Showing posts with label ronley teper. Show all posts
Showing posts with label ronley teper. Show all posts

Sunday, January 25, 2026

Recording: Ronley Teper & The Lipliners

Artist: Ronley Teper & The Lipliners

Song: Just Show Up

Recorded at The Tranzac (Southern Cross Lounge), December 30, 2025.

Ronley Teper & The Lipliners - Just Show Up

It had been too long since I had seen The Lipliners in action, and a delight to see the band out in full force — nine deep behind the wonderful and ebullient Ronley Teper leading a night of her joyful chaos music. If one were going to make a movie or comic book about this crew, they might be portrayed as a band of easygoing cut-throat pirates, eager to see what fuss is going to happen next after signing up to sail with a Captain who's intent on leading them into unknown waters. Blasting through some classics and a few new ones, the tunes merged together, somewhere between a suite and an elegant mess, with moments of invention on the fly as everyone pedaled faster to keep the wobbling to a minimum.

Speaking of new tunes, the song in question here hit me right where I live. People conversing with me about my propensity of going to gigs might have heard me say that showing up is the most important thing anyone can do — and this one, still feeling like a newborn calf finding its wobbly stride — has harnessed the same feeling. Whether for our musical community, for friends, love, family or whatever you want to be present to, in a time where screens and streams and feeds give us a easy-but-alienating sense of pseudo-interaction, being out there, just showing up, makes so many things plausible. If I ever get hit by a comet or suffer some similar unfortunate demise, please get Ronley to come and sing this one at the party for me at The Tranzac.

You can check out some more from this set over on youtube:

[Ronley Teper & The Lipliners are back at The Tranzac on Tuesday (January 27th).]

Monday, December 26, 2022

Monday Roundup #102

Community notes:

  • I'd heard this being discussed, but official confirmation in the most recent Tranzac newsletter: "Please note that starting January 3 the Southern Cross will have new, slightly earlier time slots Monday - Friday: 7 pm - 9 pm and 9:30 pm - 11:30 pm; weekends will be similar to the current Sunday schedule. More info coming soon, please stay tuned!

Video hits:

  • Some dance moves at dawn from an undisclosed location in the Hammertown zone:

Concert announcements:

Ayal Senior & Friends (feat. Ayal Senior/Kurt Newman/Andrew Furlong/Blake Howard / Family Ravine / Aaron Knight / Nick Flanagan / Bruce Lee's Sister) / The Tranzac (Southern Cross Lounge) 2023-01-08 (Sunday – 2:30 p.m.). @pwyc. [FB event]

Audiopollination (feat. Mike Barber/Daisy Betlej/Tegan Dietsch Kousha Nakhaei/Owen Kurtz / Jamie Eriksen/Adrian Russouw/Bri Clarke / Kimberly Ivany/Katheryn Merriam) / Arraymusic 2023-01-13 (Friday). $10 or PWYC. [FB event]

Ingredient [album release show!] (Uh Huh [f.k.a. Teenanger]) / BSMT 254 2023-01-27 (Friday). $16.93. [FB event]

The Tawoos Initiative and Small World Music present (feat. Fareed Ayaz & Abu Muhammad Qawwali) / St. Andrew's Church 2023-05-20 (Saturday). $43.93. [FB event]


Shows this week:

Music by Harry and Furlong (feat. Brittany Pitt/Dan Pitt/Harry Vetro) / The Tranzac (Southern Cross Lounge) 2022-12-27 (Tuesday – early!)

Exit Points #33 ["this performance includes a 5-channel speaker array for surround sound"] (feat. Marilyn Yogarajah/Sara Constant/Alexander Vincent/Michael Palumbo / Zoma/Behnoosh Behnamnia/Kousha Nakhaei/Donovan Locke) / Array Space 2022-12-28 (Wednesday) [FB event]

Boxing Week Special (feat. OMBIIGIZI / Scarlett Rose / Una Rose) / The Garrison 2022-12-28 (Wednesday). $13.85, 19+. [FB event]

Boxing Week Special (feat. Happy99 / Accelerant / Dermabrasion) / The Baby G 2022-12-28 (Wednesday). $13.85, 19+. [FB event]

Nomad [Simon Millerd/Mike Bjella/Ted Crosby/Ben Dwyer/Jake Wiens/Kai Basanta] (Nomad Chamber Trio [Ted Crosby/Mike Bjella/Jake Wiens]) / The Tranzac (Southern Cross Lounge) 2022-12-28 (Wednesday) [FB event]

Boxing Week Special (feat. Rapport / Spirale Parfait / Scott Hardware) / The Baby G 2021-12-29 (Thursday). $13.85, 19+. [FB event]

Boxing Week Special (feat. Heaven For Real / Clothesline From Hell / The Crime Family) / The Garrison 2022-12-29 (Thursday). $13.85, 19+. [FB event]

Ancient Egypt [Holger Schoorl/Scott Thomson/Pete Johnston] / The Tranzac (Southern Cross Lounge) 2022-12-29 (Thursday). $pwyc.

Aurochs with special guest Kurt Newman / The Tranzac (Southern Cross Lounge) 2022-12-30 (Friday – early!). $pwyc.

The Ryan Driver Sextet / The Tranzac (Southern Cross Lounge) 2022-12-30 (Friday). $pwyw.

Tranzac New Year’s Eve (feat. Eucalyptus / Owen Pallett / Bernice / LAL / Phèdre / José Contreras / Chiquitamagic) / The Tranzac 2021-12-31 (Saturday). $25 in advance, $30 at the door. [FB event]

New Year's Eve (feat. Mouth Congress / Martian Crisis Unit / Pat Ronan / Noah Maloney) / Bar Orwell 2021-12-31 (Saturday). $31.97. [FB event]

Hollowfest NYE Party ["an immersive art + music experience in collaboration with "Psychedelics: The Experiential Exhibition""] (feat. Possum / Nyssa / ZONES [full band!]) / Lithuanian Banquet Halls 2022-12-31 (Saturday). $35. [FB event]


It happened this week...

  • ...on December 30, 2012 at The Drake Underground (What's in the Box – Night 5).

The Skeletones Four - Trap Door

  • ...on December 31, 2012 at The Tranzac (Southern Cross Lounge).

Ronley Teper's Lipliners - Party!

[Do remember that you can click on the tags below to go back and find the original posts (and often, more stuff) from these artists.]

Saturday, May 7, 2022

Recording: Ronley Teper & The Lipliners

Artist: Ronley Teper & The Lipliners

Song: Women in Space

Recorded at The Tranzac's Main Hall (Women From Space Festival 2022 – Night 3), April 30, 2022.

Ronley Teper & The Lipliners - Women in Space

For the past three years, the Women From Space Festival has been an excellent encapsulation of its moment. Coming on the cusp of the First Big Lockdown, the 2020 Festival is remembered by many as the last event of the beforetimes, while last year's "hologram edition" was an elegant solution to the flatness of livestreams. And now, this year's Festival had to bear all the relief and angst of "returning to live" at this uncertain mid-point of the pandemic. Presented with joy and community spirit over four nights, the Festival was a chance to run into seldom-seen familiar faces and to hear a dizzying variety of sounds.

Ronley Teper brought a fabulous lineup of Lipliners (Tania Gill, keys; Sarah Shugarman, violin; Carlie Howell, bass; Nicole Rampersaud, trumpet; and Tim Posgate, banjo/guitar) to tackle a couple old faves, some arguments from last year's Everyone Loves A Good Story, and this improvised science fair project in the spirit of the Festival hosting the set.

Wednesday, March 9, 2016

Recording: Ronley Teper's Lipliners

Artist: Ronley Teper's Lipliners

Song: When Prince Came to The Rex

Recorded at The Tranzac's Southern Cross Lounge (Somewhere There Creative Music Festival – Show 1), February 26, 2016.

Ronley Teper's Lipliners - When Prince Came to The Rex [intro]

Ronley Teper's Lipliners - When Prince Came to The Rex

Once again, the Somewhere There Festival filled up the Tranzac with a weekend jam-packed full of locally-based creative music. After the evening shows in the Main Hall, the action shifted over to the Southern Cross for late-night sets that tend to explore the interplay of improvisation with pop forms. There turned out to be plenty on improvisation in Ronley Teper's set, both as she showed off some of her breast (er, best) songs as well as excursions like this one — "This is a fifty-five second song," Teper says, before leading the band on this extended improvised odyssey, relating the story of the time Prince dropped by The Rex to check out a singer. The audio gives a sense of the craziness here, but you'll just have to imagine Teper freely roaming throughout (and beyond) the room as she drafted audience members to play different characters in her little sketch — all while Willow Rutherford did some fabulous jazz singing while the band riffed behind her.

Friday, January 8, 2016

Recording: {AN} Eel + Ronley Teper

Artist: {AN} Eel + Ronley Teper

Song: #1 Improvised Pop Song

Recorded at Dundas Video (Track Could Bend #10), January 5, 2016.

{AN} Eel + Ronley Teper - #1 Improvised Pop Song

Pop songs are carefully-crafted things, so it's a tall order to ask someone to come up with one extemporaneously. An even taller order seeing as I asked two folks who had never met before to collaborate live on stage and come up with a few hit numbers. Both Neal Retke (who records as {AN} Eel) and Ronley Teper (fearless leader of The Lipliners) know their tropes and have engaging on-stage charisma to spare, so I was curious to see what would happen on this musical blind date. The backing band was Kayla Milmine and Mike Lynn (both TCB vets, from back in the series' early months) who brought the right spirit with soprano sax fills and Rappin' Ronnie drum machine beats. The song topics hit most of the key popsong concerns: gimme some lovin', T&A, saying hello, and slipping in a pile of frozen puke on New Year's Day.

[The next Track Could Bend is February 2nd — Groundhog Day! — at Dundas Video. Stay tuned for more info.]

Thursday, July 23, 2015

Recording: Ronley Teper's Lipliners

Artist: Ronley Teper's Lipliners

Song: Love

Recorded at Harbourfront Centre – Lakefront Terrace ("Harbourfront SoundClash" finals), July 11, 2015.

Ronley Teper's Lipliners - Love

Harbourfront's SoundClash contest has always seemed like a bit of an odd beast to me. Stuck with the baggage of a million cruddy Battle of The Bands, the whole thing feels vaguely opaque. (Who's behind this, and why? What's being judged — a band's conceptual "talent", or this particular live performance? How are the winners picked? If the festival brags about the quality of its judges, why does it keep them anonymous? Does the online balloting really matter, or is it populist window-dressing? Should online voting count when almost no-one saw the actual competition? Doesn't that inherently favour the net-savvy, or bands with pre-existing and motivated fanbases, who will click on a vote link spread through social media?) I'd never gotten involved with the whole event before, but given the undoubtable across-the-board quality of the five finalists this year, I decided to check it out.

Another weirdness: given the not-insubstantial sum invested in prize money, one would have thought this would have been set up to garner as much attention as possible instead of being tucked away. Shuffled into the Lakeside Terrace on a busy weekend, the performance environment discouraged passers-by from stopping to check it out, and was more than a little sterile — but at least it was equally so for all of the bands. That said, it also gave everyone a chance to play in a technically-controlled environment, and the three sets I saw all sounded very good. (Note to Harbourfront: this is a really nice room to see a band in — why not host some gigs here on non-super-busy summer weekends?) Rather than a contest to win the affection of the masses, the vibe here was old-fashioned "industry" — a closed-off showcase for artists to impress a secret cabal. It's to the musicians' credit that they still managed to spark some energy and give good performances.

Sometimes a Lipliners show can be a party, with a talented pick-up band learning songs on the fly while the singer vamps (and dashes from the stage to serve drinks!), everything teetering on the edge of falling apart in the most awesome manner possible. For this show, Ronley Teper called in her A-team of backing musicians and kept things fairly steady, playing some of the band's older, well-established material. That solid foundation left a lot of room for Teper to let her radiant personality shine, joking, ad-libbing, talking to members of the audience, and even taking to the floor to encourage a singalong. Singing sometimes like a grumblin' and moanin' Howlin' Wolf, and sometimes like an innocent waif, Teper's material isn't easily pigeonholed. This set (a short thirty minutes for a band that could go for hours if they felt the urge) pulled from both ends of the spectrum, but in this sedate environment, the quieter stuff (like this, and its companion "Faith") really shone, feeling like soundtrack-of-your life moments that you could imagine playing as you walked along the lakefront, slowly pulling back from your own heart's lament into a gigantic crane shot revealing everyone singing along. [This set won Teper second place in the competition.]

Friday, December 6, 2013

Recording: Ronley Teper & The Lipliners

Artist: Ronley Teper & The Lipliners

Song: Both Sides Now*

Recorded at The Tranzac (Southern Cross Lounge), December 4, 2013.

Ronley Teper & The Lipliners - Both Sides Now

Full review to follow. The Lipliners are the sort of band that is bigger at the end of the night than they were at the start — the sort of band that musicians come to have fun in when they're done with their other gigs. Having an open-ended and flexible lineup works perfectly with Ronley Teper's songs, with the band often learning them as they go. This particular one was so fresh out of the oven that Teper had to duck back into the kitchen to grab a lyric sheet she'd baked up. The ramshackle, impromptu arrangements are the ideal vehicle for lyrical sentiments that might be too outrageous or tender in a more refined setting. The perfect sort of band to see at The Tranzac, and when Teper's not tending bar, you can find her on stage on the first Wednesday of every month. (And also, rumour has it, at January's edition of the Long Winter series, as well!)

* Thanks to Ronley for passing along the title to this one.

Tuesday, January 1, 2013

Recording: Ronley Teper's Lipliners

Artist: Ronley Teper's Lipliners

Song: Party!

Recorded at The Tranzac, December 31, 2012.

Ronley Teper's Lipliners - Party!

Full review to follow. Watching Ronley Teper is a reminder that life is an exercise in improvisation. Leading her Lipliners with her genially unhinged style, Teper climbed up on a chair to incite some call-and-response from the crowd on this song about the true meaning of New Years' Eve. And then, as midnight passed, she was singing, "here comes faith / like a river to the soul" to provide some hope for the year ahead. The highlight of the always-fabulous Tranzac NYE celebrations.

Tuesday, August 7, 2012

Preview: SummerWorks Festival Music Series 2012

The SummerWorks Theatre Festival — Music Series

All Music Series shows are at The Theatre Centre, in the basement of The Great Hall (1087 Queen Street West, at Dovercourt). Doors 9:30 PM, Show 10:30 PM

After a couple years at The Lower Ossington Theatre, the fifth year of SummerWorks' Music Series sees the shows returning to their original home in the basement of The Great Hall.1 It's a nifty spot to see a gig, with a variety of viewing options — hanging back and sitting, up front and dancing, or watching from the oval balcony above. It does get warm down there, though, so dress like you're going to sweat. As always, the artists are well-selected (this year by Julie Fowler) and there are promises that several of these are going to spectacles beyond just the regular sort of show.

Most of these shows are fifteen bucks (Buck 65 is $20; the opening party is free) with tickets available online through the festival website or at Soundscapes/Rotate This. You'd do well to check out any of these shows, but if you're wanting to learn more about the bands, I've reached back to some of my past live reviews to give you a hint of what to expect — and some live samples, too.

Opening Party

The Great Hall. Thursday, August 9, 2012. Doors @ 7:00 pm

I reckon there'll be plenty of art-scene schmoozing going down amongst the "performances about bodies" and free donuts, but there's a really fine musical lineup to head down for as well. Three of the sets come from artists that I know well, but who are out to remake/remodel themselves in modern digital form.

I'm especially eager to check out Kashka, which started as a solo-electronic sideline for Kat Burns, but is now her main outlet with Forest City Lovers having wound up. She's always excelled in clear-eyed rememberings of hearts won and lost, and her new Vichada album covers a similar emotional terrain, but it's now bathed in the warm digital beats she's assembled with co-producer James Bunton. Singer-songwriter grooves for the new century.

I've also never caught a set by Chrome And The Ice Queen, but given that the band is a sort of dark-mirror'd version of Del Bel, I'm familiar with the players here. Rumours suggest that behind Lisa Conway's languorous vox you should be ready for faint hints of trip-hop and Twin Peaks.

Warm Myth made their live debut back at NXNE, and I found it to be atmospheric, but not sedate — which isn't out of line for what you'd expect from principals Casey Mecija and Kieran Adams2. Woozy synths share space with assertive guitar and drum parts, making this more than just a typical bedroom solo-electronic project, and an intriguing new setting for Mecija's vocals.

Listen! Warm Myth - Working

The Magic (Ark Analog)

Friday, August 10, 2012

Cynics might get caught up in accusing The Magic of being mere '80's revivalists. Everyone else is too busy dancing. The Guelph crew, led by brothers Geordie and Evan Gordon, was building up a rabid fanbase a couple years ago based on their killer live shows. When they went quiet and got busy serving as sidemen in other bands (most notably in Islands), I wondered if the project was wrapping up, but it turns out they were just taking the time to properly record their songs. The release of the excellent Ragged Gold has more than justified the wait, and they'll be celebrating its release en route to fullscale disco inferno world domination. Taking inspiration from vintage episodes of the Midnight Special, the band has been dropping hints about "dancers, glitter, props" and confetti cannons. This night is not to be missed.

Listen! The Magic - 5th Business

Sealing the deal is a chance to check out Ark Analog, the new collaboration between Maylee Todd and Dan Werb. Anyone who knows their previous work (and especially Todd's collaborations with Woodhands) would have a notion of what they're in for here — something energetic to dance to.

Listen! Ark Analog - Was That It?

Buck 65

Wednesday, August 15, 2012.

Hip-hop lifer/drive-time DJ Rich Terfry probably requires no introduction. It's widely known that he's a fine live entertainer, but this show intrigues with its promise of a collaboration with dancer Ame Henderson. I have no idea what that's going to entail, but advance word promises "strange and beautiful faces, mirrors and ghosts and obstructions".

Listen! Buck 65 - Small Town Boy

Aline Morales & Sandro Perri

Friday, August 5, 2011

Birthed from Tranzac's primordial folk/improv ooze, Sandro Perri has put a futureactive spin on his music, with the tunes on last year's Impossible Spaces album vibrating with subtle but undeniable grooves. Live, his band pushes this even further into extended polyrhythmic bliss. I don't know Brazilian-born singer/percussionist/bandleader Aline Morales, but it sounds like this should be an inspired match with Perri — and unlike the other "x with y" music shows, this is billed with that intriguing ampersand — I don't know if that means anything, but it would be cool to see some sort of collaboration here.

Listen! Sandro Perri - Changes

Evening Hymns (Fiver)

Friday, August 17, 2012.

The sound of dusk settling in over a backcountry lake; of driving down a narrow gravel concession road in a thick, darkened forest; of families: lost, broken and cherished. Previous album Spirit Guides announced Jonas Bonnetta's sound and themes, but the new Spectral Dusk is more vibrant and more personal, mixing atmospheric abstraction and dust-level detail — in other words everything that you can see both close up and far away from a log cabin window.

Listen! Evening Hymns - Arrows

Also on hand will be Fiver, the latest project from One Hundred Dollars' Simone Schmidt. Pitched as an outlet for the sort of songs that might not easily fit into her usual projects, there's certainly an element of that at play — but there's no doubt that they're "Simone Schmidt" songs, and the stories she weaves are fully engaging whether they're backed by a full band or, as will be the case at this show, in a duo with Paul Mortimer.

Listen! Fiver - Beeton

Bry Webb (Doug Paisley)

Saturday, August 18, 2012

Ex-punk Bry Webb's Provider album impressed a lot of folks, but it's been live that he's really been shining — finding his "mature" voice against a spare, acoustic musical backdrop. This is sit-down-and-listen music, about growing up and facing sobering responsibilities. But it's also about the small victories — at the end of every hard-earned day people find some reason to believe, which is the reason Webb'll take time to remind you that he's not singin' a sad song.

Listen! Bry Webb - Ex-Punks

Webb's rootsy counterpart for the night will be troubadour Doug Paisley, a smooth-voiced craftsman who makes it seem easy with deceptively-simple songs about complex truths. His set should be one of the series' gems.

Listen! Doug Paisley - Always Say Goodbye

Closing Party

The Great Hall. Sunday August 19,2012. Doors @ 7:00 pm

The festival closes with a jam-packed night back upstairs in The Great Hall proper, with some fabulous local talent on the bill. Inspired by 90's smooth R&B, OG Melody are writing the jams to celebrate summer in our city. Tuxedo-clad Chris Cummings used to be known as Mantler but is becoming Marker Starling — but he's still guaranteeing good times with his sad-lounge Wurlitzer stylings. Chrissy Reichert's Tenderness is one of most intriguing under-the-radar projects in the city right now, her loop-based, fader-flicking music kept untethered by a rotating cast of top-flight improvisers — and coming out of the clash rough-edged but user-friendly. And sibling-rockers Rival Boys hint at rock'n'roll sophistication in a trio that leans just a bit more to "pop" than "power".

Listen! OG Melody (feat. Peet Moss) - We Can Do It

Listen! Mantler - Husbands

Listen! Tenderness - We Lay Our Broken World in Sorrow at Your Feet

Listen! Rival Boys - Mutual Feelings


Besides all of this — and, of course, all of the theatre that is the festival's original raison d'être — there are also some cool bands at the performance bar, which promises nightly "eclectic performances and happenings". I'd especially recommend you keep your eye out for the tom-waits-for-no-man stylings of Ronley Teper (Friday, August 17) and the positive revolution vibes from the conscious Abstract Random hip-hop crew (Saturday August 18).

Listen! Ronley Teper - Cornered in the Alley

Listen! Abstract Random - Mi Nah Wanna


1 I seem to recall that one reason the music series moved was the amount of time required to turn the venue over and get it ready for the musical performances after the plays had finished, leading to a series of late starts. There are plays going on in the Theatre Centre at seven on most music nights, so hopefully there's enough turnover time now incorporated into the organizers' plans.

2 Mecija is best-known for her work in Ohbijou; Adams has many projects on the go, including the fab new DIANA, and has also recently been seen backing Bonjay.

Sunday, October 16, 2011

Recording: Ronley Teper

Artist: Ronley Teper

Song: Cornered in the Alley

Recorded at Emily's House (Bloor Ossington Folk Festival), October 15, 2011.

Ronley Teper - Cornered in the Alley

Full review to follow. An excellent day, part of a full weekend of music at the new — and utterly welcome — Bloor Ossington Folk Festival. The fact that the venues include places like "CL's Yard" and "Emily's House" should give you a hint at the local, intimate scale on hand here.