Recording: Tap slap wind and light

Artist: Tap slap wind and light

Song: [excerpt]

Recorded at Wenona Lodge (Track Could Bend #114), March 3, 2026.

Tap slap wind and light - [excerpt]

When invited to breing something to TCB, Patrick Lefler invented this assemblage of all of the things in the band's moniker: tap dancing, "slapped" guitar, bass clarinet, vocals, balloons, and shadow puppetry. Add in plenty of space echo and set the whole thing off to drift and sprawl and stretch out its limbs a little.

You can check out some more from this set over on youtube:

[Track Could Bend is back at Wenona on Tuesday, May 5th with sets from the rest (Joe Sorbara & Jonathan Kay), Wobbly + John Oswald, and Red Trillium (Andrew Finlay Stewart, Matt Nguyen and Justin Caporuscio).]

Recording: Carded Ensemble

Artist: Carded Ensemble

Songs: [two excerpts]

Recorded at Walter Hall, February 24, 2025.

Carded Ensemble - [excerpt 1]

Carded Ensemble - [excerpt 2]

"Carded", Patrick O'Reilly's ongoing compositional project, has been a work-in-progress for a few years now, taking blank playing cards and turning them into handmade improvisational cues. The cards can be dispatched in various ways, from dealing performers a hand, to (as was the case here) giving each player a full custom deck with the instruction to turn over and interpret a new card every minute.

That, with the addition of timed solo spots for each of the participants, gave enough structure to keep a nine-piece ensemble from tripping into chaos and too-muchness. It also fosters a genuine sense of play, both in the novel interpretations required and in the act of occasionally passing cards around to share a cue. This particular incarnation of Carded was even more deeply collaborative, as the decks of cards used by the nine performers were each made by nine guest "composers".

The ensemble for this performance was:

• Patrick O'Reilly: guitar and pedals
• Samuel Little, double bass
• amiel ang: vibes, gong, music stand
• Samuel Laramee: synths and piano
• Omar Yazaw: saxophone
• Leah Reavster: saxophone
• Brendan Beaton: trumpet
• %%30%30: percussion
• Annie Elgie: balloons, voice

Recording: Shoe Horn Ensemble

Artist: Shoe Horn Ensemble

Song: [first section]

Recorded at the Bata Shoe Museum (Track Could Bend @ X Avant XVIII – Neeeerrrrddddssss: shoe horn), October 12, 2023.

Shoe Horn Ensemble - [first section]

I'm still not entirely sure what I did to deserve such an honour, but somehow I ended up curating a night of this year's X Avant Festival. And not just any ol' night as we were invited to conspire a musical takeover of the Bata Shoe Museum. Thanks to the amazing powers and positive energy of Artistic Director Sanjeet Takhar, we were able to fill the building with creativity, bringing a grouping of nine musicians to first enfold some sounds in the museum's galleries, then gather them all together for a collaborative improvisation. Best of all, though it was on a grander scale than I'd usually allow myself to imagine, it really felt like it was all done in the spirit of Track Could Bend. And were there shoes? Oh yes, there were shoes.

After spreading the musicians out in the galleries, the conclusion gave everyone a chance to find ways to work together in a large ensemble. The featured performers here were electronic musicians Laura Dickens (a.k.a. Leucrocuta) & Hex-A-Deximal, who were processing incoming sounds from the mics and from Tegan Dietsch's tap board. Around that centre, horn players and percussionists had a chance to wander some more — one of the most delightful moments was when trumpeter Lina Allemano and trombonist Tom Richards headed up the stairs and out of sight, only to pop out of the elevator behind the audience a few minutes later! With everyone putting, ah, their best foot forward this was a satitisfying way to gather all the threads shoelaces together.

For the record, the full ensemble was:

• Tegan Dietsch (tap)
• Lina Allemano (trumpet)
• Tom Richards (trombone)
• Why Be Normal [%%30%30 & James Bailey] (found percussion)
• Annie Elgie (voice)
• Yang Chen (percussion/processing)
• LD & Hex-A-Deximal (electronics)

You can check out the full set over on youtube:

[The Bata's new exhibition Dressed to Impress: Footwear and Consumerism in the 1980's is now open. Track Could Bend will be back in its regular first-Tuesday-of-the-month incarnation at Wenona Lodge on December 5th, with sets from kat estacio and Alma.]

Recording: Annie Elgie & co.

Artist: Annie Elgie & co.

Song: [excerpt]

Recorded at the Bata Shoe Museum (Track Could Bend @ X Avant XVIII – Neeeerrrrddddssss: shoe horn), October 12, 2023.

Annie Elgie & co. - [excerpt]

I'm still not entirely sure what I did to deserve such an honour, but somehow I ended up curating a night of this year's X Avant Festival. And not just any ol' night as we were invited to conspire a musical takeover of the Bata Shoe Museum. Thanks to the amazing powers and positive energy of Artistic Director Sanjeet Takhar, we were able to fill the building with creativity, bringing a grouping of nine musicians to first enfold some sounds in the museum's galleries, then gather them all together for a collaborative improvisation. Best of all, though it was on a grander scale than I'd usually allow myself to imagine, it really felt like it was all done in the spirit of Track Could Bend. And were there shoes? Oh yes, there were shoes.

When I saw the "In Bloom" exhibit on the first site visit to the museum I made a mental note that it would be a perfect spot for vocalist Annie Elgie. And indeed, in between a couple benches at the far end of the room she settled right in between flowers and footwear to conjure up some spirits. This section, from the end of the event's first half up in the galleries, was one of my favourite parts of the whole night — you can hear horn players Lina Allemano and Tom Richards circling around like the sampled seagulls that are calling out.

You can check out another segment of this performance, with tap dancer Tegan Dietsch joining in (and much more!) over on youtube:

[The Bata's new exhibition Dressed to Impress: Footwear and Consumerism in the 1980's is now open. Track Could Bend will be back in its regular first-Tuesday-of-the-month incarnation at Wenona Lodge on December 5th, with sets from kat estacio and Alma.]

Recording: Chapped Lips

Artist: Chapped Lips

Song: [first section]

Recorded at Wenona Lodge (Track Could Bend #75), January 3, 2023.

Chapped Lips - [first section]

This seasonally-appropriate, pinterest-obsessed trio arose from a challenge I issued to guitarist Patrick O'Reilly, asking if he would be interested in bringing out some of the younger musicians he'd encountered in his work at U of T. He eagerly agreed, enlisting vocalist Annie Elgie and bassist PT Sandberg — and bringing along his guitar and his usual array of pedals. Sandberg showed a bassist's appreciation for repetition — something that can be daunting to commit to in an improvised context — while Elgie used a harmonizer pedal and some other tricks to pry her way in between the other sounds on stage.

You can check out some footage from this set over on the TCB youtube playlist:

[Track Could Bend is back at Wenona on Tuesday, February 7th, with sets from Xicada (Ilyse Krivel) and Adversarial Networks (Caleb Klager, Chris Pruden, Luan Phung, and David Lipson).]