Showing posts with label heidi chan. Show all posts
Showing posts with label heidi chan. Show all posts

Wednesday, October 20, 2021

Recording: Bachelard

Artist: Bachelard

Song: [excerpt]

Recorded at The Music Gallery (X Avant XVI – Night 3), October 16, 2021.

Bachelard - [excerpt]

The Music Gallery's annual X Avant Festival felt like a return and a renewal in all the right ways. Although these weren't the first events presented by new-ish Artistic Director Sanjeet Takhar, they were the first ones in person, with performers and audience sharing space — a long-awaited return from all sides. Each of the nights played off the festival theme "You in Mind", looking for ways to amplify and support the overlapping communities being drawn together. Day Three ("Process") was "dedicated to the global thread of sustained tone as a healing modality" — by way of an eight-hour drone zone, letting the audience lay back on 918 Bathurst's sanctuary floor and watch projections planetarium-style on the high-arched ceiling.

Heidi Chan's solo modular synth project can sometimes extend into a pricky bit-crushed haze (as excellently demonstrated on the recent Sprawls album), but this set saw her stretching with her flute. Sometimes that moved into purely atmospheric territory, such as when the flute was stretched out into creamy, cello-like tones — but this section saw a flute loop being chopped and resequenced and spread around the four corners of the room.

Thursday, May 9, 2019

Recording: Overleaf

Artist: Overleaf

Song: [excerpt]

Recorded at Array Space (Women From Space Festival – Night 3), March 10, 2019.

Overleaf - [excerpt]

The first Women From Space Festival saw four excellent concerts take place over the course of the International Women's Day weekend. Organized by Bea Labikova and Kayla Milmine, the festival felt like a really savvy gathering, always more than the sum of its parts and showcasing the depth of talent in the city's various creative music streams in a women-centred environment.

One of the most highly-anticipated sets at the festival was a rare appearance from this all-star trio, bringing together Heidi Chan's modular synthesis, Mira Martin-Gray's no input mixer feedback and Kayla Milmine's soprano saxophone. Granulated popsongs and some un-soprano-like groans (thanks to a curly plastic tube replacing the sax's mouthpiece) danced over the background swells and bursts of white noise, layering together like one of those cocktails where differing specific gravities keep the ingredients in their own strata until taken in together in a gulp.

[There are no further group peformances on the horizon at the moment, but it'll be easy to find all three of the group's members at cool shows in the near future. Kayla Milmine will be playing in a trio with Julian Anderson-Bowes and Luan Phung at the next instalment of Jazz and Otherwise Improvised Musics at Wenona on Tuesday, May 14th. Heidi Chan will be performing as Bachelard at June Records' free National Drone Day showcase on Saturday, May 25th. Mira Martin-Gray will be performing as part of Audiopollination 72 on Saturday, July 1st at The Tranzac's Tiki Room.]

Thursday, December 20, 2018

Recording: Heidi Chan x Murr

Artist: Heidi Chan x Murr

Song: [full set, in three parts]

Recorded at The Tranzac's Southern Cross Lounge (SynapicCircusSundays), October 28, 2018.

Heidi Chan x Murr - [full set - part 1]

Heidi Chan x Murr - [full set - part 2]

Heidi Chan x Murr - [full set - part 3]

A fabulous night of creative electronic music at Nilan Perera's monthly, featuring two noteworthy locals each sharing their sonic conceptions before teaming up for a collaborative set. That joint effort, driven by Nick Murray's beats and Chan's re-sampled/manipulated flute, felt fully assured and cohesive, merging together into a hazy late-night journey. This was an excellent match, and hopefully this collaboration will see a reprise.

Bonus! You can also check out this set in visual form, though the audio isn't as tasty as in the recordings here:

I will be curating and guest-hosting the next SynapticCircus night, coming up on Sunday, December 30th and featuring collaborations from Liz Hysen and Kurt Newman's Nightmare Alley [voice/pedal steel spookiness] plus electronic skronk/acoustic screech from Mira Martin-Gray and Mkl32. It's a Sunday night, but maybe you have the Monday off!

Recording: Heidi Chan

Artist: Heidi Chan

Song: [excerpt]

Recorded at The Tranzac's Southern Cross Lounge (SynapicCircusSundays), October 28, 2018.

Heidi Chan - [excerpt]

A fabulous night of creative electronic music at Nilan Perera's monthly, featuring two noteworthy locals each sharing their sonic conceptions before teaming up for a collaborative set. Once again, modular hero Heidi Chan showed off her expert synthesis of acoustic + electronic elements, playing a sample bank of her own flute sounds which were looped and chopped up into her mutating longform improvisation.

I will be curating and guest-hosting the next SynapticCircus night, coming up on Sunday, December 30th and featuring collaborations from Liz Hysen and Kurt Newman's Nightmare Alley [voice/pedal steel spookiness] plus electronic skronk/acoustic screech from Mira Martin-Gray and Mkl32. It's a Sunday night, but maybe you have the Monday off!

Wednesday, October 17, 2018

Recording: Deenzi

Artist: Deenzi

Song: [excerpt from 1st piece]

Recorded at Yonge-Dundas Square (Intersection Day 2), September 1, 2018.

Deenzi - [excerpt from 1st piece]

Another interesting day in Yonge-Dundas Square for Intersection, once again excellently curated by Burn Down the Capital's Tad Michalak. Mixing in some abrasive sounds with lots of accessible experimentation, there was a pleasing range of mostly-local talent spread out through the square, animated between sets by the whispersounds of Tina Pearson's installation piece. The sun broke through a layer of clouds to start baking the zone's unsheltered denizens just as this re-emergence from Heidi Chan (flute, modular synth) and Andy Yue (synth) conjured up some froopy grooves, at some times sounding like off-kilter acid-jazz/trip-hop and at others (as heard here) like robot love ballads.

[Deenzi's Heidi Chan will be performing solo and in an improvising duo with Nic Murray at the next SynapticCircus event, Sunday, October 28th at The Tranzac.]

Thursday, May 17, 2018

Recording: Chan/Mazinani/Kuplowsky

Artist: Heidi Chan/Mani Mazinani/Luke Kuplowsky

Song: [excerpt]

Recorded at Array Space (Track Could Bend #37), April 3, 2018.

Heidi Chan/Mani Mazinani/Luke Kuplowsky - [excerpt]

Continuing a series tradition, Track Could Bend marked its third anniversary by inviting back all of the previous year's performers for a celebration. That's enough of a crowd to warrant a larger stage, so for one rainy night, the action shifted over to Array Space. There ended up being sixteen players, all of whom put their names in a hat to be drawn to create spontaneous ensembles for a series of quick sets. A trio that might never be attempted through logical means of organization, this alchemical combination of acoustic guitar, modular synth, harmonica and cracklebox unexpectedly melded into a beautifully-genteel sort of electroacoustic folk. In an alternate universe where Eric Chenaux and Martin Arnold are co-headlining arena shows, this could be the opening act.

[TCB will be having a special extra-early show at The Baby G on Tuesday, June 5th, with sets from Barry Prophet, Nicole Rampersaud and Lisbon's Sal Grosso.]

Thursday, April 19, 2018

Recording: Bachelard

Artist: Bachelard

Song: [middle section]

Recorded at The Baby G, February 22, 2018.

Bachelard - [middle section]

This cozy night at The Baby G featured mostly leftfield electronic experimentation, lead off by Heidi Chan's always-expanding event horizon. Ranging from explorations of the musical possibilities of dialtones and busy signals to vox humana blips, her realtime patchscapes remained too restless to ever fall into lazy patterns.

[Bachelard has recently dropped a pair of "short studies with looping pedals, modular synthesizer, Casio keyboard, and bamboo flutes" over at her bandcamp that is well-worth investigating. You can aldo check out her full recording of this set on her soundcloud.]

Thursday, February 1, 2018

Recording: Bachelard

Artist: Bachelard

Song: [last section]

Recorded at Belljar Café (Track Could Bend #34), January 2, 2018.

Bachelard - [last section]

A top-notch modular synth strategist, Heidi Chan brought a dazzling array of gear — and no pre-assigned patches — in a set that meticulously explored the potential variations in each new sonic element as she built zig-zagging soundworlds from the ground up.

[Track Could Bend returns to the Belljar Café on Tuesday (February 6th) with sets from Bim Prongs & {AN} EeL, N A V I and Love Children of the Apocalypse.]

Wednesday, July 12, 2017

Recording: Bachelard

Artist: Bachelard

Song: [excerpt]

Recorded at Handlebar, June 18, 2017.

Bachelard - [excerpt]

Billed as "a quiet night" by organizer Matt Nish-Lapidus, this evening featured plenty of patchcords and three different flavours of electronic experimentalism. Heidi Chan (also known as half of electro-folk experimentalists Deenzi) lead off the night with some loops of Canto-pop fragments emerging as minimalist sputter-fields.

Friday, June 9, 2017

Recording: Deenzi

Artist: Deenzi

Song: [excerpt]

Recorded at the basement auditorium of Toronto Public Library – Parkdale Branch (SHHHH! – Year 2, Show 2), May 6, 2017.

Deenzi - [excerpt]

Kudos to Kyle Knapp (of the band Deliluh and the Raw Materials label/collective) for keeping going the community initiative he started a year ago, bringing strange and wonderful sounds to the library's Parkdale branch. I missed the previous evening's show up in the stacks, but made it down for this Saturday matinée, mixing up a variety of artists to entice patrons and passers-by to join the crowd in the wonderfully-retro basement auditorium. The afternoon was lead off by this duo, with Andy Yue pinning things down with keyboard percussion and melodic glue while Heidi Chan pulled at the seams with radio interference bursts and decomposing flute loops.

[Deenzi are playing tonight (Friday, June 9th) as part of It's Not U It's Me's "NANO MUTEK T.O." event. Deenzi's Heidi Chan will also be playing a solo set as Bachelard at "A Quiet Night" at Handlebar on Sunday, June 18th alongside New Tendencies and Heraclitus Akimbo.]

Thursday, May 25, 2017

Recording: Heraclitus Akimbo & friends

Artist: Allison Cameron/Kristel Jax/Heraclitus Akimbo / Brian Abbott/Heidi Chan/Laura Swankey/Heraclitus Akimbo + Ambrose Pottie/Andrew Furlong/Karen Ng/Heraclitus Akimbo + Ryan Kinney/Paul Newman/Heraclitus Akimbo

Songs: [excerpts from four improvised mini-sets]

Recorded at Array Space (Audiopollination #53.2), April 25, 2017.

Allison Cameron/Kristel Jax/Heraclitus Akimbo - [excerpt]

Brian Abbott/Heidi Chan/Laura Swankey/Heraclitus Akimbo - [excerpt]

Ambrose Pottie/Andrew Furlong/Karen Ng/Heraclitus Akimbo - [excerpt]

Ryan Kinney/Paul Newman/Heraclitus Akimbo - [excerpt]

Fully aware of my own fungibility, I try not to go out of my way to score gigs for my alter ego Heraclitus Akimbo. This one was an exception. Inspired by Paul Newman, who always has a show on his birthday, I asked Audiopollination's Mike Lynn if he'd be interested in booking me on mine. In a blink, he had a full slate of peeps lined up, filling four twenty minute-ish mini-sets. The goal here was to have each half move continuously, with the musicians switching off seamlessly, and that worked out quite well. In fact, everything went off better than could be expected — but I guess that's what happens when you have so many A-1 talents on stage. Even if half of my stuff didn't work out as planned, there was enough going on to not leave a hole. Playing with others is an interesting experience on the heels of my (limited) career as a mostly-soloist, and it was rather interesting to see things take on their own shapes. The first half ended up being noisier than expected and the second a super-chill zone. Having tried it, I recommend that everyone should play a show on their birthday. Getting older is already the thing you're best at.

[Audiopollination is on hiatus until September, when its self-curation series will return. Heraclitus Akimbo has two shows coming up: a collaboration with Paul Newman on Sunday, June 4th as part of Ratio's "Decreation" series, and a solo set on Sunday, June 18th at Handlebar, with New Tendencies and Bachelard.]

[photo by Tom Beedham]

Wednesday, May 10, 2017

Recording: Deenzi

Artist: Deenzi

Songs: [two excerpts]

Recorded at Gerrard Art Space (Faster Presents: Spring Sounds), March 25, 2017.

Deenzi - [excerpt 1]

Deenzi - [excerpt 2]

This collaboration between Heidi Chan (flute, modular synth) and Andy Yue (MIDI keyb) is simultaneously finding its own musical space while expanding perpendicularly into new zones. That means there's sonic surprises in every set, even as they continue to define their core musical territory. Yue often provides structure on keyb percussion or electric piano sounds while Chan is slicing and dicing her own sampled instruments or adding radio noise-drifts. The tense they speak in is future abstract.

[The next Faster Presents show at G.A.S. is on Saturday, May 20th and includes a make-up for the Faster set that was postponed at this show alongside a solo outing from Matt Miller and an appearance by the Four Shadows Quartet (Zach Clark/Paul Newman/Brian Abbott/Kayla Milmine).]

Tuesday, March 28, 2017

Recording: Heidi Chan & Sarah Peebles

Artist: Heidi Chan & Sarah Peebles

Song: [edited excerpt]

Recorded at The Tranzac's Main Hall (Somewhere There Creative Music Festival – Show 5), February 26, 2017.

Heidi Chan & Sarah Peebles - [edited excerpt]

The festival's final show opened with a series of short duo encounters, seguing quickly from one to the next within one set. Some ancient sounds lead things off, with Sarah Peebles' shō-drone providing a landscape for Heidi Chan's flute to float above.

Sunday, December 4, 2016

Recording: Deenzi

Artist: Deenzi

Song: [excerpt from first piece]

Recorded at The Tranzac's Southern Cross Lounge (416 Toronto Creative Improvisers Festival – Night 2), November 3, 2016.

Deenzi - [excerpt from first piece]

When I was asked to present a night at the 416 festival, I knew I wanted to present a range of different sounds. I think it was right after seeing her play an excellent modular synth solo set that I asked Heidi Chan to come perform, and when she said she wanted to do a Deenzi set with Andy Yue, and I was totally enthusiastic. There was a lot of ground covered in their set, from groovy diversions to electroacoustic drift. There's a core to the sound-word that the pair are exploring, but plenty of zones off to the edges to keep the developing picture really interesting.

Sunday, November 13, 2016

Recording: Deenzi

Artist: Deenzi

Song: [second piece]

Recorded at The Music Gallery (X Avant XI – Night 1), October 13, 2016.

Deenzi - [second piece]

This year's X Avant festival began with a future-focused night that hewed toward electronic music, leading off with some sci-fi/wuxia improvised soundscapes from Heidi Chan and Andy Yue. Mixing Chan's flutes and modular synth with Yue's electronics, there's some really fascinating textures here — and a keep-'em-guessing approach for anyone trying to reverse-engineer these sounds after the fact. Parts that might sound looped (like Yue's percussion lines) were, in fact, played live on a MIDI keyb, meaning that pattern variations could suddenly creep in at unexpected places. And in this piece, Chan added some impromptu electroacoustic found-sound elements by scratching a finger on her microphone to add to a little bit of electro-frisson.

Tuesday, August 9, 2016

Recording: Heidi Chan + Matt Miller

Artist: Heidi Chan + Matt Miller

Song: [excerpt]

Recorded at Array Space (Audiopollination 44.2), July 24, 2016.

Heidi Chan + Matt Miller - [excerpt]

Launching a night of electroacoustic explorations with visiting guests Elizabeth Millar and Craig Pederson, this pairing matched laptopist Matt Miller with sound sculptor Heidi Chan, here playing Chinese flute and a bit of thumb piano through her effects chain. Excellent work, with some nice textures throughout and occasional stereophonic yawing and other sonic interventions.

[As always, you can check out the documentation of the whole night over at Audiopollination's bandcamp. Audiopollination is back with some awesome musicians (including a kick-ass combo of SlowPitchSound, Germaine Liu and Nilan Perera) on Saturday night.]

Tuesday, July 5, 2016

Recording: Heidi Chan

Artist: Heidi Chan

Song: [excerpt from an improvisation]

Recorded at Array Space (Solonation), June 25, 2016.

Heidi Chan - [excerpt]

Planned as an ongoing semi-annual series, this night was the brainchild of Audiopollination's Mike Lynn. Whereas that series is centred around the idea of small-group spontaneous improvisation, this night was more about celebrating a wider range of creative musical practices in a quintet of short solo sets.

Leading things off, Heidi Chan used recordings of her own flute practices as raw material to send through her modular synthesizer. The timbres of the flutes and the synth-tones were similar enough that it wasn't always easy to tell when one began and the other ended — but whether the processing sounded like beautiful blipbloops or whistling birdsong, this was excellent stuff.

The show was also livestreamed and has been archived on youtube. You can check out the full set here:

Saturday, March 19, 2016

Recording: Jeff Roberts and co.

Artist: Jeff Roberts/ Sarah Peebles/Shahriyar Jamshidi + Jeff Roberts/Branko Džinovic/Heidi Chan

Songs: [excerpts from two improvisations]

Recorded at Array Space (Somewhere There Presents), March 6, 2016.

Jeff Roberts/ Sarah Peebles/Shahriyar Jamshidi - [excerpt from first piece]

Jeff Roberts/Branko Džinovic/Heidi Chan - [edited excerpt]

Following on an event at the CMC showcasing Jeff Roberts' work as a composer, this Somewhere There-hosted night focused on improvisation. His work with guqin follows both traditional and modern paths — the latter deploying a motion-sensing MIDI controller to trigger samples that extend the instrument's sound. Besides examining that sonic range in a solo set that mixed traditional tunes with improvisations, the night also began with two rather-different trios. The first, joined by Sarah Peebles' shō and Shahriyar Jamshidi's kamanche was mostly quiet and still, like nature's ancient ambient music found beside a stream. The second, with Branko Džinovic's extended-technique accordion and Heidi Chan's effect-chain xiao, moved things into the digital age, but still remained rooted in thumping, clacking, plucking tactility.

Tuesday, February 9, 2016

Recording: Deenzi

Artist: Deenzi

Song: [excerpt from third segment]

Recorded at Dundas Video (Track Could Bend #11), February 2, 2016.

Deenzi - [excerpt from third segment]

Heidi Chan and Andy Yue have been exploring sounds together for a few months now, but this was the first public airing from this new project. Described as "the soundtrack to a Wuxia movie set on a space station orbiting a collapsing star", they covered a range of sounds, from folktronic glide to scratchy noise textures.

[Track Could Bend returns to Dundas Video on Tuesday, March 1st.]

Monday, July 27, 2015

Recording: Heidi Chan/Alec Brady/Andy Dolgin

Artist: Heidi Chan/Alec Brady/Andy Dolgin

Song: [excerpt from an improvisation]

Recorded at Array Space ("Audiopollination 32.2"), July 14, 2015.

Heidi Chan/Alec Brady/Andy Dolgin - [excerpt from an improvisation]

This was the first night in this year's series of Audiopollination's "self-curation" project, where musicians are welcomed to sign up and improvise in a trio for a short set with... well, whoever else signs up. The format encourages wacky and counter-intuitive combinations, and a chance for musicians to experiment in directions they might not have otherwise explored. The series continues monthly until December.

This set might be the figurative "poster child" for the too-weird-to-curate virtues of this series. This mix of sousaphone, flutes and modular synth might not have been an intuitive combination, but there were some nifty results, with Brady performing some realtime manipulations on Chan's flutes while Dolgin added low end — and even some tapped percussion.

[As always, you can hear full recordings from the night over at Audiopollination's bandcamp. The self-curation project continues at Array on Tuesday, August 11th, and Audiopollination also has a couple other gigs coming up: this Thursday (July 30th) at The Tranzac, as well as on Sunday, August 30th, with Montréal visitors Geraldine Eguiluz and Stéphane Diamantakiou.]