Showing posts with label clarinet panic deluxx. Show all posts
Showing posts with label clarinet panic deluxx. Show all posts

Monday, April 26, 2021

Monday Roundup #15

In the absence of concert listings, my regular Monday dispatches have fallen off. After bringing some life to the blog with the "bumping into" series, I figure I should get back in the groove. I'm guessing that this will be a bit like what used to get shoved into the end of the post when I was doing listings — some bandcamp suggestions, nods to a few livestreams, and sundry community notes (email me if you have anything that needs broadcast in the latter category!). Plus maybe a look back through the MFS archives.


Livestream nation:

  • Tonight (Monday, April 26th) Vannessa Barnier will be launching her Intricate Oscillations tape (consisting of "one-take loops, recorded non-linearly on the bass, sometimes featuring a Volca Beats synth.") with guest performances from Sen Cajlm and Del Stephen's Today Versions. (free show, register for zoom link!)

Bandcamp corner:

  • Speaking of people I miss seeing at The Tranzac, guitarist Dan Pitt has launched Wrongs, a new album from his quintet with musical contributions from Naomi McCarroll-Butler, Patrick Smith, Alex Fournier and Nick Fraser. Great playing and some really sharp compositions here.

It happened this week...

  • ... on April 27, 2012 at Sneaky Dee's.

Steamboat - Chains

  • ...on April 27, 2014 at Oz Studios.

Clarinet Panic Deluxx - De-troit

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]

Wednesday, October 9, 2019

Recording: Clarinet Panic

Artist: Clarinet Panic

Song: Hard Dads [excerpt]

Recorded at Pioneer Village Station (Intersection Day 1: Music For Subways), August 29, 2019.

Clarinet Panic - Hard Dads [excerpt]

A couple years back, Intersection made its first step into presenting creative sounds in unconventional environments. This sequel moved from the core to the end of the line, exchanging a jam-packed greenhouse for plenty elbow room in the city's newest subway stations. Skipping over the hurly-burly of York University, the travelling concert moved on to the very edge of the city. At Pioneer Village Station (whose sprawling, station-spanning half-million dollar interactive art installation has never been turned on) the mezzanine level above the trains has a large open area that's quite perfect for throwing a concert in — in a better world there'd be a band playing there every night.

Perhaps in tribute to the subway system's buskers, this section of the venerable "Hard Dads" had D. Alex Meeks and the other members of the ensemble flicking coins on the floor. Meanwhile, this "reduxx" phase of the Clarinet Panic's existence is seeing the project become a bit less of a "band" and more of an "ensemble" that can plug in different performers to tweak the pieces in various ways — this set saw saxophonists Olivia Shortt and Naomi McCarroll-Butler joining the core quintet, first beside them on the floor, then playing their way to the upper level, dramatically overlooking the players and audience assembled below.

Wednesday, January 2, 2019

Recording: Clarinet Panic Redux

Artist: Clarinet Panic Redux

Song: Hard Dads [first section]*

Recorded at Burdock Music Hall, November 13, 2018.

Clarinet Panic Redux - Hard Dads [first section]

A second returning for the reactivated Clarinet Panic crew. Once more, I believe here they're fulfilling some past eschatological promises and expanding/re-working old material. This prelude to a suite is based more on the concept of gratuitous fluidity than most of Cory Harper-Latkovich's explosively-tricky note-filled pieces for the band.

* Thanks to Cory for confirming the title to this one!

Thursday, July 26, 2018

Recording: Clarinet Panic Redux

Artist: Clarinet Panic Redux

Song: R.W. [excerpt]*

Recorded at The Baby G (TONE Festival and Mechanical Forest Sound present), June 3, 2018.

Clarinet Panic Redux - R.W. [excerpt]

It was a real honour to have a chance to co-present a show leading off the second incarnation of the wonderful TONE Festival. Even if there can be unexpected shifts in a lineup from planning to execution, I was very excited with the night that came together. The heart of this show was this reunion set from Clarinet Panic, reactivating on a planetary alignment that had all four members in the same city for long enough to get a grip on Cory Harper-Latkovich's quick-shifting chamber-prog. Hearing the velocity and intensity of this music again was a reminder of how much more "rock" it is than most "new music" — especially with saxophonist Karen Ng finding the same fast-squawking tone used by Linsey Wellman in art-punks FET.NAT.

[Rumours are rumbling underfoot about strange extensions of Clarinet Panic's reunion — keep an eye out for some interesting forthcoming news!]

* So far as I can tell, this set-long piece is an extended redux of this older composition, though I don't know for sure if it still bears the same name.

Friday, March 6, 2015

Recording: Imaginary Flesh

Artist: Imaginary Flesh

Song: Tau Ceti f

Recorded at The Tranzac – Main Hall ("Somewhere There Creative Music Festival" – Show 5), February 22, 2015.

Imaginary Flesh - Tau Ceti f

Cedrixx Ten-Lui Caplan felt different. Seven haab out of Xi Boötis on this third-rate cargo transport, and that much longer to go before making planetfall, the ship felt a little smaller every cycle. When he'd signed on, Cedrixx hadn't been told that the crew were mostly Beta Kapteynoids — and they kept to their own kind, spending their hours off worktime huddled over their hyperpolytopes in their incomprehensible gambling matches, giving him cut-eye koolik glances when he passed them by.

Left to his own devices, Cedrixx tried to keep his nose clean, watching all the visies in the ship's library and exercising in the molby hammocks, but by this stage of the voyage, he was bored. He'd even taken to popping cincomeodimeths off-shift, but after he tried to disable a leak in a hallucinatory bulkhead, he'd been given an adminwarn — and given that the 2i/c was a real dzuuy-taat, another one could cost him a whole quarter-tzolkin's wages.

Exasperated, Cedrixx found himself hanging out with the quartermaster, an otherwise repulsive Proteidaen who kept an illegal still and had access to a variety of mildly illicit products. After spending nearly a full haab winning the quartermaster's friendship, he offered Cedrixx a beat-up old eroholodizer, explaining that he had lovingly restored it himself.

"The gropies?" Cedrixx asked. "Do you think I've sunk that low?"

The quartermaster croaked noncommittally and threw in some holotapes to seal the deal.

Cedrixx was unsure at first, and used the machine sparingly, feeling a little eek'hachk'as after. But it wasn't too long before he spent all his working hours reliving the scenerios, and soon he was sifting through the yáabóol-kahal looking for new holos. The quartermaster sold him a shunt through the network's sinfilters, and after fumbling around, he found a pathway to a darknet nahil with a whole datasilo of every imaginable erotosit. He even dug out his old nanowelding textbook to amp up the strength of the device's neural connectors.

Needing stronger stimulation, Cedrixx was soon trying everything he could get his hands on. The chiich-me'ex holo left him shaken for several cycles, but he was strangely attracted to the chelonaphil series he found. It went on and on, with Cedrixx drifting through each cycle, anxious during worktime, plugged into the eroholodizer otherwise when not searching for new, obscure kicks.

A tzoltik thread led him to a new datasilo in an especially dark corner of the yáabóol-kahal, and some of the wares on offer shook even Cedrixx — but he still grabbed several of them. The most innocuous of the new bunch was entitled Imaginary Flesh, and its specs demanded an even stronger boost to the neural connectors. It took two cycles to get the hardware aligned, but finally, he settled into his k'aan as he patched it in. As the visual receptors synced, a warning was scrolling by.

"What was that about irreversible effects?" Cedrixx thought to himself has he jabbed at the backscan toggle, but the holo only played on. As an abstract image began to drift into his vizfield, he felt a stabbing burst of heat and pain at the back of his skull. The neural connectors! Cedrixx tried to reach around in realspace to pull the p'ok off his head, but his arms would not respond.

Every nerve in his body seemed to be firing now, as if he were being pulled apart through obscure dimensions. His vision — no, all his senses — were hyper-acute. Something was changing, something was being shedded — as if a carapace was being pulled from his body. His ability to sense discrete ideas and objects was slipping away. As Cedrixx was pulled into unity-state, his last half-coherent word-thoughts were: give me don't give meee imaginary flessshhhhhhhh!

Saturday, January 3, 2015

Recording: Clarinet Panic Deluxx

Artist: Clarinet Panic Deluxx

Song: No Tasseomancy

Recorded at The Music Gallery ("Emergents I"), December 4, 2014.

Clarinet Panic Deluxx - No Tasseomancy

Putting a new spin on the "Emergents" concept, this was, in fact, the final gig for this Cory Latkovich-led quartet. Making their final eschatological promises, the band took one last careen through their tricky chamber-prog romps. But as always, they undercut the self-seriousness that might arise from Latkovich's knotty compositions with humour, giving the audience bells to ring along to the tunes and giving drummer D. Alex Meeks a megaphone to banter from the stage with.

And although all that will remain now of this band are their recordings, creative rebirth is already pending with the announcement that Imaginary Flesh — Latkovich's new project — will be making its début at the Somewhere There Festival in February. (You can support the Festival and get some good deals on tickets/passes if you support their Indiegogo campaign.) Long live the new flesh!

Sunday, August 3, 2014

Recording: Clarinet Panic Deluxx

Artist: Clarinet Panic Deluxx

Song: Hard Dads, Pts. 1 + 2

Recorded at Holy Oak Café, July 23, 2014.

Clarinet Panic Deluxx - Hard Dads, Pts. 1 + 2

Full review to follow. Saxophonist Karen Ng put together this night, which was the first of a promised new series from Somewhere There, which has recently been mostly presenting shows in the more formal environs of Array Space. The opening bands' scritchy jazz-funk and improvised noise cello served as a good preparation for the headliners' controlled chamber-prog bursts. This new piece (two sections of a suite in progress) is rockin' by composer/cellist Cory Latkovich's mathematically-precise standards and as tasty as anything the band has yet done.

Thursday, May 15, 2014

Recording: Clarinet Panic Deluxx

Artist: Clarinet Panic Deluxx

Song: De-troit

Recorded at Oz Studios, April 27, 2014.

Clarinet Panic Deluxx - De-troit

Full review to follow. Clarinet Panic Deluxx is a vehicle for the compositions of cellist Cory Latkovich, and at the end of a tour celebrating the release of their new No Tasseomancy album the band sounded like a chamber-prog force to be reckoned with. Joined by D. Alex Meeks (percussions and banter), Karen Ng (sax) and Sebastian Shinwell (guit), the titular clarinet was indeed present, in the centre of the floor in front of the musicians, acting as something like a talisman or undeployed threat. The compositions were intricate but not distractingly tricky, and the band's propensity to undermine the music's complexities with a few tactical curveballs kept things amusingly grounded.