Showing posts with label Christopher Willes. Show all posts
Showing posts with label Christopher Willes. Show all posts

Sunday, July 14, 2024

Recording: The Heart of Going La

Artist: The Heart of Going La

Song: Conniptions

Recorded at The Tranzac (Main Hall), June 18, 2024.

The Heart of Going La - Conniptions

This group is a union of three musicians exploring a mutual interest in the repetition of mantra. Fan Wu, Thom Gill & Christopher Willes (later also incorporating Felicity Williams, Evan Cartwright and Luke Kuplowsky from the evening's headliners) mixed spiritual abstractions with a few more earthly concerns (and even some hocketing bells) in a playfully epigrammic set.

Monday, August 15, 2022

Monday Roundup #83


Concert announcements:

Kurt Newman/Karen Ng/Andrew Furlong / The Tranzac (Southern Cross Lounge) 2022-08-24 (Wednesday). $10/PWYC. [FB event]

The Ryan Driver Sextet / The Tranzac (Southern Cross Lounge) 2022-08-26 (Friday) [FB event]

Happy Sundays (feat. Aidan Baker / Picastro / Man Meets Bear) / The Baby G 2022-08-28 (Sunday) [FB event]

Reverberations & Resonances [works for "solo alto saxophone and electronics" by James Tenney and Paolo Griffin] (feat. David Zucchi) / Array Space 2022-09-09 (Friday). General admission: $15, Students/Seniors/Arts Workers: $10. [FB event]

Eliza Niemi [album release!] (Dorothea Paas / Le Ren / Jeremy Ray) / The Baby G 2022-09-17 (Saturday). $16.52, 19+. [FB event]

Heaven For Real [LP release!] (Sook-Yin Lee / Poolblood) / Monarch Tavern 2022-10-01 (Saturday). $15 advance, 19+. [FB event]


Shows this week:

Karen Ng's Wenona Series (feat. Michael Davidson [solo vibraphone] / Allison Cameron/Mira Martin Gray/Karen Ng) / Wenona Lodge 2022-08-16 (Tuesday) [FB event]

Josh Cole presents (feat. Dun-Dun Band) / The Tranzac (Southern Cross Lounge) 2022-08-17 (Wednesday). $PWYC. [FB event]

Amber [Lori Freedman & Scott Thomson] / The Tranzac (Southern Cross Lounge) 2022-08-18 (Thursday). $PWYW.

Jane Inc. (Huxlii / Koza) / Monarch Tavern 2022-08-19 (Friday). $13.50 advance, 19+. [FB event]

catl. / The Upper Deck Bar, Toronto Island Marina 2022-08-20 (Saturday). $free. [more info]

Family Ravine / Lostworldsounds / Ecotone / Bar Orwell 2022-08-21 (Sunday – 6 p.m. show). $10/PWYC.

Kelly McMichael (Claire Maeve) / The Dakota Tavern 2022-08-21 (Sunday – early show @ 6:30 p.m.). $19.13 advance, 19+. [FB event]

TONE presents (feat. Ashley Paul / Andre Ethier / Nick Storring) / Array Space 2022-08-21 (Sunday). $17.52 advance, all ages/licensed. [FB event]


It happened this week...

  • ...on August 16, 2017 at The Tranzac (Southern Cross Lounge).

The Allison Cameron Band - [set 1, first piece excerpt]

  • ...on August 17, 2017 at the Gardiner Museum.

Public Recordings - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [excerpt 1]

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]

Tuesday, July 23, 2019

Recording: Quintet

Artist: Quintet

Songs: [first set excerpt] + [second set excerpt, in two parts]

Recorded at The Tranzac (Southern Cross Lounge), May 15, 2019.

Quintet minus one - [first set excerpt]

Quintet - [second set excerpt, part 1]

Quintet - [second set excerpt, part 2]

On the one hand, this band assembled for Allison Cameron's Tranzac timeslot had a fairly generic name (at least for now... it may have been decided to call the group "Maybe Robin Will") but it was exceptional enough justify it. The group actually started out as a "quintet minus one" for the first set, with Cameron joined by Mark Zurawinski, Chris Willes and Felicity Williams. Behind some buzzing and crackling, they provided some improvised thrift-store hymns and the sound of janky cables. But everything fell right into focus with the addition of Robin Dann for the second set, pamphlet of found-sound lyrics in hand, pushing things into funhouse-mirror pop with gentle vocal hocketing and synthesized background foley.

Thursday, April 18, 2019

Recording: Public Recordings

Artist: Public Recordings

Song: To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [excerpt, in two parts] [composer: Pauline Oliveros]

Recorded at City Hall's Council Chambers, February 17, 2019.

Public Recordings - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [excerpt, part 1]

Public Recordings - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [excerpt, part 2]

This joyfully ambitious undertaking saw Chris Willes and his Public Recordings crew bringing music — radical music, music that demands deep listening and focused attention — into the City Hall chambers, a space associated with noisemaking of a different kind. The culmination of a process reaching back a couple years (including its previous mounting at the Gardiner Museum), this version brought a larger audience and bigger crew of musicians into its larger space. (Adding to the logistical complexity of the entire undertaking, there were also a series of public rehearsals in different venues in the week leading up to the performance.)

The beginning of a new form of composition from Pauline Oliveros, this piece for open ensemble has guidelines, but few musical directives, meaning there are a wider range of possible sonic outcomes than with a through-composed piece. With simple instructions and shared light cues, this large ensemble of musicians and non-musicians weave together a drone symphony, a slow-moving sound-river that invites closed-eye meditation (though, especially in an environment such as this, also some open-eyed gawking at how the spectacle is creating itself). The participant list reveals artists from many fields coming together to make these sounds: Anne Bourne, Allison Cameron, Victoria Cheong, Prices Easy, Ishan Davé, Ellen Furey, Thom Gill, Claire Harvie, Ame Henderson, Brendan Jensen, Germaine Liu, Bee Pallomina, Liz Peterson, Heather Saumer, Brian Solomon, Anni Spadafora, Evan Webber, and Christopher Willes.

[This concert was co-presented by the Music Gallery, who have had an ongoing stream of Pauline Oliveros-related events this season. The last instalment of the Anne Bourne-facilitated Deep Listening Workshops ("Sounding Difference Through The Text Scores Of Pauline Oliveros") will be at 918 Bathurst on Sunday, April 28th. Free with registration.]

Thursday, October 25, 2018

Recording: Matthew Pencer & Chris Willes

Artist: Matthew Pencer & Chris Willes

Song: [excerpt from first piece]

Recorded at The Tranzac (Southern Cross Lounge), September 19, 2018.

Matthew Pencer & Chris Willes - [excerpt from first piece]

Dimming the lights and dragging a couple piano benches into a vee, this pair created a drowsy sonic playground. Willes treated his sax and harmonica with some lo-fi effects, creating tin can ringing artifacts while Pencer's skittering drum machine beats more shared the space than provided rhythmic support.

Tuesday, October 3, 2017

Recording: jiggy jiggy jiggy

Artist: jiggy jiggy jiggy - [two excerpts]

Songs:

Recorded at The Steady (Track Could Bend #30), September 5, 2017.

jiggy jiggy jiggy - [excerpt 1]

jiggy jiggy jiggy - [excerpt 2]

In between co-ordinating a re-mount of Pauline Oliveros' "To Valerie Solanas..." and becoming artist-in-residence at the beautiful new Scarborough Centre public library, Chris Willes was kind enough to drop in to make some sounds at TCB. One could easily imagine a group composed of him, Thom Gill and Phil Melanson creating some slinky dancefloor grooves that would be fall right into the sensibility their chosen moniker might suggest. For this night, however, they instead got jiggy with some field recordings and gentle synth/guitar/percussion rubbings. Actually, one could quite easily also imagine these three doing precisely that.

[Willes' Quiet Concert series continues at Scarborough Centre Library with performances by Anne Bourne (this Saturday!) and Debashis Sinha (October 14th). Track Could Bend continues tonight (Tuesday, October 3rd) at The Steady, with sets from Nur Michael Keith, New Tendencies & Priya Thomas and iderdown & abigail trotsky.]

Sunday, September 10, 2017

Recording: Public Recordings

Artist: Public Recordings

Song: To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [two excerpts] [composer: Pauline Oliveros]

Recorded at the Gardiner Museum, August 17, 2017.

Public Recordings - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [excerpt 1]

Public Recordings - To Valerie Solanas and Marilyn Monroe in Recognition of Their Desperation [excerpt 2]

Toronto's close kinship with Pauline Oliveros continues. Oliveros gave her final concert performance at last year's X Avant Festival, and with permission from The Pauline Oliveros Trust, this large ensemble undertook a new staging of this major work originally performed in 1970. Cellist Anne Bourne is one of the connections here, playing both at last year's concert as well as in this ensemble, which came together under the guidance of Christopher Willes.

Part of Xenia Benivolski and Su-Ying Lee's Feminist Art Museum, this event filled the large upper-floor gallery space with the audience lining the room's walls, surrounding the dozen performers facing each other in a rough circle organized around the exhibition's brick piles.

Devised as "a continuous circulation of power," this piece demands a balance between listening and playing from the performers, but within that constraint, its simple, open concept is an invitation for musicians of varying abilities (and some in this group of artists, choreographers, composers, and dancers were indeed "non-musicians") to participate in a decentred experience. Guided by slowly moving, slowly changing light projections, there weren't many remarkable features of the piece — which is to say the whole was a warmly-undulating dronefield. Word is that this will be remounted later on at The Music Gallery, so there will be another chance to soak in the vibes.

[Meanwhile, for more Pauline Oliveros vibes, Anne Bourne will be hosting a Deep Listening Intensive on October 14th as part of this year's X Avant festival. Meanwhile, Chris Willes has a couple other cool activities going on, including next week's Listening Choir remount as well as a series of Quiet Concerts at the beautiful new Scarborough Town centre library branch.]

Friday, March 25, 2016

Recording: Daniel Pencer/Christopher Willes/Colin Fisher

Artist: Daniel Pencer/Christopher Willes/Colin Fisher

Song: [excerpt]

Recorded at The Tranzac (Southern Cross Lounge), March 12, 2016.

Daniel Pencer/Christopher Willes/Colin Fisher - [excerpt]

This instalment of Colin Fisher's monthly Tranzac residency opened with an exceptionally-quiet set from Philippe Melanson + Nick Storring. The main attraction after wasn't so intensely spare, but still invited deep listening. Playing some rippling patterns on his microtonal guitar, Fisher was joined by Dan Pencer and Chris Willes adding some fragile sax warbles and creamy modular synth fuzz. The resulting music slowly swelled upward in volume but otherwise stayed mostly in place — not so much a drone as a gorgeously-stationary shimmer.

Thursday, August 27, 2015

Recording: Listening Choir

Artist: SummerWorks Listening Choir #1

Songs: [five scenes from a Listening Choir walk]

Recorded in and around The Theatre Centre (SummerWorks Festival: Listening Songs: Listening Choir), August 13, 2015.

SummerWorks Listening Choir #1 - Part 1 [sound poetry]

SummerWorks Listening Choir #1 - Part 2 [development proposal]

SummerWorks Listening Choir #1 - Part 3 [wandering balladeer]

SummerWorks Listening Choir #1 - Part 4 [keys, fences, arches, birds]

SummerWorks Listening Choir #1 - Part 5 [patio pop]

For a half-dozen sessions over three days during the SummerWorks Festival, Christopher Willes and Adam Kinner led small groups in the West Queen West neighbourhood around The Theatre Centre calling on participants to interact with their sonic environment — and above all, to listen. Armed with DIY recorder/speaker boxes, the walkers both added to the neighbourhood's sonic diversity and sampled it to play back in a floating zone of slightly-distorted loops. This walking tour was a bit of a spectacle to passers-by, but more stirringly a call to the participants to remember that in their own daily strolls that there are so many sounds to attend to and secret places to playfully unlock: from air-conditioning ducts to the echo-chamber possibilities of a condo window; from the ringing echo of a set of keys on a metal fence to the secret codes of a hidden speaker on a restaurant patio. And meanwhile in the background is the city's own sonic weave and weft: trains rumble by, a siren's tocsin pushes past, birds chirp on sidewalk trees. We're in it all the time, but so rarely consciously of it.

Later in the day after participating in the Choir, I was making my way back along Queen on the streetcar, reflecting on the new details I'd learned about the neighbourhood I was rolling through. And just then, with perfect timing, a later Choir group emerged from the arch between the condo buildings across from Northcote, setting down their speaker boxes to create a temporary clanging symphony. The sounds surround us all the time, just waiting to be listened to.

Friday, February 28, 2014

Recording: Girlfriends Encounter a Father Figure

Artist: Girlfriends Encounter a Father Figure

Song: [excerpt from an improvization]

Recorded at The Tranzac - Main Hall ("The Second Annual Somewhere There Creative Music Festival" - Show 2), February 22, 2014.

Girlfriends Encounter a Father Figure - [excerpt from an improvization]

Full review to follow. The somewhat unlikely name here is a testament to how this was envisioned as a sonic meetup between Thom Gill (who performs sometimes as Father Figure) and Matthew Pencer and Christopher Willes's Girlfriends project. That conceptual clarity was knocked askew a bit with Willes busy webcasting his Listening installation project — so his absence was countered not only by using his project's livestream as one element in the mix, but also by adding Philippe Melanson's knob-twiddling complications. The result was a shifting, oft-spare soundscape.

Tuesday, December 24, 2013

Recording: GREX

Artist: GREX

Songs: Christopher's Bell Game [excerpt; composer: Christopher Willes] + All Is Loneliness [Moondog cover] + Kviria [trad. Georgian, arr. A. Samaras]

Recorded at The Music Gallery, December 20, 2013.

GREX - Christopher's Bell Game [excerpt]

GREX - All Is Loneliness

GREX - Kviria

Full review to follow. Alex Samaras' GREX ensemble continues to be a rare combination of musical forward-thinking and unadorned beauty, specializing in vocal arrangements of songs both ancient and avant-garde. For this set, they greeted the audience as they entered the Music Gallery with Christoper Willes' game-piece for handbells1, which segued into a piece by ensemble fave Meredith Monk. "All is Loneliness" seemed like an appropriate pick for the dark times of the year's shortest days, but sun-invocation "Kviria" (an old Georgian folk song) was its antidote — in Samaras' hands, it sounds like God's own choir channelling Pet Sounds isolated vocal tracks.


1 More of Willes' new work is forthcoming soon at the next instalment of the Music Gallery's Emergents series on January 17, 2014. Recommended!

Wednesday, December 11, 2013

Recording: Christopher Willes

Artist: Christopher Willes + Ensemble

Song: Blow/Draw [excerpt]*

Recorded at The Tranzac (Main Hall), December 10, 2013.

Christopher Willes + Ensemble - Blow/Draw [excerpt]

Full review to follow. This led off an exciting night of New Music at The Tranzac, with the ensemble (containing several noteworthy improvisers1) spread around the room such that it was hard to tell where they ended and the crowd began. This spacialization helped create a sonic bath for Willes' ascension drones. Though this piece was "only" a half-hour, the slow shifts in the sound field brought to mind music that uses extended duration as a means of evoking a trancelike state. Gorgeous stuff.


* My understanding that this is still in the working-titles-being-tossed-around stage. I will update if I hear word something else has been settled on.

1 Given that I now have a list in front of me, I might as well add that the ensemble on this night was:

  • Lina Allemano – trumpet
  • Anne Bourne - cello
  • Allison Cameron – casiotone
  • Rob Clutton – bass
  • Jason Doell – Portuguese guitar + ebow
  • Daniel Harley – violin
  • Tom Richards – trombone
  • Germain Liu – floor-tom/cymbal
  • Katherine Watson – flute
  • Christopher Willes - sk1

Wednesday, March 13, 2013

Recording: Pterodactyl

Artist: Pterodactyl

Song: unknown*

Recorded at The Tranzac (Spontaneous Combustion Anniversary Party), July 16, 2011.

Pterodactyl - unknown

My notes for this set can be found here.

* Does anyone know the title to this one? Please leave a comment!