Showing posts with label stephanie chua. Show all posts
Showing posts with label stephanie chua. Show all posts

Thursday, April 21, 2016

Recording: Soundstreams

Artist: Soundstreams

Songs: Music for 18 Musicians (two excerpts) [composer: Steve Reich]

Recorded at Massey Hall (Steve Reich at 80), April 14, 2016.

Soundstreams - Music for 18 Musicians [excerpt 1]

Soundstreams - Music for 18 Musicians [excerpt 2]

The centrepiece of Soundscapes' season (with a series of spin-off concerts and other associated events) saw the new music ensemble upsize to a nearly sold-out Massey Hall for this celebration of American composer Steve Reich. Reich lead the evening off himself in a performance of Clapping Music (1972) with Russell Hartenberger — a most minimal act of minimalism from the sound of two sets of hands each clapping out a simple rhythm which slowly shifts for one of the players through a series of repetitions. That elemental percussive act was elaborated upon in the expansive Tehillim (1981) with a quartet of voices and further percussion adding layers of abstracted praise song.

The night's second half was given over to the epic Music for 18 Musicians (1976), a sustained rhythmic exercise in subtly-shifting textures. This performance came out at the longer end of the spectrum of performances of the piece at seventy-two minutes, which is a lot of time for the Reich Curve to rise and fall, rise and fall. Seeing this live involved grooving to the piece on two different (and sometimes contradictory) levels: the trance-inducing rhythms of the gloriously phasing pulses encouraging zone-out bliss while the fact of the performance itself constantly engaging one's attention. To the latter, it was fascinating to see how the eighteen musicians1, playing without a conductor, handled the heroic regularity that the piece demanded, through musical and physical cues as well as an elaborately-choreographed rotation system that saw musicians trade off spots (and musical duties) as the piece progressed. Fascinating and absorbing — and the piece sounded pretty good in the old house on Shuter, which can sometimes be an acoustically-underwhelming boomy room.


1 There was a fascinating mix of musicians in the ensemble, drawing from from the local New Music scene and beyond. For the record, the eighteen musicians were:

  • Lesley Bouza, voice
  • Michelle DeBoer, voice
  • Carla Huhtanen, voice
  • Laura Pudwell, voice
  • Anthony Thompson, clarinet/bass clarinet
  • Lori Freedman, clarinet/bass clarinet
  • Jesse Zubot, violin
  • David Hetherington, cello
  • Simon Docking, piano
  • Gregory Oh, piano
  • Tania Gill, piano
  • Stephanie Chua, piano
  • Ryan Scott, percussion
  • Russell Hartenberger, percussion
  • Garry Kvistad, percussion
  • Bob Becker, percussion
  • Michelle Colton, percussion
  • Haruka Fujii, percussion

Thursday, March 5, 2015

Recording: junctQín Keyboard Collective

Artist: junctQín Keyboard Collective

Song: Nocturne [composer: Jordan Nobles]

Recorded at The Tranzac – Main Hall ("Somewhere There Creative Music Festival" – Show 4), February 22, 2015.

junctQín Keyboard Collective - Nocturne

Somewhere There continued to foster a dialogue with the city's New Music community, inviting Joseph Ferretti and Stephanie Chua — two-thirds of pronounce-it-junction trio — to play a few pieces on upright and toy piano. It was a nice little sampler of the work junctQín does, including Feldman's "Piano Three Hands", works by Karlheinz Essl for piano, electronics and kalimba, some John Cage, as well as this open score piece by Vancouver's Jordan Nobles. Especially as part of an afternoon that included a lot of electroacoustic improvisations this was a welcome change of pace and a nice addition to the festival.

[Stephanie Chua will be exploring some other creative approaches to the piano in a solo Music Galley show on Saturday, March 21st with the self-explanatory title "Hands, Fists, Arms".]

Friday, October 10, 2014

Recording: junctQín keyboard collective

Artist: junctQín keyboard collective

Song: qsqsqsqsqqqqqqqqq [composer: Tristan Perich]

Recorded at Yonge-Dundas Square (INTERsection 2014), September 6, 2014.

junctQín keyboard collective - qsqsqsqsqqqqqqqqq

Read a few thoughts about the day as a whole here. Composer Tristan Perich is interested in 1-bit electronics, which he describes as "music that never has more than one bit of information being played at any given time". This has perhaps most famously manifested in his "1-bit Symphony", an electronic composition housed in a CD jewel case. This composition for electronics and three toy pianos came from the same blippy source, filling the square with tinkling toy piano clinks and electronic blurps. (And if that weren't enough, the group followed that with the non-standard mix of melodicas and air mattress pumps.)

Wednesday, April 2, 2014

Recording: Continuum Contemporary Music

Artist: Continuum Contemporary Music [Aaron Schwebel + Stephanie Chua]

Songs: La Bernardina + Ile fantasies de Joskin [composer: Josquin des Prez] / Chromatic Fundamentals [composer: Peter Adriaansz]

Recorded at Toronto Reference Library (Elizabeth Beeton Auditorium), March 17, 2014.

Continuum Contemporary Music - La Bernardina + Ile fantasies de Joskin

Continuum Contemporary Music - Chromatic Fundamentals

Continuum used its slot in the "New Music 101" series to present a stripped-down performance of a contemporary piece as well as the "quintessentially Dutch" work of 16th century Netherlandish composer Josquin des Prez. Those acted as a bit of a backgrounder to their upcoming Gaudeamus concerts, which are on tap this week at The Music Gallery, and they come in two intriguing flavours: "Deconstructed" (which links visiting Dutch musicians with an all-star crew of local improvisers, including Nicole Rampersaud, Josh Cole, Rick Sacks and Allison Cameron) and "Reconstructed" (where Continuum's ensemble and The Array Ensemble join forces with the visiting guests to play some music by some award-winning composers at Gaudeamus' Muziekweek festival).

Tuesday, May 28, 2013

Recording: junctQín keyboard collective

Artist: junctQín keyboard collective

Song: "Bullbats" + "Writing on Stone" [from Grasslands, Badlands and Spirit Sands; composer: Alex Eddington]

Recorded at Gallery 345, May 27, 2013.

junctQín keyboard collective - Bullbats + Writing on Stone

Full review to follow. As I was walking down Dundas and about to turn down Sorauren to head to this gig, I was struck by an Anser mural that has appeared since the last time I was down this way. The new triptych perhaps helped prime my mind for an evening of "firsts", mostly of new compositions receiving their debuts — and mostly of works exploring ways to get three musicians working together on a single piano. That three-in-one unity is part of the stock-in-trade for Elaine Lau, Joseph Ferretti, and Stephanie Chua, who have been playing together as junctQín (pronounced "junction") for a few years now.

The night closed with this Alex Eddington work, which was a sort of première-in-progess, as he expects this travelogue to at least double in size from the twenty-ish minutes now extant. A meditation on some personally-resonant prairie landmarks, this eschews the typical "seas of wheat" for some of the geological outcrops that offer relief, with some animal field recordings providing the interludes in between.

Monday, February 7, 2011

Recording: junctQín keyboard collective

Artist: junctQín keyboard collective

Song: Sonic Toys in Transit [excerpt]

Recorded at Miles Nidal J.C.C. (Nuit Blanche 2010), Saturday, October 2, 2010.

junctQín keyboard collective - Sonic Toys in Transit [excerpt]

My notes for this performance can be found here. This is very much a "field recording" and the quality is a little rough.