Showing posts with label Bruce Peninsula. Show all posts
Showing posts with label Bruce Peninsula. Show all posts

Friday, February 16, 2024

#mfs15 playlist: Luca Capone

MFS has turned fifteen! My introductory thoughts on this landmark can be found here, but long story short: I asked some folks from the MFS community to help me celebrate by picking some selections from the archives, and possibly sharing some thoughts or stories.

Today's list is from Luca Capone.

Hello there!
Luca Capone here, producer and host of The Night Shift, a weird and warm community radio program that airs across different cities in Canada and the US.
I had the great privilege of participating in celebrating the 6th anniversary of Mechanical Forest Sound back in 2015, and so, when Joe demanded that I participate in celebrating the 15th anniversary, I was overjoyed, but a little worried.
There's such an infinite amount of great music and musicians that Joe has supported over the years, and my mind was struggling to sift through all the possibilities.
Who would I choose? WHO!?!?? SO MUCH PRESSURE ARGGHHHHSDHASDH MY KNEES!!!!!!!!!!!!
This past Sunday, in a state of confusion, hunger and my mind still muddled as fuck, I doused a plate of my father's bbq ribs with a large amount of his friend Frank Carnevale's Mom's special chili powder, a substance that is said to possess intense psychedelic properties.
I was hoping this experience would unfog my mind, however, I was not prepared for the consequences... The combination of chili powder, plus the Italian mountain-troll crafted digestif that I had dranken previously sent me on a cosmic voyage into another dimension...... THE ALTERNATE WOODBRIDGE-X3 REALM.
It was an environment extremely similar to our own, except for slight differences.
It was there I met my alternate version, Dante Pietrangelo, who in that world, actually shared a work space with Joe Strutt's alternate: John Stratt.
They ran a communal barber shop/greasy spoon called Fiorentina Turner's.
Kind of like a combination of Vesta Lunch and Joseph's Hairstyling For Men, where musicians and artists could eat and get their hair cut for free (though, not at the same time; nobody wants clumps of their own hair in their curry rice. I know I don't!)
I explained my quandary to Dante, and invited them to peruse the Mechanical Forest Sound website (My phone still was connecting with info from my dimension).
They went way back, and coincidentally, landed on classic performances from musicians near and dear to my heart.
Even across alternate dimensions, I guess musical tastes still hit the same, and phenomenal community music archives are still essential.
I applaud Joe with everything I have, and I wish him and MFS all the best for the future.


The Owle Bird - Jewelled Beasts

Recorded at the Silver Dollar Room, June 30, 2009.

Bruce Peninsula - Steamroller

Recorded at the eye Weekly Music Tent, Word on the Street Festival, September 27, 2009.

Ohbijou - Cliff Jumps

Recorded at Third Floor Session, December 5, 2009.

Ostrich Tuning - Gender Trouble (Bodies That Matter)

Recorded at The Garrison, April 10, 2010.

Witch Prophet - Funeral For a Killer

Recorded at The Great Hall's Conversation Room (Long Winter 4.5 – Night 2), March 18, 2016.

Eiyn Sof - Heavy Low

Recorded at The Tranzac (Main Hall), June 24, 2018.


You can always click on the tags below to look for more stuff from these artists. Has there been five or so songs posted here that made an impact on you? If you'd like to get in on the action and make a list, feel free to send me an email: mechanicalforestsound@gmail.com.

Monday, October 25, 2021

Monday Roundup #41

In the absence of concert listings, my regular Monday dispatches have fallen off. After bringing some life to the blog with the "bumping into" series, I figure I should get back in the groove. I'm guessing that this will be a bit like what used to get shoved into the end of the post when I was doing listings — some bandcamp suggestions, nods to a few livestreams, and sundry community notes (email me if you have anything that needs broadcast in the latter category!). Plus maybe a look back through the MFS archives.


Video Hits:

  • "Sounds of Davenport", a huge undertaking co-ordinated by Aline Homzy, debuted online last week and remains on youtube where you should check it out. "Featuring 17 performances from 28 Toronto-based artists filmed at the Paradise Theatre, this concert is designed to highlight and support a diverse group of musicians contributing to the vitality of their community." Lots of familiar faces in that lineup, which includes (deep breath!) Kobéna Aquaa-Harrisson, Victor Bateman, Roslyn Black, Christine Bougie, Rich Brown, Chaveco, Spencer Cole, Michael Davidson, Rodney Diverlus, Peter Elkas, Nick Fraser, Tania Gill, Rebecca Hennessy, Michael Herring, Emma Hewson, Aline Homzy, Carlie Howell, Luanda Jones, Elena Kapeleris, Njo Kong Kie, Robert Alan Mackie, Aline Morales, Angelica Ne, Lydia Persaud, Andrea Ramolo, Beth Silver, Maryem Tollar, and Ernie Tollar. (Yow!)

Livestream nation:

  • Exit Points is back on Wednesday, and you can expect two sets of electronic/electroacoustic improvisation that will include some recombination of Kieran Maraj, Sally Lee, Gabrielle Couillard, Nicole Carroll aka N0izmkr, Scott Lepore, and Thispatcher (as well as community members patching in to jam after as usual.) The show will be streamed on Exit Points' Twitch channel — and you can always find all the information for the series here.

Bandcamp corner:

  • I don't know the members of Stenorette (although I bought some tapes from one of them at Sonic Boom's Cassette Store Day celebration back in 2013!) and they keep a pretty low profile, but the pair have just completed the release cycle of a trio of new releases in a series entitled [INV]. With a satisfyingly murky take on drone music, "[t]heir sounds are created using various tapes, vinyl, found sound, and heavily processed guitar. All work is 100% improvised and every session is recorded live to cassette."

It happened this week...

  • ...on October 28, 2010 at The Horseshoe Tavern.

Bruce Peninsula - Open Flame

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]

Monday, August 9, 2021

Monday Roundup #30

In the absence of concert listings, my regular Monday dispatches have fallen off. After bringing some life to the blog with the "bumping into" series, I figure I should get back in the groove. I'm guessing that this will be a bit like what used to get shoved into the end of the post when I was doing listings — some bandcamp suggestions, nods to a few livestreams, and sundry community notes (email me if you have anything that needs broadcast in the latter category!). Plus maybe a look back through the MFS archives.


Livestream nation:

  • The main event for this week (and beyond!) is definitely the Habari Africa Virtual Festival, which is presenting no less than ten nights of double-feature concerts, starting this Friday (August 13th). Mixing old hands and new faces in a pan-African party of classic and futuristic sounds, join in on their youtube channel every night at 8. Performing artists include (take a deep breath here!) Mamy Kanouté, Della Hayes & Women of Colour Band, Lorraine Klaasen, Joyce N’sana, EMDE, Mariaa Siga, Mighty Popo, Lionel Kizaba, Naxx Bitota, Kora Trio, The Black Stars, Adama Daou, Blandine, Dieufaite Charles, Donné Roberts, Alpha Rhythm Roots, Gloria Gift Nankunda, Garmi Mint Abba, Donald Dogbo and IZimba Arts — an incredible offering, so do make the effort to dip in, dance along, and make some discoveries.

It happened this week...

  • ...on August 11, 2011 at Lower Ossington Theatre (Summerworks Festival).

Bruce Peninsula - In Your Light

  • ...on August 10, 2012 at The Theatre Centre (SummerWorks Music Series)

The Magic - No Sound

P.S.: these memories of Summerworks' classic music series remind me to mention that in these uncertain times the festival is featuring "free, public-facing programming across multiple platforms throughout the month of August", which you can check out here.

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]

Saturday, September 10, 2016

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: Why Can't I*

Recorded at Artscape Gibraltar Point (Camp Wavelength), August 21, 2016.

Bruce Peninsula - Why Can't I

Following and expanding on the template of last year's successful festival, Wavelength returned to the island with a meticulously-executed event that included an exciting range of music and a beach full of art beside festival headliner Lake Ontario. It also managed to be a stress-reducing rather than a stress-inducing time — rather like a weekend at the cottage, even if the city was just out of view.

As a new album creeps slowly closer, Bruce Peninsula focused on their newer tunes, including this smouldering soul number lead by Misha Bower. In true BP style, though this is all slow-dance elegance at the start, some sonic complications sneak up on you by the time it ends.

* Subject to confirmation — I do believe this was the title as called out from the stage.

Wednesday, November 26, 2014

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: Praying at the Feet of Your Love

Recorded at SPK Polish Combatants Hall ("Wavelength 620"), October 3, 2014.

Bruce Peninsula - Praying at the Feet of Your Love

Like Del Bel before them, Bruce Peninsula are gearing back into active status after time spent on various side-projects and life-endeavors. The seeds of a new album have been planted, but so far, only this song was deemed ready for public consumption. It leans a bit more towards the band's AOR side than their folk one — perhaps coming from the same impetus that had them cover Fleetwood Mac's "The Chain" the previous time they played this room, when they released their first album back in '09.

Recording: Del Bel

Artist: Del Bel (feat. Bruce Peninsula)

Song: Sails of Gold

Recorded at SPK Polish Combatants Hall ("Wavelength 620"), October 3, 2014.

Del Bel - unknown

Though it's said that absence makes the heart grow fonder, Del Bel's return from a mini-hiatus was greeted with chatty indifference from the bulk of the crowd at this show. Their loss, as the band brought a whole bunch of tasty new material from their forthcoming sophomore album. Like the older stuff, it's metaphorically pitched somewhere between Lisa Conway's shy sorry-for-not-making-eye-contact demeanour and Ty Belluz's audacious belt buckle — slyly funky and subtly surging. A couple of the songs, including this one, featured several members of Bruce Peninsula on backing vocals.

Tuesday, April 16, 2013

Recording: Bruce Peninsula Trio/Neil Haverty

Artist: Bruce Peninsula Trio feat. Neil Haverty

Song: All Known Giants

Recorded at The Monarch Tavern, April 15, 2013.

Bruce Peninsula Trio - All Known Giants

Full review to follow. As the Bruce Peninsula Trio, Matt Cully, Misha Bower and Neil Haverty strip down some of the full band's songs down to their cores — but they also each take a turn or two at stepping up to the mic to play songs from their own "solo" endeavours. Here, Neil Haverty is backed by Bower's voice on one of his new compositions.

Friday, October 12, 2012

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: Salesman

Recorded at The Great Hall (Front Room) – Music For Uninvited Guests launch party, October 11, 2012.

Bruce Peninsula - Salesman

Full review to follow. As part of the celebration of Misha Bower's new book of short stories, Bruce Peninsula played a stripped-down set, reconfigured to place her at the centre of the action.

Reading: Misha Bower

Author: Misha Bower

Story: Naked Women

Recorded at The Great Hall (Front Room) – Music For Uninvited Guests launch party, October 11, 2012.

Misha Bower - Naked Women

Full review to follow. Misha Bower did a couple readings to celebrate the release of her new book of short stories. If you grab yourself a copy now you'll get a complimentary digital mixtape which includes a brand new track that she did with fellow BP'er Matt Cully.

Sunday, September 23, 2012

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: Say Yeah

Recorded at The Junction Music Festival, September 22, 2012.

Bruce Peninsula - Say Yeah

Full review to follow. Dundas and Keele, with its small-town mainstreet feel, was full of life on this night for the Junction Music Festival. I don't get out that way as much as I might, but every time I do, I rather dig it, so it's nice to have more things pulling me out there. In honour of the neighbourhood, this song is presented in slightly-gritty street-fi.

Friday, May 25, 2012

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Songs: 2nd 4th World War / Satisfied

Recorded at The Great Hall, May 24, 2012.

Bruce Peninsula - 2nd 4th World War / Satisfied

Full review to follow. No longer promoting the newness of last year's Open Flames, Bruce Peninsula (out in full force, eleven members deep for their first hometown show in quite a while) reached back to reclaim a few songs from their debut album.

Wednesday, March 14, 2012

1000 Songs: Zaid Khan

1000 Songs: Zaid Khan

I have now posted one thousand songs from my live recordings to this blog. My introductory thoughts on that landmark can be found here, but long story short: I asked some folks to pick some of their favourites to help me celebrate.

If it's a truism that the internet flattens things like geography in favour of other affinities, then it's no surprise that I crossed virtual paths with Ottawa's Zaid Khan, who goes to see a lot of the same bands I like, and has helped document some of them on his youtube channel.


Braids - In Kind

This is a new song that they've been playing live. I saw them exit with this at NXNE and it was one of those "whoa" moments.

Bruce Peninsula - Adrenaline

This was recorded at their record release show at Lee's Palace probably to the largest crowd they've seen. And it was the first time they played this song live, and boy how befitting does it sound. The crowd reaction is something, but what's more interesting is the band's commenting on their own satisfaction. Have a listen to the closing statements for yourself.

The D'Urbervilles - Cito G/Boys To Men

As it stands right now, we have no idea if Matters, the mutation of D'Urbervilles, still has plans to release their old-new record. If it remains unavailable, then no doubt: this would be one of the best albums the general public never got to hear. Apparently this one-two punch that they'd open the show with is also the album opener.

Minotaurs - Runaway Lane

Simply a beautiful well-constructed songs, and a personal favourite. I actually enjoy how the band overpowers the recording.

Snowblink and Friends - Crabapples/Satisfied

Not only do I have a deep love of the band Bruce Peninsula, but I also have an enormous amount of respect for the individuals in the band, as they have continuously treated me like a long-time friend even though I've only come to know them over the last few years. So when news came of frontman Neil Haverty's leukemia diagnosis I was deeply saddened. I was this close to coming to this tribute show from Ottawa just to support the cause. My plans didn't work out, but Joe managed to capture what seems to have been a truly moving moment, and one of the most brilliant inter-band interpretations of these two songs.


You can always click on the tags below to read more about the shows these songs came from. Have there been four or five songs posted here that made an impact on you? If you'd like to get in on the action and make a list, feel free to send me an email: mechanicalforestsound@gmail.com.

Friday, October 28, 2011

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: Adrenaline

Recorded at Lee's Palace, October 27, 2011.

Bruce Peninsula - Adrenaline

Full review to follow. A raucous show to celebrate the release of BP's Open Flames.

Word from the stage was that if you'd like to have a close-up + stripped-down encounter with the band, you should circle November 16th on your calendar and head down to The Dakota Tavern.

Tuesday, October 4, 2011

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: The Leaves

Recorded at Soundscapes, October 4, 2011.

Bruce Peninsula - The Leaves

Review to follow. Open Flames took a longer journey to fruition than anticipated, but life's like that most of the time. Sounds like it was worth the wait, so be sure to check them out when BP come to your town soon.

Monday, August 15, 2011

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: In Your Light

Recorded at Lower Ossington Theatre (SummerWorks Festival), August 11, 2011.

Bruce Peninsula - In Your Light

My notes for this show can be found here.

Currente calamo: SummerWorks Festival 2011 (Music Series)

SummerWorks Festival 2011 — Music Series

While it's all fresh in my mind, a few notes from the SummerWorks Festival. Longer, more comprehensive reviews will follow down the road a piece.

I managed to make it to four of the six shows in the Music Series. Logistically, everything went very well — pretty much on time and with nice, quick changeovers. And good-sized crowds as well.

Hooded Fang / Steven McKay

Friday, August 5, 2011

A stripped-down lineup for Steven McKay compared to what I had seen before, with McKay backed only by Bram Gielen (stand-up bass) and Thomas Gill (guitar). The suit-wearing McKay (he'd dashed over to the show from a wedding reception) also mixed things up in his setlist, which focused less on his album. There was some older stuff (like the amusing "Immersion Jerks") and a couple brand new songs. An amusing presence as always, the crowd sat down for this one, laughed at McKay's banter and joined in for a couple crowd participation moments. Low-key but engaging stuff.

Like a lot of people, I was pretty eager to hear Hooded Fang attack some of the rocked-up material from their ace new Tosta Mista EP. But I was also curious to see how they'd integrate that with their older material. Unsurprisingly, in the end, it all meshed together pretty well. Leading off with a couple Album cuts, a frenzied version of "Promise Land" was the entry point to the newer stuff. Little details — like more glockenspiel on the new songs then you hear on the album — tied it all together. Ultimately it all found unity as a big dance explosion. And to cap it off, the band finished the night with a brand new song. Not the most polished performance I'd ever seen from the band, but one of the most fun.

Great Bloomers / House League

Wednesday, August 10, 2011

An interesting case. Given this grouping's pedigree, I was thinking we would be getting something along the lines of what we had seen from the versions of the OOTS Family band that had come together at various Out of This Spark-related events. This, however, turned out to be something more like a real band — even if this turns out to be their only gig. The brainchild of Matters/Forest City Lovers guitarist Tim Bruton, the band actually presented a handful of songs that he had written for the occasion. They were voiced by Evening Hymns' Jonas Bonnetta and the band was filled out with the rhythm section of Kyle Donnelly (Forest City Lovers) and Paul Weadick. The originals were solid guitar rockers, and they were joined by a couple covers, including an amped-up version of an Evening Hymns song and a lovingly-reverential take of The Flashing Lights' "Highschool".

Word is that Bruton is heading out of town to further his education. The enthusiasm he brings to the bands he plays with will be missed, but hopefully we'll still get a change to hear him play.

Listen to a song from this set here.

Taking the stage, three of the five members of Great Bloomers were wearing plaid, and "35 plaid" is actually a pretty apt description of the band's sound. Lowell Sostomi's band has a pop feel welded to a rootsy frame, which creates a fairly wide terrain in which they can work. In the past, I've found Sostomi more convincing in more stripped-down formats than as a rocker, and though this was a generally agreeable set, it didn't cause me to alter my overall impression. Still, there were some pleasingly jaunty moments, like in closer "Speak of Trouble". Bolstering the band's poppier side, a few songs included a pair of female backing vocalists, and the band closed with a Fleetwood Mac cover. There was also some new material in the mix, looking ahead to the band's forthcoming album.

Bruce Peninsula / Jennifer Castle

Thursday, August 11, 2011

A different look in The Lower Ossington Theatre on this night, with the stage reduced to a small riser for the drumkit. That left a string of gear for the headliner stretching across the length of the room, with chalked-on flames licking out to the space where the audience was sitting on the floor for a quiet set from Jennifer Castle. Playing solo with guitar, Castle's set rambled around her songbook — while featuring a fair amount from this year's excellent Castlemusic album, there were some excursions beyond that. The set led off with "For My Friends" (from '08's You Can't Take Anyone) and there was also a gripping unaccompanied run through that album's "One Two Three", only Castle's voice and the hum of the a/c audible in the room. Castle still has a propensity to segue from song to song without pausing, but there are more breaks than there used to be for the crowd to take a breath. Castle's solo music is trance-inducing in the best way, though that might well mean that for some listeners there'd be a lack of dynamics over a half-hour. But an admirable set, as far as I'm concerned.

I hadn't seen Bruce Peninsula's return to live duty at NXNE1, so I was glad to have a chance to see the band back in action. Vocalist Misha Bower, who had missed that show, was back in the fold and was the night's most enthusiastic banterer, spinning out a set-long metaphor comparing creating music to baking a cake. Stretched out across the length of the room, there was a considerable distance between guitarist Matt Cully at one end to the choir at the other.

Unsurprisingly, there was a lot here from the band's forthcoming sophomore album Open Flames (being released on the Hand Drawn Dracula imprint on October 4, 2011). Some of the songs have been around for long enough to be familiar, but there was still a lot to discover in them, like the nimble guitar tripping along during "In Your Light". And any worries that vocalist Neil Haverty would be performing with less vigour after returning from some health issues were largely put to rest during "Crabapples", where, although he didn't run through the crowd while belting out the lyrics, he did dive into it a bit before dashing backstage to grab a bundle of streamers to brandish as the song finished. It all sounded pretty good — the band should be in fine form right off the bat when they hit the road to support the new album.

Listen to a song from this set here.

Miracle Fortress / Ruby Coast

Friday, August 12, 2011

Friday night, and a slightly different crowd on hand, skewing a little younger. It looked like openers Ruby Coast have a bit of drawing power, as there were a fair number of people trying to get up close to the band. I'd seen the band before, and though I recognize they're pretty good at their version of contemporary yelp-pop (shades of Tokyo Police Club/Born Ruffians), that's not particularly my thing. That said, as the band stretched out on their first number and dared to get a little groovy, I was finding it enjoyable enough. There were a few brand-new songs in the set, and the fact that I found a couple of them to be the best things they played augers well.

I had seen Miracle Fortress back in March, when the songs (and sound) of Was I the Wave? were an unfamiliar surprise. This time around, mainman Graham Van Pelt brought a pretty similar show, but it came off quite differently in front of a more knowledgeable audience. One thing that remains a constant is Van Pelt's apparent dislike for traditional stage lighting — working in near darkness, he had just a single spot below him (creating some dramatic shadows on the wall behind him), his bank of coloured lights and his laser projector, zapping red and green shapes on the back of the room.

Van Pelt plays to backing tracks, adding keyb and guit parts as necessary and backed by a live drummer. The drummer feels musically superfluous at times, merely doubling up on the programmed beats, but it does add an appealing visual element to the show. Regardless of the means of production, however, Van Pelt is creating something pretty compelling on stage. In fact, I was pulled into the sound enough that when he returned for an encore to play "Next Train" (from 2007's Five Roses), it actually sounded a little spare.

All in all, a pretty good time. Once again, a massive amount of appreciation has to be extended towards series programmer Lauren Schreiber, whose work continually enriches this city. And kudos to the festival for again bringing together different branches of "indie" culture.


1 That show was, however, recorded by CBC radio, and can be listened to here.

Thursday, August 4, 2011

Preview: SummerWorks Festival 2011

The SummerWorks Theatre Festival — Music Series

All shows are at The Lower Ossington Theatre (100A Ossington). All opener/headliner sets are at 10:30 p.m. / 11:45 p.m.

Now a summer tradition in its fourth year, the musical component of the SummerWorks Festival continues to shine a light on cool, mostly local bands. This year, the Music Series has been curated by the awesome Lauren Schreiber, who puts on concerts under the No Shame banner. That should be enough to let you guess that there will be plenty of intelligent pop with a high probability of dancing — and looking over the bands she's lined up, that looks to be about exactly right.1 The shows are a reasonable ten bucks and take place in the comfortable space at The Lower Ossington Theatre, a venue where both those-who-want-to-sit and those-who-prefer-to-stand can be accommodated. You'd do well to check out any of these shows, but if you're wanting to learn more about the bands, I've reached back to some of my past live reviews to give you a hint of what to expect — and some live samples, too.

Hooded Fang / Steven McKay

Friday, August 5, 2011

Hooded Fang have been delighting local crowds with their catchy, sunny pop for a couple years now, so some were taken by surprise when they torqued their approach on their recent Tosta Mista EP to foreground a tougher, scrappy beat group-inspired sound. It's still good to dance to, and the band will almost certainly be excited to show off more of their new tunes in a live setting.

Listen! Hooded Fang - Almost Done

Steven McKay, backed by a rotating cast of friends, is becoming known on his own merits, and not just as the drummer for Bruce Peninsula. His unassuming manner goes well with his songs, which are earnest little creations. Handled wrongly, they could have a fatal lack of pretense — songs about the quotidian pleasures of doing the dishes can easily be as dull as, well, doing the dishes — but the arrangements and musical collaboration are what makes this memorable. It might sound underwhelming, but if slow and steady wins the race, he'd surely take first place.

Listen! Steven McKay - Emma Comes Home

Bonjay / Lioness

Saturday, August 6, 2011

Gathering together different crowds is a by-product of the fact that Bonjay singer Alanna Stuart and sound provider Pho aren't interested in limiting themselves too much. This was proven on their EP Broughtupsy, which manages to straddle several divides. Founded in a fusion of dancefloor and dancehall, Bonjay have moved it to the next level with their ability to craft songs fortified by a lot of other pop influences that work just as well on headphones as sound systems. Their live energy has been boosted lately with the addition of a drummer, and the whole package is tied together by Stuart's glorious vox. Be prepared to sweat.

Listen! Bonjay - Frawdulent

Lioness is fronted by Vanessa Fischer (ex-No Dynamics) along with the ex-controller.controller rhythm section of Jeff Scheven and Ronnie Morris. The band's sound is an aggressively soulful death disco laced with bass-heavy maximalist reverberations that work like subliminal dancefloor invocations.

Listen! Lioness - You're My Heart

Great Bloomers / House League

Wednesday, August 10, 2011

Great Bloomers, fronted by talented craftsman Lowell Sostomi have slowly been winning me over. Working at the poppier end of the roots-rock spectrum, the band is reving up after a period of lying low — expect some new material in their set.

Listen! Great Bloomers - Dark Horse

What we'll be hearing from House League, meanwhile, is mostly unknown right now, but the mystery comes with the sweet tang of anticipation. Listed as a supergroup "featuring members of Evening Hymns, Forest City Lovers, Matters, and The Magic", we can conclude that this is a new name for the "family band" that has played a few times at celebrations put on by local label Out of This Spark. In the past this has involved both reinterpretations of the members' own songs as well as some goofy-fun cover band action. Whatever we get from this set should be a pretty cool time.

Bruce Peninsula / Jennifer Castle

Thursday, August 11, 2011

Bruce Peninsula should be in a celebratory mood for their show. After taking off the first half of the year while vocalist/guitarist Neil Haverty was treated for leukemia, the band is finally gearing up to release their second album Open Flames. There should be a lot of good vibes as the band raises their voices on their new folk-inspired tunes. This will be one of the most-anticipated sets in the music series, so grab your ticket ASAP.

Listen! Bruce Peninsula - Open Flame

Meanwhile, the excitement for that shouldn't be allowed to eclipse opener Jennifer Castle's set. Following on the excellent Castlemusic album (released earlier this year), Castle is on a creative tear right now, her haunting, hazy songs animated by her blues-y guitar styles and expressive vocals.

Listen! Jennifer Castle - Poor as Him

Miracle Fortress / Ruby Coast

Friday, August 12, 2011

When Graham Van Pelt returned with his Miracle Fortress earlier this year, some were surprised with his new sound, sporting a strong Talking Heads vibe and an 80's DOR undercarriage. But it was actually something that had been foreshadowed when he played SummerWorks back in aught-and-nine. I'm expecting a rabid crowd out for his return to the festival.

Listen! Miracle Fortress - Everything Works

Meanwhile, the scrappy Ruby Coast, purveyors of Tokyo Police Club-esque pop, will be making themselves heard as well.

Green Go / Powers

Saturday, August 13, 2011

It's been awhile since we've heard much from Green Go, but word is that a new album (following up 2009's Borders) is in the works. So expect some new songs constructed with a stripped-down, dance-floor chant sensibility. Bring your dancing shoes.

Listen! Green Go - Brains for Breakfast

Powers were formed out of the ashes of The Ghost is Dancing, and admittedly haven't yet impressed me any more in their new incarnation than they did in their previous one. This unit is at least admirably stripped-down and focused, providing a blacklight dance party, though they have something of a propensity for overreaching for epic grandeur. But with two keyboard players, they're a rhythmically intensive crew who can get a crowd dancing.


Besides all of this, don't forget the Festival's Opening Party, taking place today (Thursday, August 4, 2011) in the MOCCA/Edward Day Gallery Courtyard. It's free and there'll be performances by The Elwins, Modern Superstitions, Light Fires and others. And also also, don't forget that besides all of this, there's the main theatre component, with a lot of shows worth investigating. (Me, I think I'll check out the one about Hannah Arendt and Martin Heidegger.) And don't forget to support the festival, which seems to be the victim of some fairly craven political interference with arts funding.


1 You can check out more info on all the bands from Lauren if you dig through the SummerWorks blog — look for the posts called "I Love This Band, and You Should Too".

Wednesday, July 27, 2011

Recording: Snowblink

Artist: Snowblink and Friends

Song: Crabapples/Satisfied [Bruce Peninsula covers]

Recorded at "The C is for Cure" benefit (matinée), The Music Gallery. Saturday, January 29, 2011.

Snowblink and Friends - Crabapples/Satisfied

My notes for this set can be found here. N.B.: there is a bit of an audible hum in this recording, loudest at at the start. It's a notch below my usual standard, but I felt like the performance merited my sharing it regardless.

Benefit: The C is for Cure (matinée)

The C is for Cure (matinée) (feat. Snowblink / Kith & Kin / The Deeep / Steven McKay)

The Music Gallery. Saturday, January 29, 2011.

This was, first and foremost, a concert that no-one wished was necessary. The sudden and shocking christmastime news that Bruce Peninsula vocalist/guitarist Neil Haverty had been diagnosed with leukemia felt like a blow — considering the vitality with which he always conducted himself it was a sobering moment of mortality even for anyone who knew him only as a fan. So I could only imagine the how it must have felt for his family, friends and bandmates. Besides playing alongside Haverty in Bruce Peninsula, Matt Cully was also his room-mate, a closeness which galvanized into putting together this day-long pair of shows as a fundraiser. The ticketed evening show would be more of a regular concert, pulling in some big-name friends, but the matinée was more of a friends-and-family affair.

It was also pretty rigourously all-ages, with babies and elders mixing in much greater numbers than you would normally find at a show. In fact, as I entered through the Fellowship Room, I was surprised at the robust turnout for a daytime gig. Two walls of the room were taken up with tables filled with food and crafts, all being sold as part of the fundraising effort, and the event very much had the feeling of an extended family gathering. There was even a poster-sized open letter from Haverty, explaining that because of his treatment schedule he wasn't able to be present, but expressing his thankfulness at the support he had received.

Heading into the sanctuary, I found the pews to be fairly full as well. It turned out I had missed Lake Vernon Drowning who had opened things up, but I did manage to catch most of Steven McKay's set.

I suspect that the Bruce Peninsula drummer is not a wild man of rock'n'roll, given how his solo songs tend to celebrate small domestic pleasures — sentiments like "we all need more soup on Sundays / we all need more movie nights" are not the stuff of outré hedonism. "Emma Comes Home", another one of those small-pleasures songs describing his joy in anticipating his wife returning from a trip, had the crowd clapping along to the song's coda.

Friendship is another value quietly appreciated in his songs, and "Andy's House" (about teenaged hanging out) even passingly celebrated the day's hero: "Boyce and Neil / sex appeal / is really rare."

"We weren't sexy guys," McKay explained in reference to that line. But he managed to raise some knowing laughs in the room when he told how Haverty had misheard the line as the more flattering "voice of Neil / sex appeal / is really rare" — so as a tribute, the band sang it that way.

As was the case with every time I'd seen McKay play, there was a slightly-shuffled lineup of friends playing alongside him. The most essential of which were stalwart backing vocalists Allie Hughes and Alex Samaras, both extraordinary singers who embroidered McKay's more basic baritone. Alongside them were Samir Khan on bass and Thomas Gill on guitar, neither of whom I'd seen backing McKay before, but their presence was no surprise given their participation in some other overlapping projects.

Given that McKay's songs could be as reliable (or dull) as the everydayness of his subjects, it's a testament to the power of the musicians that he plays with that they instead evoke the quiet magic of shared moments. The accompaniment (and especially the soaring vocals) led one habitué of the Music Gallery to comment to me afterwards that this might have been one of the best-sounding sets ever to rise to the Music Gallery's churchy rafters.

Listen to a track from this set here.

The middle act of the afternoon was sonically the odd band out, but The Deeep are still well within the same orbit of friends and musical collaborators as the rest of the performers.1 Echoing their earlier performance in the Music Gallery's courtyard, they once again brought a backdrop to put behind them on stage. But in the half-year since, the trio of musicians have come to sound a lot less like a project and more like a band. Souping up their sound, Wolfgang Nessel now had a bass, along with his array of samplers and other sonic toys, while Victoria Cheong was more tightly integrated as a part of the musical soundscape. Both worked in quilting together a patchwork of warm raggamuffin drones to serve as the palatte upon which Isla Craig — another in a string of astounding singers connecting the day's bands — could loop and layer her vocals.

As the mix of one-bar reggae loop, soaring synth line and looped vocals built up, a few of the older crowd members headed out to the Fellowship Room. Those that remained mostly leaned back and soaked up the grooves, three extended tracks, with statement-of-purpose and 12" single track "Mudd" sprawling out at the centre of it all.

Matt Cully, who had also been acting as the day's MC, ended his introduction of Kith & Kin by making a special appeal for quiet. Given that the trio's music is mostly a capella, any competing noise would definitely stand out. Composed of Bruce Peninsula's Ivy Mairi joined by the mother/daughter team of Kathleen McDonnell and Martha Farquhar-McDonnell, Kith & Kin play songs from the folk tradition. Some, like "Morning Tears", have passed through hands like Appalachian singer Jean Ritchie.

With all the tricks and noises that technology can bring to bear, I'm sometimes taken aback at how unadorned human voices added together can effortlessly create complicated structures of striking beauty, such as when the trio overlapped in and out of the round of an old Shaker work song, or a chillingly-beautiful version of the old sea shanty "Grey Funnel Line". Stunning stuff. For variety, there was one song accompanied by a hundred-year-old banjo, as well as a single original composition that saw Isla Craig return to the stage to duet with Mairi.

The group usually performs at christmastime, so this one involved finding a few new tunes for their repertoire. I'm as secular and un-xmas-y as they come, but after this I could easily see myself joining them at their next Wassail.

That set was followed by an emotional gathering on stage, as Neil Haverty's family passed along Neil's thanks as well as their own gratitude for the support they'd received. That set the stage for the matinée's finale, another band based around a radiant voice. Snowblink is an excellent band inasmuch as pretty much every time I see them I'm struck anew by how good they are. That's certainly a function of Daniela Gesundheit's vocals2, but it also reflects how her and musical partner Dan Goldman are continually striving to surround her voice with new arrangements. Here. the band led off with signature song "Rut & Nuzzle", as usual with some bells handed to out the crowd jangling along plus, for added audience participation, a well-timed crying baby joining in at just the right time.

They kept the focus off themselves in a quick set, playing just three songs before Gesundheit called up members of Bruce Peninsula "past, present and future" and spread them out along the stage. She led them in a slow, simmering version of Bruce Peninsula's "Crabapples" and "Satisfied". The song was mournful and filled with sad longing rather than the urgent energy of Neil Haverty shouting how he had never been satisfied. In fact, comparing this to my memory of Haverty running past me from the stage and dashing around through the crowd in this very same venue was a potent blow, and definitely the emotional climax of the whole day.

Listen to a track from this set here.

After that, a bit of a break was welcome as the crowd cleared out, allowing a whole other set of bands to prepare for the evening concert.


1 The extra "e" is for "extra friendship".

2 Daniela Gesundheit is a long-standing member of Bruce Peninsula's choir.

Tuesday, March 8, 2011

Recording: Bruce Peninsula

Artist: Bruce Peninsula

Song: Open Flame

Recorded at The Horseshoe, October 28, 2010.

Bruce Peninsula - Open Flame

My notes for this set can be found here.