Showing posts with label jay anderson. Show all posts
Showing posts with label jay anderson. Show all posts

Tuesday, March 17, 2026

Recording: Marker Starling

Artist: Marker Starling

Song: Diamond Violence

Recorded at Dina's Tavern, February 21, 2026.

Marker Starling - Diamond Violence

Some (such as myself) might have been attracted to this evening as a chance to see Chris Cummings perform some "melancholy party jams" backed by his full band, though as the night's opener, he was happy enough to act (in his words) as entertainment for the filling-in crowd while they perused the headliner's merch table. There was definitely an affinity with Rapallo's headlining yacht rock set, and the group presumably made some new converts. The only thing to be sad about for longtime Mantler-heards is that the catalogue is so deep now that there's no time to reach back and dust off the "classics" — with a couple new ones in the setlist, tracks like this from the group's next-to-most-recent album are already being given a retrospective cast.

Wednesday, December 31, 2025

Recording: SAP

Artist: SAP

Song: Babbling Brook

Recorded at Dina's Tavern, November 23, 2025.

SAP - Babbling Brook

Shit be weird, was the first thing that I wrote in my notepad as I soaked in the environs of Dina's Tavern, a new venue located on the former location of — and in the image of — beloved local dive The Silver Dollar Room. Weird, or, perhaps more precisely, uncanny. Walking up from Spadina, there were familiar faces out front, smoking and hanging out under the big Silver Dollar sign, just like there should be. Stepping in brings some disjunction, as there's now no flight of stairs to climb up (and no Comfort Zone looming below) — but once inside the doppelgänger effect kicks in, the room looking pretty close to what one's memory might hold. Looking closer tears at the illusion a little, as some of the details sink in — the whole side of the room behind the bar that held the pool table and booths hasn't been recreated, and the bathrooms are up a flight of stairs, through a door that suddenly reminds you that you're now in a 21st century condo-style building.

But still. Most of the virtues and drawbacks are intact. That weird layout, with the stage along one of the long walls, instead at the end of the space, squaring off against the bar — and the sonic oddness that that entails. (And to help maintain the feel of the past, there was a part of the crowd just hanging out along the bar, chatting away through the show.) Once I found my old spot, the new PA sounded decent enough.

In this city, we've gotten so used to things being torn down and taken away, and the only replacement seeming to be unending construction. So to have something like this venue exist — do recall that it was a "heritage feature" basically forced upon the developers by the city as a condition of being allowed to redevelop the site — feels like a minor triumph. So far, it seems like there's some decent programming happening there, so hopefully it will endure for a spell.

Settled into the environment, I was well-pleased to hear some good old rock music that would have been right at home in the old Dollar, courtesy of locals SAP. (Their name being fairly ungoogleable, I will note you can find their music on bandcamp here.) The music, under singer-guitarist Rochelle Bulmer's leadership, has some grunge-y elements and a willingness to rock out, abetted by a supporting cast of familiar faces including Patrick Grant on guitar, Jay Anderson on drums, and Paul Saulnier on bass. (The latter also gave a sort of stripped-back parallel approach to his P.S. I Love You project in a solo opening set.)

Thursday, August 22, 2024

Recoreding: Stonegrass

Artist: Stonegrass

Song: [track 1]

Recorded at Monarch Tavern, July 25, 2024.

Stonegrass - [track 1]

A real joy to see Matt "Doc" Dunn back on a local stage. This set was nominally a rather belated celebration of the Stonegrass record, although that was more of a starting point. On wax a duo between Dunn and drummer Jay Anderson (who have a long history of playing together), this was transformed into a quartet with "Hieronymous" Harry Forman on bass and Asher Gould-Murtagh on tape echo unit. (The latter did a great job on keeping those very particular wobbulations floating just below the mix.)

Wednesday, May 8, 2024

Recording: Dun-Dun Band

Artist: Dun-Dun Band

Song: Pandemo 3*

Recorded at The Tranzac's Southern Cross Lounge (Dun-Dun Land: Slight Return), April 9, 2024.

Dun-Dun Band - unknown

Essentially a warm-up show for the forthcoming full-on album release celebration (see details below), this night saw most of the Dun-Dun Band gathered together (but with "only" two sax players). Digging into tracks from Pita Parka, Pt. I (as well as its in-the-can sequel) the players were in sync through Craig Dunsmuir's fragment-suites, moving from rollicking lockgroove tumbles to some considered stately rumbles.

[That release celebration will be happening in The Tranzac's Main Hall next week (Thursday, May 16th), with an opening set from Allison Cameron, Mira Martin-Gray and Josh Cole.]

* Thanks to Josh for passing along the title to this one!

Friday, June 23, 2023

Recording: Ayal Senior & Friends

Artist: Ayal Senior & Friends

Song: [last section of set]

Recorded at The Tranzac's Southern Cross Lounge (Ayal Senior & Friends), May 14, 2023.

Ayal Senior & Friends - [last section of set]

The group, this time out, included regulars Kurt Newman, Andrew Furlong, and Jay Anderson — the same personnel that would soon be heading out for a chance to record the latest batch of Ayal's tunes that the crew have been workshopping over the past months. That means things are coming into ever-sharper focus, but to add a unique element to this outing, Senior invited Akim Gomez and his flute to join in for the last part of the set.

You can check out some more from this set over on youtube:

[Ayal Senior & Friends returns to the Southern Cross on Sunday, July 9th with the host (in duo mode alongside Kurt Newman) joined by Marilyn Yogarajah, Del Stephen's Wurld of Xo '42 and Nick Flanagan.]

Wednesday, April 26, 2023

Recording: Ayal Senior

Artist: Ayal Senior/Kurt Newman/Andrew Furlong/Jay Anderson

Song: Ta Shma

Recorded at The Tranzac's Southern Cross Lounge (Ayal Senior & Friends), March 12, 2023.

Ayal Senior/Kurt Newman/Andrew Furlong/Jay Anderson - Ta Shma

Ayal Senior continues to use his monthly residency slot to workshop his new batch of compositions, with arrangements slowly solidifying from month to month. Collaborators Kurt Newman (guitar) and Andrew Furlong (bass) are digging deeper into the pieces as well, and special guest Jay Anderson, sitting in on percussion, found the proper zone immediately.

You can see the first few tunes from this set over on youtube:

Tuesday, October 11, 2022

Recording: Dun-Dun Band

Artist: Dun-Dun Band

Song: Triplet C

Recorded at The Tranzac's Southern Cross Lounge (Josh Cole presents), September 21, 2022

Dun-Dun Band - Triplet C

There are visible signs of forward progress with Craig Dunsmuir's beloved precision groove bigglyup band — rumours of intense rehearsal schedules, plus whispers of recording and mixing sessions — all of which has culminated in a three-month takeover of Josh Cole's Tranzac residency. This night saw a possibly-unprecedented turonout (on stage) with ten musicians on hand. (There's a certain flexibility in the lineup given that any of these busy musicians could be unavailable on any given day.) There's also a sense that the jams are being formalized into "songs" — where once they were identified by strings of numbered fragments, now titles are taking their place (even if some are perhaps still just placeholders, often taking a name from the venue where the piece was first performed).

The full lineup for this night was:

  • Craig Dunsmuir
  • Mike Smith
  • Blake Howard
  • Jay Anderson
  • Josh Cole
  • Kurt Newman
  • Ted Crosby
  • Karen Ng
  • Colin Fisher
  • Brodie West

[The Dun-Dun Band will be completing their three-month stay at The Tranzac next Wednesday (October 19th) in the late slot.]

Tuesday, December 29, 2020

Bumping into... Jay Anderson

Bumping Into... is a series of mini-chats with a variety of peeps that you might run into in some of our local music communities. (There's a bit of an intro and my thoughts behind the series here.)


How are you? Where are you?

Doing pretty good all things considering. I’m in Toronto.

What have you been up to since March or so?

I’ve been keeping busy. I’ve had a lot of music come out which has been really nice. New projects, old projects. Some stuff I knew that would be out and some stuff that I didn’t think would come out. I was able to start some new collaboration and continue on some other ones that should see the light of day next year. Practicing more than ever. Keeping in contact with people I care about. Enjoying what I have and not taking anything for granted.

Have you found any new ways to do old things? How are you feeling about the shifts in how music is being made/shared/listened to?

I’ll be honest; I haven’t really missed playing live all too much. I miss the interaction with other musicians and the rush of creating something with others. Learning that you can still make music and not perform live has been something that I’m embracing fully. It seems that people are taking the time to listen to music a bit more intently. Without the live experience, you’re forced to take more time with the recording. Don’t get me wrong, I love playing shows, but after nearly 20 years of doing it consistently, the forced break has been welcomed.

Any works of art that have been a light for you in these times? Anything that's just been a good diversion?

Listening to as much music as possible. It’s as important to me as practicing and writing with others. Going down YouTube live music performance rabbit holes is always fun. Watching movies makes me happy as well. The well is never dry. Keep me hydrated!

How are you feeling about 2021?

I wish this city would give a shit about margilized people that this pandemic is really affecting. I’d feel better about 2021 knowing that those who have the power to do so properly look after them. Everything else seems a little less important in the grand scheme of things.

Anything else we'd chat about if we bumped into each other?

I’d say “Joe! How you been?” You keeping well? What have you been up to since March or so? Have you found any new ways to do old things? How are you feeling about the shifts in how music is being made/shared/listened to? Any works of art that have been a light for you in these times? Anything that's just been a good diversion? How are you feeling about 2021? I’ve missed you!”

Tuesday, January 21, 2020

Recording: Dun-Dun Band

Artist: Dun-Dun Band

Song: No. 7 (Nilan)*

Recorded at The Tranzac (Southern Cross Lounge), December 8, 2019.

Dun Dun Band - No. 7 (Nilan)

The Dun-Dun Band ("rapidly becoming the Dun-Dun Symphonetta," commented host Nilan Perera) was rolling nine deep on this night, with composer/caller/guitarist Craig Dunsmuir being joined by a three-piece sax section (Ted Crosby, Karen Ng, and Colin Fisher) and a back-line rhythm factory composed of Mike Smith (synth), Blake Howard (percussion), Jay Anderson (synth percussion), Josh Cole (bass), and Kurt Newman (guitar). As always, the intricate pattern-pieces created a rich stereophonic soundfield and plenty deep groovin'.

* Title updated! Thanks to Craig!

Friday, November 22, 2019

Recording: Marker Starling

Artist: Marker Starling

Songs: Move it On + Strong Suit

Recorded at The Tranzac (Southern Cross Lounge), September 29, 2019.

Marker Starling - Move it On

Marker Starling - Strong Suit

This Sunday afternoon special managed to tick off several agenda items all at once. It was an opportunity to draw out a crowd you wouldn't see at night, and the room was filled with happy parents and kids of all ages. But the show served primarily as an opportunity for Chris Cummings and band to get in a dress rehearsal before a primo opening slot for the reunited Stereolab in Montreal — a pairing that makes additional sense when you know that Cummings and the groop's Lætitia Sadier have appeared on each other's albums. That meant the band's set was a tight and punchy affair, focused on the hits that might win over unfamiliar ears. (Before that, the afternoon started off with a solo set from Cummings, and some new material did manage to slip into both.)

Sunday, April 28, 2019

Recording: Matthew "Doc" Dunn

Artist: Matthew "Doc" Dunn

Song: Grant Me Flight

Recorded at The Baby G (MFS 10th Anniversary Celebration / A Night of Rock Music!), March 2, 2019.

Matthew "Doc" Dunn - Grant Me Flight

Although I don't get out to as many rawk shows as I used to, the 10th anniversary of this blog felt like enough of an occasion to warrant a special Saturday night kind of celebration. With a limited preview run of a new best-of compilation tape on the merch table quickly selling out (side note: second batch coming soon!) and a mini-remount of my MFS listening station, it felt a bit like a party, but what really made it was seeing so many familiar faces out for the hang.

Still in the midst of the fertile patch that saw the release of two singer-songwriter albums at the end of last year, Doc Dunn brought a stripped-back trio (with his guitar and vintage rhythm box accompanied by Jay Anderson and Grasshopper on percussion) to set sail over some mellow grooves.

[Doc Dunn's "other" project, The Cosmic Range, celebrates the release of their second album The Gratitude Principle this Friday (May 3rd) at The Garrison.]

Friday, April 26, 2019

Recording: Badge Époque

Artist: Badge Époque

Song: Badge Theme*

Recorded at Jam Factory (Feast In The East 72), February 28, 2019.

Badge Époque - Badge Theme

The new-ish post-Slim Twig ensemble from Max Turnbull has quietly been building steam for a little while now (though there's still only one track online to hint at the project's sound), with Turnbull (on keyb) joined by Jay Anderson (drums), Chris Bezant (guit), Alia O'Brien (flute), Giosuè Rosati (bass), and Ed Squires (percussion). Pushing deeper into the Gainsbourg lounge-funk essayed in the Twig band's late era and adding some library music deep crate dives, this group is less "rock", and feels more suited for some sort of elegant nightclub where they could perform for a seated, cocktail-swirling crowd.

[Badge Époque will be headlining a stacked lineup at The Garrison on Saturday, May 11th, along with fellow travellers Isla Craig, Ice Cream, and Carl Didur.]

* Thanks to a source for passing along the title to this one!

Tuesday, April 16, 2019

Recording: Marker Starling

Artist: Marker Starling

Songs: Fly Away/Silver Morn + Conundrum

Recorded at Burdock Music Hall, February 16, 2019.

Marker Starling - Fly Away/Silver Morn

Marker Starling - Conundrum

That long wait for Rosy Maze seems a distant memory now, with the new Trust An Amateur marking Chris Cummings' fourth album in a four-year span. Although after the "asides" of I'm Willing's covers and Anchors & Ampersands' re-evaluation of older songs, the new one is the first "proper" album in a while. A real songwriters' showcase, the focus is really on Cummings' words here, with the music stripped back to an old-school Wurlitzer and drum machine approach.

This album release celebration had a stripped back "classic lineup" vibe as well, with Cummings backed by longtime collaborators Jay Anderson, Matt McLaren and Andrew Scott giving a bit of a different feel to the new album's material. One interesting wrinkle in Trust An Amateur is the increased use of suites linking shorter songs together (for an avid film buff like Cummings this is surely akin to the use of montage to comment on characters and situations) and the live show gave a two-fer that's not on the album with "Fly Away" and opener "Silver Morn" joined together. The mid-set dip back through the hits included this take on "Conundrum", reduxed on last year's Anchors & Ampersands but with its origins all the way back on Cummings' first album Doin' It All back from when he was also a Wurlitzer-and-drum-machine-only guy.

Thursday, February 28, 2019

Recording: Katie Sketch

Artist: Katie Sketch

Song: unknown*

Recorded at The Gladstone Hotel's Ballroom (Long Winter, Vol. 7.3), January 4, 2019.

Katie Sketch - unknown

Though she's popped up playing in Vag Halen, it'd been over a decade since I last saw Katie Sketch playing her own material. After a debut at the Basement Revue late last year, this was the second outing for this new five-piece band, sharing a short but elegantly-constructed set of ace stuff. The presence of a new website and instagram account add some momentum to the claims that some long-awaited solo material will officially surface this year.

[Long Winter Vol. 7.5 will be at Workman Arts on Friday, March 29th. Lineup Announcement Coming Soon!]

* Does anyone know the title to this one? Please leave a comment!

Wednesday, October 17, 2018

Recording: Dun-Dun Band

Artist: Dun-Dun Band

Song: unknown*

Recorded at Yonge-Dundas Square (Intersection Day 2), September 1, 2018.

Dun-Dun Band - unknown

Another interesting day in Yonge-Dundas Square for Intersection, once again excellently curated by Burn Down the Capital's Tad Michalak. Mixing in some abrasive sounds with lots of accessible experimentation, there was a pleasing range of mostly-local talent spread out through the square, animated between sets by the whispersounds of Tina Pearson's installation piece. An outdoor festival is an ideal place to bust out some bigglyup1 grooves, and Michalak obliged by programming two different sets over the course of the day. Featuring three saxophonists up front to entrance passers-by, creator and band leader Craig Dunsmuir was tucked off to the side, turned around from the crowd to stay in eye contact with bassist Josh Cole and the percussion section. Meanwhile, it was interesting to note that the group's overlapping polyrhythmic fragments have been formalized in a "book" (beautifully-designed by Mike Smith) so here's hoping there will be cause for the musicians to break it out again soon.


* Does anyone know the title to this one? Please leave a comment!

1 Local scholar Kurt Newman was moved to ask, after this event, what the proper name was for "the unique instrumental groove based but experimental large group music that happens in Toronto with a lot of musicians in common", and he was informed by percussionist (and frequent participant in this phenomenon) Blake Howard that "bigglyup" is, indeed, the proper term.

Friday, February 9, 2018

Recording: Marker Starling

Artist: Marker Starling - I'll Be Around

Songs: I'll Be Around [The Spinners cover] + Shadows and Counterparts

Recorded at The Tranzac (Main Hall), January 13, 2018.

Marker Starling - I'll Be Around

Marker Starling - Shadows and Counterparts

Chris Cummings' artistic ascendance continues with the release of his new Anchors & Ampersands album. Like its predecessor, a lot of the achievement here is in the selection of materials and the arrangements, but whereas I'm Willing fits into the classic "covers album" mould, its new companion is something more akin to a self-reappraisal, with several reduxed versions of older songs, now presented in all their widescreen glory with lusher arrangements and more confident vocals.

As in the past, Cummings returned to The Tranzac's Main Hall to use the floor to accommodate an extra-large ensemble — there were no fewer than sixteen musicians throughout the night (if I was able to keep track correctly!) with up to fourteen of them on stage at once. That meant augmenting the core unit (of Jay Anderson, Matt McLaren and Andrew Scott) with lush backing vocals (from Robin Dann, Ben Gunning and Alex Samaras, as well as special guests Ryan Driver and album producer Zack G) and a horn section (Jay Hay, Jeremy Strachan, Lina Allemano). And then to complete the spectacle, the members of opening band Bunny joined in for the set's last songs. All told, a worthy celebration of one of the city's best songwriters — and now with his back pages thoroughly re-examined, it's exciting to anticipate what's going to come next.

Recording: Bunny

Artist: Bunny

Songs: One Less Heart + Fat City (feat. Marker Starling)

Recorded at The Tranzac (Main Hall), January 13, 2018.

Bunny - One Less Heart

Bunny feat. Marker Starling - Fat City

I'd missed the release party for Bunny's superb self-titled album, so I was glad to see them reprising their role as openers at another Marker Starling release. There was a slightly-reshuffled lineup behind Drew Smith and the anchoring rhythm section of Jay Anderson and Andrew Scott with Lane Halley (Hooded Fang, Bart) sitting in on guitar as well as a now-rare Dan Werb sighting behind the keybs (although he did, indeed, play a lot of the keybs on the album). There was a tasty selection of material from the new album, and to close things out, Chris Cummings (another of the album's guest performers) came out to sing this new one to which he'd provided lyrics inspired, I'm given to understand, by the John Huston film.

Thursday, August 10, 2017

Recording: The Cosmic Range

Artist: The Cosmic Range

Song: The Shark [excerpt]

Recorded at Prairie Drive Park (Feast in the East 63), July 8, 2017.

The Cosmic Range - The Shark [excerpt]

A return to Prairie Drive Park after last year's initial excursion had another excellent lineup and even better weather. Free food for all gave locals and musical tourists a chance to mingle together and it was a real treat to hear music echoing through the well-used park. Essential city-building work from Toronto Arts Foundation's Arts in the Parks initiative — hopefully this will continue every summer.

The full Cosmic Range complement were out in force, with Matt "Doc" Dunn joined by Isla Craig (vox, percussion), Andy Haas (sax, electronics), Max "Slim Twig" Turnbull (guit), Jonathan Adjemian (synth), Mike Smith (bass), Jay Anderson (drums), Brandon Valdivia (percussion) and Derek and Iggy Madison (percussion). The set was given over to a sprawling new piece called "The Shark", which moved hungrily between mellow groove-simmers and teeth-baring rockouts.

Thursday, March 23, 2017

Recording: Craig Dunsmuir and Dun-Dun Band

Artist: Craig Dunsmuir and Dun-Dun Band

Song: unknown*

Recorded at The Tranzac's Main Hall (Somewhere There Creative Music Festival – Show 1), February 24, 2017.

Craig Dunsmuir and Dun-Dun Band - unknown

Once again, the Somewhere There Music Festival offered an oasis of local creativity, tightly bundled into five events over three days. Leading off, as always, with a community member's reflections, the first show featured a talk from David Dacks on building relationships and finding a project's true purpose while striving to program forward-looking music. Craig Dunsmuir's meticulously-patterned grooves once again were a standout, with the seven-piece band moving through a tasty set of polyrhythmic riffs. Brodie West was filling in on alto here for Karen Ng, adding a bit of his own sound to the mix.

* Does anyone know the title to this one? Please leave a comment!

Sunday, November 13, 2016

Recording: Dun-Dun Band

Artist: Dun-Dun Band

Song: unknown*

Recorded at The Music Gallery (X Avant XI – Night 1), October 13, 2016.

Dun-Dun Band - unknown

It's always exciting to see Craig Dunsmuir bringing this all-star unit out for a show, meshing his pattern-based guitar pieces with the big band's grooves. With a music stand filled with small slips of paper he'd occasionally refer to, Dunsmuir sometimes looks like a a guy with a "scientific system" on his way to the track, eager to see if the patterns he'd abstracted will apply to real-world data. Meanwhile, Dunsmuir's guitar lines sound equally like they could have been transposed from guimbri riffs or sequencer loops, but in a band setting they unfold with a non-deterministic glee. There were the usual rollicking selections in this set, but I was especially taken by this slow-burning interval.

* Does anyone know the title to this one? Please leave a comment!