Showing posts with label tenderness. Show all posts
Showing posts with label tenderness. Show all posts

Monday, May 2, 2022

Monday Roundup #68

Someday this space might be mostly concert listings again, but for now Monday roundups might include a romp through the MFS archives, some bandcamp suggestions, nods to a few livestreams, and sundry community notes (email me if you have anything that needs broadcast in the latter category!).


Livestream nation:

  • Track Could Bend is back (online) tomorrow with some noise oscillations from Fuzzy Nibesh. Set goes live at 7, link will manifest in the description of this preview:

Concert announcements:

Brodie West Quintet / The Tranzac (Southern Cross Lounge) 2022-05-11 (Wednesday – early!)

Ustad Irshad Khan / Aga Khan Museum 2022-05-14 (Saturday). $40 orchestra, $30 balcony advance. [FB event]

Mystic Music of Pakistan (feat. Abdullah Muhammad Manzoor Niazi) / Aga Khan Museum 2022-05-15 (Sunday). advance tickets $50 ($37.50 seniors and students). [FB event]

Eucalyptus [Sundays in May residency!] / Hirut 2022-05-08 (Sunday)

Weird Nightmare (Sham Family / Only God Forgives) / The Baby G 2022-05-21 (Saturday). $19.85, 19+. [FB event]

Eucalyptus [Sundays in May residency!] / Hirut 2022-05-22 (Sunday)

Eucalyptus [Sundays in May residency!] / Hirut 2022-05-29 (Sunday)


Shows this week:

Peripheral Vision wsg Ernesto Cervini (Joe Sorbara Sextet [Joe Sorbara/Aline Homzy/Ted Crosby/Rebecca Hennessy/Tania Gill/Michael Herring]) / The Tranzac (Southern Cross Lounge) 2022-05-03 (Tuesday) [FB event]

The Ryōkan Band [Luka Kuplowsky/Josh Cole/Anh Phung/Alex Lukashevsky/Ryan Driver/Blake Howard] / The Tranzac (Southern Cross Lounge) 2022-05-04 (Wednesday)

Tania Gill Presents (feat. PACKET trio [Susanna Hood/Tania Gill/Kayla Milmine]) / The Tranzac (Southern Cross Lounge) 2022-05-06 (Friday – early!)

Jane Inc. [Faster Than I Can Take record release show!] (Slash Need) / The Garrison 2022-05-06 (Friday). $16.79 advance, 19+. [FB event]

catl (The Barettas) / The Dakota Tavern 2022-05-07 (Saturday). $19.13 advance. [FB event]

Ayal Senior presents (feat. Ayal Senior / Del Stephen / Aaron Knight / Nick Flanagan) / The Tranzac (Southern Cross Lounge) 2022-05-08 (Sunday – 2:30 to 4:30 p.m.) [FB event]

Mechanical Forest Sound@SynCirSundays (feat. David Parker / LordAUK) / The Tranzac (Southern Cross Lounge) 2022-05-08 (Sunday – early!) [FB event]

Eucalyptus [Sundays in May residency!] / Hirut 2022-05-08 (Sunday)


Bandcamp corner:

  • Is it Bandcamp Friday this week? All signs point to yes, so pull out your lists and supports some srtists on Friday.
  • Meanwhile, while it's easy to get caught up in the torrent of the new, Bandcamp has been around long enough now that we can mark some milestones with it — including the (holy cow!) tenth anniversary of Planet Creature's still-charming You're On Planet Creature. Bubblegum punk with psychedelic whispers in the vein of, say, Look Blue Go Purple, rough-hewn and rambunctious in the right amounts.

It happened this week...

  • ... on May 6, 2017 at Jam Factory (Feast in the East's 6th Anniversary).

Fly or Die - Theme 002

Tenderness - unknown

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]

Monday, February 1, 2021

Monday Roundup #3

In the absence of concert listings, my regular Monday dispatches have fallen off. After bringing some life to the blog with the "bumping into" series, I figure I should get back in the groove. I'm guessing that this will be a bit like what used to get shoved into the end of the post when I was doing listings — some bandcamp suggestions, nods to a few livestreams, and sundry community notes (email me if you have anything that needs broadcast in the latter category!). Plus maybe a look back through the MFS archives.


Community notes:

  • The big news of the week was the announcement of this year's Women From Space Festival. Last year's edition remains vivid in my mind, not only for being the last "regular" shows I went to in the before-time, but even more for its excellent vibe and programming. Organizers Bea Labikova and Kayla Milmine are attending to both of those things, with another intruigingly-mixed lineup including Denise Solleza & Madeleine Ertel, Britta B & Pursuit Grooves, Thanya Iyer featuring Anh Phung, Laura Barrett/ SlowPitchSound/Mairi Greig, Eve Egoyan, Fides Krucker & Tania Gill and plenty more. But they're also fostering a vibe as well, this time as purveyors of the Holobox Theatre, a "miniature tabletop stage where performances come to life as holograms". The whole thing is being streamed (in standard two dimesions as well) on March 6 to 8.

Livestream nation:

  • Keep your receptors tuned to TURNONANDBENOTALONE on Wednesday and Thursday this week for the Music Gallery's presentation of a "multi-channel audio and visual installation, activated by a series of four solo instrumental performances" (by Amahl Arulanandam, Yang Chen, Sara Constant, and Émilie Fortin) assembled/curated/composed by Jason Doell. I don't entirely know what that means either, but as part of the MG's efforts to make livestreams into more than just a filmed performance, it seems intruiging. And in the meantime, there's a cool lava lamp effect bloobering away on the event's homepage.

It happened this week...

  • ... on February 5, 2016 as part of Nite Comfort 41 at Handlebar.
Tenderness - unknown
  • ...on February 2, 2014 in the Southern Cross Lounge.
Allison Cameron and D. Alex Meeks - [end of first set]

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]


Bandcamp corner:

Don't forget it's bandcamp Friday this week, from midnight to midnight Pacific time on the 5th. That gives you a few days to share recommendations with your pals! Here's a couple things that I've been waiting to grab...

Sunday, June 11, 2017

Recording: Tenderness

Artist: Tenderness

Song: unknown*

Recorded at Jam Factory (Feast in the East's 6th Anniversary), May 6, 2017.

Tenderness - unknown

Another celebration for this east-end institution saw it returning to perhaps the most-loved of its many homes. In typical Feast fashion, besides food (and birthday cake!) there was a diverse range of music with no fewer than five acts helping to mark the occasion. Originally slated as a collaborative set re-arranging some of her pieces for saxophone quartet this ended up being "merely" a chance to hear Chrissy Reichert share some gems from her stack of not-yet-released tracks. The sax versions are still forthcoming, but in any case this was a treat and a delight, with Reichert singularly simmering in her spiritual, soulful flow.

[And in another welcome return, on July 8th Feast in the East heads back to Prairie Drive Park for its second annual Arts in the Parks event. This day out is free, all-ages, and family-friendly and offers a free meal for all as well as live sets by The Cosmic Range, LAL and Saxsyndrum. Not to be missed — last year's event was one of the summer's highlights!]

[Thanks to Brandon Caswell Douglas for sharing his audio from this night — you can check out some his footage over at his youtube playlist for this event.]

* Does anyone know the title to this one? Please leave a comment!

Saturday, March 4, 2017

Recording: Tenderness

Artist: Tenderness

Song: unknown*

Recorded at Handlebar (Nite Comfort 41), February 5, 2016.

Tenderness - unknown

Playing a handful of tunes, Chrissy Reichert's set made her previous batch of (still-unreleased) tunes feel old hat. Slowing down and simmering in the groove, this was gorgeous stuff and a reminder that any time you get a chance to see her play is a de facto special occasion.

[Nite Comfort returns to Handlebar tomorrow night (March 5th) with sets from Agencies and Senior Beatbox.]

* Does anyone know the title to this one? Please leave a comment!

Wednesday, February 25, 2015

Gig: Wavelength FIFTEEN - Night 3

Wavelength FIFTEEN – Night 3 (feat. Bart / Tenderness / New Fries / Fresh Snow / Mozart's Sister / Look Vibrant / Cellphone)

The Garrison, Sunday, February 15, 2015.

The three nights of this year's Wavelength festival were each loosely themed around the notions of "past", "present" and "future" and it was the third and final night of those that brought the most satisfaction. Focused squarely on emerging bands that are doing great work right now, this is the sort of show that could send people home with a new favourite band they'd be eager to see again. With an extended 4 a.m. last call, it was also a long night with bands on stage from 8:30 'til nearly three in the morning.

Getting things started, Bart packed a lot of music into less than a half-hour on stage. Led by Chris Shannon (ex-Elwins) and Nathan Vanderwielen (ex-Ruby Coast), the pair switched quickly from parallel dual vocal leads and doubled guitar lines to dartingly-interlocking bursts on both. They were backed by Hooded Fang's Lane Halley on guitar as well as Biblical's rhythm section (Andrew Scott and Jay Anderson). With the high vocals, shifting time signatures and fiddly guitar parts, there was definitely a prog rock thing at play here — but (as of yet, anyway) don't expect any side-long suites detailing Middle-earth battles. So far, their album cover style would probably be more pop-art than Roger Dean, reflecting their quick pop-structured songbursts — maybe let's call 'em "jukebox prog" for now. It's that spirit that sees four songs crammed into the twelve minutes of their début Bart by Bart 7". Heady stuff.

Listen to a track from this set here.

With only Steve Reaume's pixelated geometric abstractions lighting the stage, Chrissy Reichert (who performs as Tenderness) played a set focused on the new material that will be making up the project's sophomore album. There's a lot of variation within the cluttered bricolage of her dancefloor-friendly aesthetic, ranging from touches of hip-hop to galloping dabke beats to a gorgeous slo-jam that sounds like the last dance on the last night at church camp. I am admittedly a little partisan when it comes to the Reichert's work, so take it with a grain of salt, perhaps, when I say that this was the night's headliner-quality set.

Listen to a track from this set here.

Up on the big stage, New Fries played a more focused set than when I last saw 'em on New Year's Eve, but that doesn't mean it was necessarily more straightahead, as there were still a series of gestures that seemed designed to destabilize the standard rock-show dynamic. Once again there was a bit of bait-and-switch at the outset, with Ryan Carley's weird fugue-y keyboard lead-in providing accompaniment for some jibbering crooning from bassist Tim Fagan.

Once Anni Spadafora (guit/vox) and Jenny Gitman (drums) kicked in, it lurched back into rock'n'roll mode as the band reeled off the tunes from their Fresh Face Forward (plus a new one!) in a fairly brisk manner. During closer "Plexiglass" (which received a freeze-frame two-chord breakdown that was longer than the song part of the song) a mysterious pale figure in a white gown emerged on stage and assumed a Jesus-y pose before slumping forward. It's art when deliberate gestures are offered without obvious answers, and punk as hell when a band is presenting music with their own coded massages on their own terms.1

Listen to a track from this set here.

Notwithstanding a special night of some live film accompaniment and suchlike, Fresh Snow have been keeping a lower profile since last summer's WL Island show. A split single (with Reel Cod labelmates Mimico) added a cover of "Mony Mony" to their repertoire, and word is that a new EP is in the can and being readied for release. The results of that time away from the stage were apparent in a set that featured almost entirely new material — perhaps considered enough of a novelty that the band presented it in a pretty frills-free manner, sans masks or any of the other dramatic devices they're known for. (Well, there was a fair amount of dry ice.) That left the focus on the music, and it sounds like there's a lot to look forward to as we wait on the band's next release.

Listen to a track from this set here.

I will confess that I initially approached Caila Thompson-Hannant's solo project Mozart's Sister with some probably-unwarranted baggage after having read that she had been a member of Shapes and Sizes — a band that I remember being utterly turned off by at a gig back in '07. That said, the first time I saw this project I was — if not overwhelmingly convinced — able to see that she's on to something in this incarnation. Dance-pop doesn't tend to do much for me, but seeing a second performance managed to push me towards begrudging acknowledgement of what Thompson-Hannant is up to.

It was also a chance to situate her on a spectrum of broadly-similar acts at the festival: next to the previous night's Lowell set, this looked like the work of a musical genus; next to the evening's earlier Tenderness performance, it felt a little tame. Thompson-Hannant's stage manner (complete with dance moves) is engaging and about half the material registered with me, so I'd say the performance netted out somewhere above the meh zone, even if this isn't something I'd go out of my way to see a third time.

Listen to a track from this set here.

That was the programmatic peak of the night, and not unreasonably a lot of the crowd headed home, leaving a lot more elbow room for Montréal's Look Vibrant, a young quartet radiating bouncy energy on stage. The band looked maniacally happy to be performing, and they got the crowd (about half of which seemed to be friends who came along up the 401) jittering along. Their hypercaffeinated tunes came across a bit like listening to a Todd Rundgren tape while mashing down the fast forward button, and while I suppose it was fun, it didn't register as my kind of fun. I wager I'll be more into the next wave of bands that some of these lads will end up in a couple years down the road.

Sending the night off with a roar, Cellphone took the stage at about twenty past two to an even more thinned out crowd. That didn't phase the band, who turned in a solid performance that was one of the best-sounding sets I've heard from them in a while. In the DIY spaces I've mostly seen 'em in, minimal PA scenarios tend to hide the vox and synth behind a wall of guit/bass/drums, but here there was a bit more balance that really showed off their unique thrash/new wave fusion. They seemed to be in the mood to play, and after announcing their last song a couple times they ended up playing on. Hopefully I will run into them in such circumstances again. Well, maybe not quite at three in the morning.

Listen to a track from this set here.


1 The set's other moment of punk rock instability came when a noted local musician (with a bit of a confrontational bent) made his way up to the front to tell the horde of photographers (who'd been swarming the front of the stage for the duration of the set) to get their damn cameras out of the way and let people watch the show. Clearly not recognized as someone who had probably played more Wavelengths than some of photographers had attended, he was treated with derisive scorn, and there was a brief moment of weird tension.

Tuesday, February 24, 2015

Recording: Tenderness

Artist: Tenderness

Song: unknown*

Recorded at The Garrison ("Wavelength FIFTEEN - Night 3"), February 15, 2015.

Tenderness - unknown

My notes for this set can be found here.

* Does anyone know the title to this one? Please leave a comment!

Sunday, February 22, 2015

Six years/Six pack: Jesse Locke

MFS has turned six! My introductory thoughts on this landmark can be found here, but long story short: I asked some folks to pick some of their favourites to help me celebrate.

Today's list is from Jesse Locke, a Weird Canadian, writer and drummer who I first met in person when he slipped some Tonetta in a DJ set.


I’ve said it before, and I’ll say it again: Joe Strutt is the hardest working human in the Toronto music biz. Mechanical Forest Sound is a dizzyingly exhaustive archive of live recordings from left-of-centre shows, and I'm honoured to take part in this celebration of its sixth birthday. I typically spend time on the site listening to excerpts of gigs I was unable to attend, but for this post I’ve decided to write about six personal fave performances where I was there, mannn…

Simply Saucer - Mole Machine

The Saucer is one of my all time desert island top five bands. Since moving to Toronto, I've had the great pleasure of working with their original members on a few different projects, and it’s been a total blast hearing them tear through the songs that are embedded in my bones. This set at the Ty Segall after-party featured the band's CanCon superstar line-up of founding singer/guitarist Edgar Breau and bassist Kevin Christoff joined by The Killjoys' Mike Trebilcock on guitar/skull theremin and Blue Rodeo/The Garbagemen's Glenn Milchem on the skins. The Mole Machine reigns supreme!

Zacht Automaat - unknown

Zee almighty Hamilton-borne Zacht Automaat follow in the footsteps of Steeltown's O.G. electro-rockers Simply Saucer with their own baroque brand of lysergic liftoffs. I haven't missed a chance to see their twice yearly live shows, and it seems this set at Feast in the East's former Polyhaus venue was the first time both Joe and I were cleansed in their waters. Blah blah blah... Just listen in.

Tenderness - unknown

After a stretch spent in Winnipeg, Chrissy Reichert's recent return to Toronto has been a glorious thing. This gig on the first night of DDL's fifth anniversary weekend (capped off with a once-in-a-lifetime appearance by The Space Lady) served as the debut for her latest collection of block-rockin' devotional bangers, which have twisted and screeched into new shapes with each passing performance. I remain the number one Tenderness fan and can't wait to hear where these songs transport to next.

Matt "Doc" Dunn - [excerpt]

Doc Dunn is a dusty jewel in Toronto’s musical treasure chest, and sometimes you gotta dig deep to find him. This night at Double Double Land (starting to see a trend where I spend my time?) was the release party for his Tecumseth LP, with a dreamy performance joined by regular collaborators Jonathan Adjemian, Isla Craig and Brandon Valdivia. Imagine Loren Mazzacane Connors sipping from the cosmic brew of Alice Coltrane, or just ignore everything in this world entirely and float away.

Darlene Shrugg - Freedom Comes in a Plastic Card

Darlene Shrugg is the East Side all-star band made up of members from Tropics, Ice Cream and U.S. Girls. Their supercharged glam-stomp is one of the greatest things going in town these days, and "Freedom Comes in a Plastic Card" (there's yer song title, Joe) gets wedged in my head all the time. Bonus shout out to the rest of the Frankensteined collaborations at All Toronto's Parties 2: Bong Water, Abra Cadaver, Wildlife Rodeo, and a few truly fun sets I played myself.

Bile Sister with Chandra - Get It Out Of Your System

The shock of the new and a celebration of the shocking unknown came together for the reissue release party of Chandra's Transportation. Bile Sister's set of originals delivered the heat, but it was this truly rare onstage appearance from Chandra Oppenheim (running through songs she originally recorded in 1980 as an art-punk 11-year-old) that brought the house down. There's not much I can say to properly express my gratitude to Joe for capturing yet another fantastic night of music, otherwise lost to the sands of time and fading memories.


You can always click on the tags below to look for more stuff from these artists. Has there been a half-dozen songs posted here that made an impact on you? If you'd like to get in on the action and make a list, feel free to send me an email: mechanicalforestsound@gmail.com.

Sunday, January 25, 2015

Recording: Tenderness

Artist: Tenderness

Song: 99 + 1

Recorded at The Great Hall ("Long Winter: Year Three, Volume Three"), January 9, 2015.

Tenderness - 99 + 1

It was a treat to get another chance to hear Chrissy Reichert's new tunes again — anticipation for the spring release of her new album remains high. The material ranges from slow-dance cuddles to dabke-force gallops — this recent single comes up somewhere in the middle. Once again, Steve Reaume's projections added the right counterpoint, moderating the room's mood (there had been some hearty moshing earlier on) towards a tripped-out dance surge.

[Tenderness will be playing the final night of Wavelength's fifteenth anniversary festival (Sunday, February 15th at The Garrison).]

Sunday, December 21, 2014

Recording: Tenderness

Artist: Tenderness

Song: unknown*

Recorded at Double Double Land ("DDL 5th Anniversary – Night 1"), November 13, 2014.

Tenderness - unknown

Kensington DIY spot Double Double Land has survived — nay, thrived — for half a decade, and celebrated that achievement with a weekend filled with music, showing off the range of sounds that have found refuge there. Additional cause for celebration on this first night came with the return of Chrissy Reichert's Tenderness project to our city's stages. There's a new single out now, and more new songs exploring her brand of advanced R&B lurch filling out her set.

[Tenderness will be playing at the Tranzac's New Year's Eve celebrations, as part of a very exciting lineup suitable for dancing your way out of this year and into the next. Highly recommended!]

* Does anyone know the title to this one? Please leave a comment!

Monday, August 20, 2012

Recording: Tenderness

Artist: Tenderness

Song: Cruel As The Grave

Recorded at The Great Hall (SummerWorks Festival Closing Party), August 19, 2012.

Tenderness - Cruel As The Grave

Full review to follow. Playing in a venue with a far larger sound system than I've ever previously seen her at, there was more of everything to Chrissy Reichert's songs — more melody, more distortion, more bounce. Well-paired with a static-y abstract series of projections, watching this set felt like being in on a secret. I try not to wear the figurative A&R hat, but in a world where, say, Grimes and Tune-Yards are stars of some sort, there's no reason that Tenderness shouldn't be getting mentioned in the same breath.

Tuesday, August 7, 2012

Preview: SummerWorks Festival Music Series 2012

The SummerWorks Theatre Festival — Music Series

All Music Series shows are at The Theatre Centre, in the basement of The Great Hall (1087 Queen Street West, at Dovercourt). Doors 9:30 PM, Show 10:30 PM

After a couple years at The Lower Ossington Theatre, the fifth year of SummerWorks' Music Series sees the shows returning to their original home in the basement of The Great Hall.1 It's a nifty spot to see a gig, with a variety of viewing options — hanging back and sitting, up front and dancing, or watching from the oval balcony above. It does get warm down there, though, so dress like you're going to sweat. As always, the artists are well-selected (this year by Julie Fowler) and there are promises that several of these are going to spectacles beyond just the regular sort of show.

Most of these shows are fifteen bucks (Buck 65 is $20; the opening party is free) with tickets available online through the festival website or at Soundscapes/Rotate This. You'd do well to check out any of these shows, but if you're wanting to learn more about the bands, I've reached back to some of my past live reviews to give you a hint of what to expect — and some live samples, too.

Opening Party

The Great Hall. Thursday, August 9, 2012. Doors @ 7:00 pm

I reckon there'll be plenty of art-scene schmoozing going down amongst the "performances about bodies" and free donuts, but there's a really fine musical lineup to head down for as well. Three of the sets come from artists that I know well, but who are out to remake/remodel themselves in modern digital form.

I'm especially eager to check out Kashka, which started as a solo-electronic sideline for Kat Burns, but is now her main outlet with Forest City Lovers having wound up. She's always excelled in clear-eyed rememberings of hearts won and lost, and her new Vichada album covers a similar emotional terrain, but it's now bathed in the warm digital beats she's assembled with co-producer James Bunton. Singer-songwriter grooves for the new century.

I've also never caught a set by Chrome And The Ice Queen, but given that the band is a sort of dark-mirror'd version of Del Bel, I'm familiar with the players here. Rumours suggest that behind Lisa Conway's languorous vox you should be ready for faint hints of trip-hop and Twin Peaks.

Warm Myth made their live debut back at NXNE, and I found it to be atmospheric, but not sedate — which isn't out of line for what you'd expect from principals Casey Mecija and Kieran Adams2. Woozy synths share space with assertive guitar and drum parts, making this more than just a typical bedroom solo-electronic project, and an intriguing new setting for Mecija's vocals.

Listen! Warm Myth - Working

The Magic (Ark Analog)

Friday, August 10, 2012

Cynics might get caught up in accusing The Magic of being mere '80's revivalists. Everyone else is too busy dancing. The Guelph crew, led by brothers Geordie and Evan Gordon, was building up a rabid fanbase a couple years ago based on their killer live shows. When they went quiet and got busy serving as sidemen in other bands (most notably in Islands), I wondered if the project was wrapping up, but it turns out they were just taking the time to properly record their songs. The release of the excellent Ragged Gold has more than justified the wait, and they'll be celebrating its release en route to fullscale disco inferno world domination. Taking inspiration from vintage episodes of the Midnight Special, the band has been dropping hints about "dancers, glitter, props" and confetti cannons. This night is not to be missed.

Listen! The Magic - 5th Business

Sealing the deal is a chance to check out Ark Analog, the new collaboration between Maylee Todd and Dan Werb. Anyone who knows their previous work (and especially Todd's collaborations with Woodhands) would have a notion of what they're in for here — something energetic to dance to.

Listen! Ark Analog - Was That It?

Buck 65

Wednesday, August 15, 2012.

Hip-hop lifer/drive-time DJ Rich Terfry probably requires no introduction. It's widely known that he's a fine live entertainer, but this show intrigues with its promise of a collaboration with dancer Ame Henderson. I have no idea what that's going to entail, but advance word promises "strange and beautiful faces, mirrors and ghosts and obstructions".

Listen! Buck 65 - Small Town Boy

Aline Morales & Sandro Perri

Friday, August 5, 2011

Birthed from Tranzac's primordial folk/improv ooze, Sandro Perri has put a futureactive spin on his music, with the tunes on last year's Impossible Spaces album vibrating with subtle but undeniable grooves. Live, his band pushes this even further into extended polyrhythmic bliss. I don't know Brazilian-born singer/percussionist/bandleader Aline Morales, but it sounds like this should be an inspired match with Perri — and unlike the other "x with y" music shows, this is billed with that intriguing ampersand — I don't know if that means anything, but it would be cool to see some sort of collaboration here.

Listen! Sandro Perri - Changes

Evening Hymns (Fiver)

Friday, August 17, 2012.

The sound of dusk settling in over a backcountry lake; of driving down a narrow gravel concession road in a thick, darkened forest; of families: lost, broken and cherished. Previous album Spirit Guides announced Jonas Bonnetta's sound and themes, but the new Spectral Dusk is more vibrant and more personal, mixing atmospheric abstraction and dust-level detail — in other words everything that you can see both close up and far away from a log cabin window.

Listen! Evening Hymns - Arrows

Also on hand will be Fiver, the latest project from One Hundred Dollars' Simone Schmidt. Pitched as an outlet for the sort of songs that might not easily fit into her usual projects, there's certainly an element of that at play — but there's no doubt that they're "Simone Schmidt" songs, and the stories she weaves are fully engaging whether they're backed by a full band or, as will be the case at this show, in a duo with Paul Mortimer.

Listen! Fiver - Beeton

Bry Webb (Doug Paisley)

Saturday, August 18, 2012

Ex-punk Bry Webb's Provider album impressed a lot of folks, but it's been live that he's really been shining — finding his "mature" voice against a spare, acoustic musical backdrop. This is sit-down-and-listen music, about growing up and facing sobering responsibilities. But it's also about the small victories — at the end of every hard-earned day people find some reason to believe, which is the reason Webb'll take time to remind you that he's not singin' a sad song.

Listen! Bry Webb - Ex-Punks

Webb's rootsy counterpart for the night will be troubadour Doug Paisley, a smooth-voiced craftsman who makes it seem easy with deceptively-simple songs about complex truths. His set should be one of the series' gems.

Listen! Doug Paisley - Always Say Goodbye

Closing Party

The Great Hall. Sunday August 19,2012. Doors @ 7:00 pm

The festival closes with a jam-packed night back upstairs in The Great Hall proper, with some fabulous local talent on the bill. Inspired by 90's smooth R&B, OG Melody are writing the jams to celebrate summer in our city. Tuxedo-clad Chris Cummings used to be known as Mantler but is becoming Marker Starling — but he's still guaranteeing good times with his sad-lounge Wurlitzer stylings. Chrissy Reichert's Tenderness is one of most intriguing under-the-radar projects in the city right now, her loop-based, fader-flicking music kept untethered by a rotating cast of top-flight improvisers — and coming out of the clash rough-edged but user-friendly. And sibling-rockers Rival Boys hint at rock'n'roll sophistication in a trio that leans just a bit more to "pop" than "power".

Listen! OG Melody (feat. Peet Moss) - We Can Do It

Listen! Mantler - Husbands

Listen! Tenderness - We Lay Our Broken World in Sorrow at Your Feet

Listen! Rival Boys - Mutual Feelings


Besides all of this — and, of course, all of the theatre that is the festival's original raison d'être — there are also some cool bands at the performance bar, which promises nightly "eclectic performances and happenings". I'd especially recommend you keep your eye out for the tom-waits-for-no-man stylings of Ronley Teper (Friday, August 17) and the positive revolution vibes from the conscious Abstract Random hip-hop crew (Saturday August 18).

Listen! Ronley Teper - Cornered in the Alley

Listen! Abstract Random - Mi Nah Wanna


1 I seem to recall that one reason the music series moved was the amount of time required to turn the venue over and get it ready for the musical performances after the plays had finished, leading to a series of late starts. There are plays going on in the Theatre Centre at seven on most music nights, so hopefully there's enough turnover time now incorporated into the organizers' plans.

2 Mecija is best-known for her work in Ohbijou; Adams has many projects on the go, including the fab new DIANA, and has also recently been seen backing Bonjay.

Friday, February 10, 2012

Recording: Tenderness

Artist: Tenderness

Song: We Lay Our Broken World in Sorrow at Your Feet

Recorded at The Gladstone Hotel (Melody Bar), February 9, 2012.

Tenderness - We Lay Our Broken World in Sorrow at Your Feet

Full review to follow. It's probably obvious, but I reckon it bears repeating: brokenness requires tenderness.