording: Alex Fournier

Artist: Alex Fournier

Song: Bicycle [composer: Nick Fraser]

Recorded at The Tranzac's Southern Cross Lounge (SynCirSundays), April 10, 2022.

Alex Fournier - Bicycle

Nilan Perera's Synaptic Circus Sundays (now abbrev.'d to SynCirSundays) has returned to the Tranzac on the second Sunday of the month, bringing a variety of boundary-pushing soundmakers together. The current State of Things calls for improvisation in the curation as well as performance, with some last-minute adjustments to the programme remixing the originally-programmed sets. Stepping in for Rob Clutton, Alex Fournier bravely undertook to stick to the originally-envisioned gameplan, playing a set of Nick Fraser's compositions. Having heard Clutton doing this a few times, it was interesting to see how Fournier brought a different sense of projection to the pieces, with a visceral physical commitment.

You can check out some video documentation from this set here:

[I will be guest-curating the next instalment of SynCirSundays on Sunday, May 8th and be presenting sets from David Parker (visiting from Kingston) as well LordAUK (new solo drones from Doomsquad's Jaclyn Blumas). The June show is already announced as well!]

Recording: Davison/Hansen/Fournier

Artist: William Davison/Mike Hansen/Alex Fournier - [excerpt from first piece]

Songs: [two excerpts]

Recorded at The Tranzac's Southern Cross Lounge (SynCirSundays), April 10, 2022.

William Davison/Mike Hansen/Alex Fournier - [excerpt from first piece]

William Davison/Mike Hansen/Alex Fournier - [excerpt from second piece]

Nilan Perera's Synaptic Circus Sundays (now abbrev.'d to SynCirSundays) has returned to the Tranzac on the second Sunday of the month, bringing a variety of boundary-pushing soundmakers together. The current State of Things calls for improvisation in the curation as well as performance, with some last-minute adjustments to the programme remixing the originally-programmed sets. Double bassist Alex Fournier stepped in as a sub for Rob Clutton to present some solo sounds, and also acted as the glue between William Davison's electroacoustic bricolage (including saw, knife, fidget spinner, musical box, fake eyeball, slinky, spike, etc.) and Mike Hansen's prepared turntables. The sort of set where two of the musicians were seen tuning forks as instruments, there was some fine sawin' and tumblin' in effect.

You can check out some video documentation from this set here:

[I will be guest-curating the next instalment of SynCirSundays on Sunday, May 8th and be presenting sets from David Parker (visiting from Kingston) as well LordAUK (new solo drones from Doomsquad's Jaclyn Blumas). The June show is already announced as well!]

Saturday, January 9, 2021

Bumping into... Alex Fournier

Bumping Into... is a series of mini-chats with a variety of peeps that you might run into in some of our local music communities. (There's a bit of an intro and my thoughts behind the series here.)


How are you? Where are you?

I'm alright. Mostly just stirring around my apartment and keeping myself busy/amused however I can. I'm up at Eglinton W. just at the edge of the International Market neighborhood. The Caribbean food is fantastic up here. How are you?

What have you been up to since March or so?

It's been a mostly introspective time. Working on myself wherever I can. Lot of projects that have been started and sustained as well. Started with a list of exercises I put together to help with getting a better/more pliable grip on polyrhythms and that kind of language. Lot of exploring and understanding what I'm trying to do on my instrument in terms of improvising as well. Settled on the idea of a "cascading" or "tumbling" sound... whatever that means. Changed up my reading list to focus on a lot of critical theory and philosophy, so I've got a mountain of books on top of my dresser I want to get through. Released a trio album with some friends from Baltimore at the beginning of this. Been kinda hard to promote it and talk it up though. Haven't had the gusto for that kind of stuff lately.

Had an interlude in the early fall that kept me pretty busy with gigs actually. Triio played its first festival and I'm told we're invited back for next year! Lot of Jazz Manouche as well with Tak Arikushi. Recorded an album with Dan Pitt's Quintet. Started working on a theme-transcription project - namely Wayne Shorter's playing on Speak No Evil. Also been going over tunes friends have written - though I'm back to focusing on my own music for now. Got some good news from CCA that I'll likely announce soon too!

Have you found any new ways to do old things? How are you feeling about the shifts in how music is being made/shared/listened to?

Oh my gosh you should see my teaching from home setup. It gets pretty silly when you see what a double bass lesson looks like on my end. Had to learn a little about recording tech, which was no biggie. Truth be told I haven't been consuming a lot of new music. I feel like I had a lot on my shelf before all of this that I hadn't properly explored, so I've taken the time to listen more thoroughly to what I've picked up over the years. More reading than anything these days. Otherwise, not too many changes beyond remembering the mask when I go out.

Any works of art that have been a light for you in these times? Anything that's just been a good diversion?

Sam Rivers' "Fuchsia Swing Song" reminded me why I love jazz. Same with Jaki Byard's The Jaki Byard Experience, among a few other things that have been on the iPod (yes I still have one of those). The Ethics by Baruch Spinoza was a pretty incredible read. Been diving into philosophers that have come from his sphere of influence. Replaying Bloodborne and Doom Eternal too. The music/sound design for both are incredible.

How are you feeling about 2021?

Uuuuuhhhh... I get the feeling it's going to be another rocky year but at least it has a chance to have an upswing by the end, so at least we won't have to call it a trash-fire. Had a conversation with Michael Davidson that got me thinking about what we can contribute to our community/the world - quality over quantity and the like - and I get the feeling that that will be a focus for a lot of people, especially since everyone (and I'm saying this especially to myself) seemed stressed out from "the hustle" for such a long time. Still sorting that conversation out, but I feel like the year can end on a better note than expected if we're both engaged and checking in on each other. At very least I'm incredibly interested to hear everyone play again!

Anything else we'd chat about if we bumped into each other?

Always interested in hearing what shows you've been to/what else has been new. I'm terrible at remembering to talk to people when I'm at home but I suppose it has the benefit of giving you more to talk about in person, which I prefer anyway.

Friday, March 6, 2020

Recording: Ladano/Burke/Fournier/Liu/Perera

Artist: Kathryn Ladano/Jeff Burke/Alex Fournier/Germaine Liu/Nilan Perera

Songs: [excerpts from two improvisations]

Recorded at The Tranzac's Southern Cross Lounge (SynapticCircusSundays), February 9, 2020.

Kathryn Ladano/Jeff Burke/Alex Fournier/Germaine Liu/Nilan Perera - [excerpt from 1st piece]

Kathryn Ladano/Jeff Burke/Alex Fournier/Germaine Liu/Nilan Perera - [excerpt from 2nd piece]

Host Nilan Perera constructed this evening to serve as a showcase for bass clarinetist Dr. Kathryn Ladano, who was presenting music from Masked, her second solo album — which was itself derived from the work done for her PhD thesis, "The Improvising Musician's Mask: Using Musical Instruments to Build Self-Confidence and Social Skills in Collective Free Improvisation". Some collective free improvisation was explored by this grouping that Perera assembled, first with some get-to-know-you duos that were followed by full quintet explorations. The flexible rhythm unit of Germaine Liu (percusssion), Alex Fournier (double bass) and Nilan Perera (electric guitar) created some frames for Ladano's bass clarinet as well as Jeff Burke's theremin and bassoon.

[SynapticCircus returns to The Tranzac on Sunday (March 8th) with sets from Jay Hay/Jim Lewis/Wes Neal/Rick Sacks/Nilan Perera plus Dame Cook & Eugene Martynec.]

Thursday, February 13, 2020

Recording: Fournier/Melanson/Perera

Artist: Alex Fournier/Phil Melanson/Nilan Perera

Songs: [three improvised selections]

Recorded at The Tranzac's Southern Cross Lounge (SynapticCircusSundays), January 12, 2020.

Alex Fournier/Phil Melanson/Nilan Perera - [excerpt from first piece]

Alex Fournier/Phil Melanson/Nilan Perera - [second piece]

Alex Fournier/Phil Melanson/Nilan Perera - [third piece]

Nilan Perera's self-curated set at this SynapticCircus night saw him on electric guitar and joined by the rhythm section of Alex Fournier (double bass) and Phil Melanson (drumkit). The latter was especially fun to watch — in all of his recent work with quiet, subtle percussion, one can forget that he's still a helluva drummer — even if he's still taking things outside in sets like this when he, say, puts away his sticks and pulls out his garden trowels.

[SynapticCircusSundays will be back at The Tranzac on Sunday, March 8th.]

Sunday, August 4, 2019

Recording: Bearrah Fawcett

Artist: Bearrah Fawcett

Songs: Improvisation [excerpt] + Intro to The Dog Walk + The Dog Walk

Recorded at The Tranzac's Southern Cross Lounge (Ornate Presents), June 11, 2019.

Bearrah Fawcett - Improvisation [excerpt]

Bearrah Fawcett - Intro to The Dog Walk

Bearrah Fawcett - The Dog Walk

One cool thing about living in this town is that there are more cool gigs to go to than you could ever have time for. The corresponding downside is that you're going to miss some stuff — and due to those Tuesday night conflicts, it had been a while since I had checked in with the Ornate Presents series at The Tranzac. This night featured a couple sets from the wryly-named Bearrah Fawcett, a casual sort of jazzish group consisting of (at least for this show) Alex Fournier (double bass), Stefan Hegerat (percussion), Rob Grieve (guit) plus Madeline Ertel and Kaelin Murphy up front on trumpets. There was a game plan here, with the group tackling a half-dozen compositions, but there was also room left for some off-script moments as well.

[The next edition of Ornate Presents (on Tuesday, August 13th) features Mike DeiCont offering some solo bass sounds.]

Tuesday, July 30, 2019

Recording: The Lady and The Tramp

Artist: The Lady and The Tramp

Songs: Down by the Riverside + Medley: Tea for Two/Fly Me to The Moon/Chicago (That Toddlin' Town)/I've Grown Accustomed to Her Face

Recorded at Wenona Lodge (Furniture Music), May 28, 2019.

The Lady and The Tramp - Down by the Riverside

The Lady and The Tramp - Medley: Tea for Two/Fly Me to The Moon/Chicago (That Toddlin' Town)/I've Grown Accustomed to Her Face

This group, with Christine Duncan singing and a rhythm section of Jake Oelrichs and Alex Fournier, was originally put together and booked for this show by Justin Haynes; after his passing, the musicians decided to honour his artistic intention by going ahead with it, drafting in Jim Lewis to complete the group. As is perhaps a good way to proceed in the face of sad thoughts, the band played with fiercely-absurd joy. Taking a decidedly non-standard approach to some standards, Duncan would lurch into a song, the group catching the vibe and clattering and moaning behind her — an improvised hit parade filled with detours and asides.

This was also an appropriate night to formally unveil a commemorative plaque and painting on the piano that Justin Haynes donated to the space. Kudos to Ashley Urquhart and Alex Fournier for doing the legwork to make this happen — hopefully Justin's spirit will be remembered by all who get to play this piano.

[Furniture Music will be back in the basement at Wenona on Tuesday, August 27th.]

Sunday, May 5, 2019

Recording: Colour and Noise

Artist: Colour and Noise

Song: Saguaro, Whale of the Desert

Recorded at The Tranzac's Southern Cross Lounge (Women From Space Festival – Night 2), March 9, 2019.

Colour and Noise - Saguaro, Whale of the Desert

The first Women From Space Festival saw four excellent concerts take place over the course of the International Women's Day weekend. Organized by Bea Labikova and Kayla Milmine, the festival felt like a really savvy gathering, always more than the sum of its parts and showcasing the depth of talent in the city's various creative music streams in a women-centred environment.

The night closed with a set from this improvising ensemble playing pianist Ashley Urquhart's compositions. The pieces leave a lot of room for the other members (Tara Kannangara on vox and trumpet, Patrick O'Reilly on guitar, Alex Fournier on double bass, and Aidan Sibley on trombone) to explore and drift, often pulling back into duos and trios given suble shadings by the remaining members.

[Three of this group's members will be playing with Triio (which is not a trio) at their CD launch at The Rex on Sunday, June 2nd.]

Sunday, April 7, 2019

Recording: Alex Fournier/Alexander Whyte/Heraclitus Akimbo

Artist: Alex Fournier/Alexander Whyte/Heraclitus Akimbo

Song: [excerpt]

Recorded at Array Space (Audiopollination 68), February 3, 2019.

Alex Fournier/Alexander Whyte/Heraclitus Akimbo - [excerpt]

This self-curated night at Audiopollination saw the usual mix of textures and musical practices, including another encounter between Alex Fournier (double bass) and Heraclitus Akimbo (melodica, pocket synth, effects) alongside trombonist Alexander Whyte.

Video for this full set can be viewed on Audiopollination's youtube channel:

[A special off-site and fully-curated Audiopollination will be taking place at Wenona Lodge on Tuesday, April 30th, with duo sets from Heraclitus Akimbo and mkl32 plus Brian Abbott and Leslie Ting, as well as the Lîla Trio.]

Wednesday, December 26, 2018

Recording: Alex Fournier & Tara Kannangara

Artist: Alex Fournier & Tara Kannangara

Song: Improvisation #2 + Wild Heart [Stevie Nicks]

Recorded at Wenona Lodge (Track Could Bend #44), November 6, 2018.

Alex Fournier & Tara Kannangara - Improvisation #2 + Wild Heart

Rising jazz star Tara Kannangara had been on my list of people I was hoping to get out to play at TCB for a little while, so I was pleased to be informed after booking Alex Fournier for a set that he was bringing her along. The pair, who have worked together in a few different projects, had a tasty sense of interaction as they tackled improvisations and songs (including some Sondheim). Mixing trumpet and voice with Fournier's double bass, Kannangara left plenty of uncluttered space in the music, sending out some "positive basement" vibes.

[Alex Fournier will be back in Wenona's basement tomorrow night (Thursday, December 27th) alongside Mo Mitchell and Tak Arikushi in a Furniture Music show (before that series shifts to its new home on the 4th Tuesday of the month). Tara Kannangara will be performing at Burdock's Piano Fest on Sunday, January 27th. And meanwhile, the first Tuesday of January is New Year's Day, so TCB is making a rare shift to the second week and joining forces with Andrew Furlong's JAOIM series. We'll be co-presenting Lina Allemano's Titanium Riot plus McEachern/West/Zurawinski on January 8th. Not to be missed!]

Saturday, December 1, 2018

Recording: Pineapple

Artist: Pineapple

Song: [excerpt]

Recorded at The Tranzac (Tiki Room), October 18, 2018.

Pineapple - [excerpt]

Fun times to see this trio (with Karen Ng's reeds, Alex Fournier's double bass and Rob Grieve's guitar) back in action. There were no compositions this time out, just a beautifully-flowing series of improvisations as some random snapshots (icy harbours, vacuum cleaners, Hallowe'en costumes) were projected behind them as part of the night's slideshow entertainment.

[Pineapple will be at Polish Combatants Hall next Saturday (December 8th) as part of Long Winter's all-ages/PWYC art & music fiesta.]

Thursday, October 4, 2018

Recording: Money House

Artist: Money House

Song: Drone Bank [composer: Patrick O'Reilly]

Recorded at The Tranzac (Southern Cross Lounge), August 21, 2018.

Money House - Drone Bank

It's a somewhat-infrequent occasion to see Alex Fournier (bass, banter), Stefan Hegerat (percussion) and Patrick O'Reilly (guitar) reconvene this trio, so it was fun to see 'em not only dipping into the old book of tunes but also tackling some newer pieces, such as this one from O'Reilly. Despite the implications of its name, this one takes off like The Ex stuck on a cell midway through "In C" — a testament to the flexibility of O'Reilley's recent "postcard" pieces.

Wednesday, September 5, 2018

Recording: The Manabu Kitada Quintet

Artist: The Manabu Kitada Quintet

Songs: Prelude to a Kiss My Ass + [improvisation] + のカタチ​/​A Shape of​.​.​.

Recorded at The Tranzac's Southern Cross Lounge (Ornate Presents), July 10, 2018.

The Manabu Kitada Quintet - Prelude to a Kiss My Ass

The Manabu Kitada Quintet - [improvisation]

The Manabu Kitada Quintet - のカタチ​/​A Shape of​.​.​.​

Another chance to see visiting clarinetist Manabu Kitada in action, this time spotlighting some of his compositions with a crack lineup of locals, including Alex Fournier on double bass, Bea Labikova on also, Lina Allemano on trumpet and Nick Fraser on drums. There were some tasty rambunctious stretches here, but the ballads were the standout, with the crew aligning nicely to bring a light touch to Kitada's pieces.

[Ornate Presents returns next week (Tuesday, September 11th) with Tom Fleming's Group.]

Tuesday, September 4, 2018

Recording: Kitada/Orechin/Fournier

Artist: Manabu Kitada/Alexei Orechin/Alex Fournier

Song: [end of first piece]

Recorded at Array Space (Somewhere There's Second Sunday Series), July 8, 2018.

Manabu Kitada/Alexei Orechin/Alex Fournier - [end of first piece]

Visiting reed-ist Manabu Kitada got a chance to mix in with many players on the local scenes over an extended summer visit — in no small part thanks to bassist Alex Fournier's many connections. Fournier was also on hand to perform on this set, and the trio was completed by Alexei Orechin on guitar, who later closed out the night with a solo set from his No Seas project.

[Somehwere There's Second Sunday Series continues this weekend (September 9th) with locals Brian Abbott, Kayla Milmine and Paul Newman welcoming a pair of Montréal duos: Craig Pederson (trumpet) and Adam Saikaley (no-input mixer) plus Jennifer Thiessen (viola d'amore) and Ida Toninato (baritone saxophone).]