Artist: Labyrinth Ensemble (II) [Araz Salek, Amely Zhou, Yang Chen]
Song: [edited excerpt]
Recorded at The Music Gallery (X Avant XVI – Night 3), October 16, 2021.
Labyrinth Ensemble (II) - [edited excerpt]
The Music Gallery's annual X Avant Festival felt like a return and a renewal in all the right ways. Although these weren't the first events presented by new-ish Artistic Director Sanjeet Takhar, they were the first ones in person, with performers and audience sharing space — a long-awaited return from all sides. Each of the nights played off the festival theme "You in Mind", looking for ways to amplify and support the overlapping communities being drawn together. Day Three ("Process") was "dedicated to the global thread of sustained tone as a healing modality" — by way of an eight-hour drone zone, letting the audience lay back on 918 Bathurst's sanctuary floor and watch projections planetarium-style on the high-arched ceiling.
The day was bookended by a pair of trios drawn from the larger Labyrinth Ensemble, joining musicians of different backgrounds together in deepening their understanding of modal traditions. This final grouping saw Labyrinth's Artistic Director Araz Salek (tar) joined by Amely Zhou (erhu) and Yang Chen (percussion). (The latter was a special delight, especially in the overlapping transition from the previous set that saw a two-note synth pattern matched by bowed vibraphone tones.) This was a quiet set to ease out the long day's droning (because of which my recording is accordingly a little lo-fi, by the way), and perhaps the most formally meticulous — exploring small incremental changes within a rigourous rhythmic framework. A reminder that "drone", so casually used as a catch-all musical category, has deep, deep roots in many musical traditions, based on centuries of joyful experimentation in how to keep humans entranced.
No comments:
Post a Comment