Showing posts with label keiran adams. Show all posts
Showing posts with label keiran adams. Show all posts

Tuesday, December 5, 2017

Recording: U.S. Girls

Artist: U.S. Girls

Songs: 28 Days + Mad As Hell

Recorded at The Tranzac (Main Hall), October 27, 2017.

U.S. Girls - 28 Days

U.S. Girls - Mad As Hell

This astounding set teasing new material from the newly-expanded U.S. Girls featured a band composed mostly of Doc Dunn's Cosmic Range (as well as The Sulks' Chris Bezant on guit and backing vocalists Kassie Richardson and Basia Bulat) who offered an astoundingly full "studio" sound. Besides opening and closing with some of the tracks they played on from the forthcoming In a Poem Unlimited album they also reinterpreted a series of older songs. Meg Remy balanced the lushness of the ten-piece backing band with sample montages that hearkened back to the project's origins as well as hinting at the seething anger underneath the songs. But it's too easy to just label this as feminist rage (a word that's right there in the title of the Fiver song covered on the new album) — there's a consideration of things that justly evoke anger, but there's also joy in the music as well, from the reggae-ish lilt the band accorded to "28 Days" as well as the ebullient disco of "Mad As Hell".

Remy was in full command throughout — no banter or asides were on offer in the tightly-constructed set, and instead of an encore, all she gave the crowd was a hand-on-hip "didn't I just do that?" glare before leaving the stage. With the release of the album now confirmed for February, this was a tantalizing glimpse of an artist operating at a high level — and expanding their ambitions to ever-higher plateaus.

Saturday, March 11, 2017

Recording: DIANA

Artist: DIANA

Songs: Moment of Silence + Slipping Away

Recorded at The Garrison (Wavelength SEVENTEEN – Night 1), February 17, 2017.

DIANA - Moment of Silence

DIANA - Slipping Away

I hadn't seen this group in action since the release of sophomore album Familiar Touch and their evolution into a seven-piece smooth-groove machine. Insisting on playing with the expanded lineup means that the album's lush arrangements are fully able to breathe on stage, especially with top-notch players like Thom Gill and Ivy Mairi in the fold. But the real star of DIANA 2.0 is vocalist Gary Beals — if Carmen Elle is the pitcher putting in a strong start, Beals is the lights-out closer, sealing the deal with a joyful rush of energy. A triumph of going big and amping things up without losing the attention to detail in the musical textures, this was a pretty glorious set.

Friday, November 18, 2016

Recording: Body Help & Daniel Pencer

Artist: Body Help & Daniel Pencer

Song: [excerpt from second piece]

Recorded at Burdock Music Hall, October 17, 2016.

Body Help & Daniel Pencer - [excerpt from second piece]

The addition of Daniel Pencer that I witnessed a few months back appears to have deepened with his sax now an essential part of the group's new recording, which was being released at this show. Kinesis is more of a carefully executed album than its document-the-live-show predecessor, pulling back the throttle a touch and adding subtle touches (most notably some textured vocals) from some guest performers. Live, though, they're still ripping things up, and Pencer was getting into the group's bend-your-sounds vibes with some effects of his own hooked up to his saxophone.

Thursday, July 7, 2016

Recording: Body Help

Artist: Body Help

Song: [first section]

Recorded at Burdock Music Hall (The Music Gallery's Departures Series), June 28, 2016.

Body Help - [first section]

The funky abstractions provided by Kieran Adams (drums), Josh Cole (bass) and Colin Fisher (guit) were augmented by Daniel Pencer's excellent sax work, sending the group into deep avant-fuzak terrain. With Cole's sequencer-blurt bass tone and Fisher's pedals turning his guitar into shimmering MIDI strings, this sounded at times like the jam sessions that probably took place between takes in an early Larry Klein-era Joni Mitchell session.

Sunday, October 18, 2015

Recording: Body Help

Artist: Body Help

Song: [second piece]

Recorded at Dundas Video ("Track Could Bend #7"), October 6, 2015.

Body Help - [second piece]

Body Help melds Kieran Adams' push/pull horizontal drum patterns, Josh Cole's treasure hunt vertical bass excursions and Colin Fisher's fourth-dimensional guitar haze-clouds into a slowly-pulsating sphere of abstract funk — a journey that you take while sitting down in one place. Gigs tend to come in occasional clumps, so keep an eye out for more — and word is that there's a second recording from the trio on the horizon.

[The next Track Could Bend — featuring SlowPitchSound, APA, and Jack Vorvis & Scott Thomson — will be at Dundas Video on Tuesday, November 3rd.]

Saturday, January 24, 2015

Recording: Body Help

Artist: Body Help

Songs: [second improvised piece, in two parts]

Recorded at Holy Oak Café, January 8, 2015.

Body Help - [second piece, part 1]

Body Help - [second piece, part 2]

This experimental funk trio of Kieran Adams (drums), Josh Cole (bass) and Colin Fisher (guit) offers serious abstract groove action — you should probably sit down for this before you realize that the smell of melting plastic and solder are just in your mind.

Tuesday, January 13, 2015

Recording: Matt "Doc" Dunn's Galactic Jazz Band

Artist: Matt "Doc" Dunn's Galactic Jazz Band

Songs: [two excerpts]*

Recorded at Grasshopper Records, December 16, 2014.

Matt "Doc" Dunn's Galactic Jazz Band - [first excerpt]

Matt "Doc" Dunn's Galactic Jazz Band - [second excerpt]

The group that Matt "Doc" Dunn brought to the Music Gallery in September was too damn good to exist as a one-off, so it was a real treat to see them play a casual and intimate set in the back of Grasshopper Records on Dundas. Clustered around the record bins, the four-keyboard (Dunn plus Carl Didur, Mike Smith and Jonathan Adjemian), dual-percussion (Brandon Valdivia and Keiran Adams) alignment was augmented this time with Colin Fisher on sax and percussion, pushing things to an even further cosmic plane. Besides those sax grooves, this is also a slightly better capture from my end, so it's worth posting this, even if the terrain overlaps a bit from what I put up last time. And once again, the first clip here is swingingly funky, the second sublimely spiritual.

[You can also check out Ayal Senior's video capture of the set in two chunks.]

* Does anyone know the titles to these ones? Please leave a comment!

Wednesday, November 19, 2014

Recording: Matthew "Doc" Dunn & All Is Ensemble

Artist: Matthew "Doc" Dunn & All Is Ensemble

Songs: [funky phase] + [cosmic phase]*

Recorded at The Music Gallery, September 26, 2014.

Matthew "Doc" Dunn & All Is Ensemble - [funky phase]

Matthew "Doc" Dunn & All Is Ensemble - [cosmic phase]

Full review to follow. You have to dig around a bit if you want to keep on top of Doc Dunn's recorded output — a recent series of limited run cassettes was here and gone in a flash, and there have been two LP's over the past year. You can (and should!) grab Tecumseh over at Healing Power's bandcamp, but the more recent All Is mostly exists just on vinyl — and floating through the æther.

It was truly an exciting prospect, then, to hear its "Sun Ra organ combo type of sound" in live form from this keyb-heavy grouping, featuring Dunn plus Carl Didur, Jonathan Adjemian and Mike Smith on various synths and electric pianos plus the percussive powers of Brandon Valdivia and Keiran Adams. Setting the controls for the heart of the groove, the crew showed their skills in the way they allowed each other the requisite amount of space for everything to develop. This was too good a group to perform together just once — if we're all lucky there'll be another chance a little bit further along.

* Does anyone know the titles to these? Please leave a comment!

Thursday, April 4, 2013

Recording: Body Help

Artist: Body Help

Song: unknown*

Recorded at The Tranzac (Southern Cross Lounge), April 3, 2013.

Body Help - unknown

Full review to follow. Celebrating the release of a new digital album, Josh Cole (bass/synth), Kieran Adams (drums) and Colin Fisher (guit) presented some cerebral funk that remained keenly aware of the bodyhelpin' biological imperatives.

* The set was performed as one continuous jam — this is basically two sections from that, and I don't know if any of the parts have titles (or if they correspond to any of the "numbers" on the album).